This article takes as its central site of interrogation the stone sculpture of Kagawa Toyohiko (1888–1960) in the Washington National Cathedral, asking how a statue of a Japanese Christian leader came to be constructed inside one of America's most important religious institutions. At first glance, the statue appears to be a simple instance of commemoration for an individual who dedicated his life to helping the poor and spreading the gospel within his native country of Japan. What emerges from a close examination of the National Cathedral's archives, however, is the story of a religious leader whose international standing and reputation underwent a significant shift over the course of his career. By tracing the construction of Kagawa's image as a globally renowned Christian pacifist during the interwar period, and the challenges to this image brought on by his subsequent wartime activities, this study seeks to place the Cathedral's building of the statue into historical context. In doing so, it illuminates the politics of national representation inherent in this project of cross-cultural commemoration, while also highlighting the lessons it offers about the rise and fall of Christian internationalism in the mid-twentieth century.