This chapter engages with Asian American utopian narrative forms as a heuristic for naming the contradictory subjects, spaces, and temporalities that emerge from competing visions of emancipation in the post-1990s period. In the wake of cultural nationalisms of earlier decades, and in a moment of neoliberal utopianism that hailed the end of the Cold War as the “achievement” of universal “Western liberal democracy,” women of color feminists critiqued cultural nationalism and the neoliberal utopian pursuit of a knowable subject and endpoint. The project of the liberal individual subject, they illuminate, elides racialized, gendered, and sexual difference for emancipatory projects. Demanding alternative accounts of freedom, Asian American feminists called for “subjectless” and “collective” politics. This chapter explores how this theoretical shift coincides with Asian American writers underscoring the paradoxes of utopian forms, as producing logics of domination and freedom. Through Sesshu Foster’s Atomik Aztex (2005) and Karen Tei Yamashita’s I Hotel (2010), this chapter rethinks Aztlán and the I-Hotel as galvanizing utopian forces for the Chicano and Asian American movements. Rather than abandoning utopia, Yamashita and Foster offer the utopian as a contradictory space to challenge the nationalist essentialisms of minority movements and the market individualism of neoliberal capitalism.