This is a full bibliography of the works of Christopher Duggan, including his D.Phil thesis, books, contributions to edited collections, articles in journals, newspapers and other periodicals, book reviews and review articles. It illustrates both the range of his own scholarship and his engagement with the fields of modern Italian history, politics, society and culture.

Christopher Duggan made extensive use of the correspondence of the American Times journalist William James Stillman in writing his important biography of Francesco Crispi. This article focuses on Stillman’s published works that deal with the Italian statesman, principally his 1898 history of Italy since 1815, the first and only English-language biography of Crispi until Duggan’s, and the journalist’s own autobiography. It argues that, despite Stillman’s much vaunted love for Italy, he in fact despised most Italians, and saw in Crispi’s virtues a rejection of typical Italian conduct. While Stillman was extreme but not altogether unusual among British and American commentators on Italy in his passionate support for Crispi, his contempt for Italians was surprisingly widespread among late Victorian observers of the new nation.

This article starts by discussing aspects of Christopher Duggan’s first book La mafia durante il fascismo, published in 1986, whose main topic was the anti-mafia campaign led by the prefect Cesare Mori in the latter half of the 1920s. The book’s distinctive features were its rigorous historical approach and use of archival sources: these set it apart from most other work on these topics at the time, when the idea that the mafia could be subjected to historical research had not yet been properly established. In its central thesis Duggan’s book was influenced by previous interpretations of the mafia, then still widely shared, that denied its nature as a structured organisation. Duggan argued here that Fascism used accusations of mafia involvement essentially as a way of attacking its political opponents. The final part of the article presents key aspects of a newer area of research on the mafia and Fascism, the 1930s, when a new campaign to suppress the mafia was not made use of for propaganda purposes.

This article examines how Italy has dealt with the physical remains of the Fascist regime, as a window onto Italian attitudes to the past. The ventennio left indelible marks on Italy’s cities in the form of urban projects, individual buildings, monuments, plaques and street names. In effect, the survival of physical traces contrasts with the hazy memories of Fascism that exist within the Italian collective consciousness. Conspicuous, yet mostly ignored, Italy’s Fascist heritage is hidden in plain sight. However, from the 1990s, buildings associated with the regime have sparked a number of debates regarding the public memory of Fascism. Although these debates present an opportunity to re-examine history, they may also be symptomatic of a crisis in the Italian polity and of attempts to rehabilitate Fascism through historical revisionism.