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  • Chapter 2 - The Cultures of Poetry in Contemporary Ireland

  • from Part I - Times
  • Edited by Eric Falci, University of California, Berkeley, Paige Reynolds, College of the Holy Cross, Massachusetts
  • Book:
    Irish Literature in Transition: 1980–2020
    Published online:
    28 February 2020
    Print publication:
    12 March 2020, pp 44-64

  • Summary

    This essay argues that the niche occupied by contemporary Irish poetry in global Anglophone literature is a function of its formal conservatism and resistance to theoretical reflection. Irish poetry offers a moderate and palatable alternative to poetic work that works in a more thoroughgoing fashion through the violence of the present. Its conservative formalism is a hedge against confronting form with the conditions poetry must engage with. Accordingly, much of recent Irish poetry paradoxically furnishes a convenient and consumable commodity form even where it seems to offer an alternative to the economic and ecological spectacle of global transformations. But a number of poets have found formally innovative ways to accommodate both the political violence of the Troubles and the depredations of neoliberalism in Ireland while at the same time drawing on the long history of Irish resistance to such effects of colonialism and capitalism.