An investigation of the Hittite cult implement called the kurša and its relationship to the breast iconography of Ephesian Artemis, to various Greek implements within the context of both Bronze-Age Anatolia and Indo-European cult, and to Aeolian myth as expressed in, especially, Argonautic tradition.

Nabopolassar fought with an Assyrian-style army and took the throne of Babylon. Thirteen years later, Nineveh fell despite Egyptian help. Babylon took over much of the Assyrian empire. Later he defeated the last Assyrian king at Harran. His success was seen as Marduk’s revenge. Captured wealth from Assyrian royal cities allowed major building work at Babylon, which was continued by Nabopolassar’s son Nebuchadnezzar II. Neither king left statues of themselves, and cylinder seals represent gods by their symbols. Major subsidence in the citadel required frequent rebuilding on the Southern Palace. The names of temples and gates were compiled on to a clay tablet as a literary work. Colour-glazed bricks adorned the Processional Way leading to the temple of the New Year festival outside the citadel walls. That festival is described. Some of his creations Nebuchadnezzar described as a Wonder, but he made no mention of the Hanging Garden. In a separate part of the citadel, Nebuchadnezzar built a Summer Palace. His conquests included Tyre and Ashkelon but not Egypt or Lydia. He sacked the Temple in Jerusalem and deported its royal family to Babylon. Other captives settled on land nearby. Business archives of long duration continue into the Achaemenid period.