Suggestions of a processual orientation in Collingwood’s thought can be found in certain places in his corpus, but Collingwood is not generally known as a process philosopher. This is likely because the Libellus de Generatione, in which he develops a process-oriented ontology, has long been unavailable and thought lost. While a copy was found and is housed in the Bodleian Library, it was only made publicly available in 2019. This chapter explicates the process ontology developed in the Libellus and contextualizes it in relation to Collingwood’s wider corpus and to early twentieth-century process philosophy. Drawing on Sandra Rosenthal, I argue that Collingwood’s understanding of process is closer to Bergson’s than Whitehead’s, especially in ways that allow for genuine novelty and creation, and in its implications for the metaphysics of time. I then discuss implications of this process ontology for the view of Collingwood as an idealist and for other areas of his philosophy. Finally, I consider whether attributing a processual ontology to Collingwood is in tension with his own view of “metaphysics without ontology.”

This chapter shows that the entire intelligible world in Plotinus has a personal nature. Every real being is a person, not an abstract concept or a dead thing. Moreover, those real beings don’t exist in separation, and they are not autonomous individuals, but form a unified, living whole, an organism or, as Plotinus calls it, a city with a soul. The Forms are sacred statues of the gods, which can be seen through their sensible images. In the end, Plotinus coins a neologism to describe this peculiar vision of reality: παμπρόσοωπόν τι, “being-all-faces”. This grand vision gives a deeper meaning to all the earlier metaphors of statues, reflected images, and faces that I have been elucidating in the book. In a deep unity of the intelligible world, to know and love one’s own face or to know and love the face of another is to contemplate all the other faces that participate in the living city that is reality.

This chapter discusses the way the contemplation of Intellect and the Forms is related to the experience of the sensible world. Despite the traditional view that Platonism espouses “two worlds”, Plotinus mocks the idea of the sensible and the intelligible as being actually two separated realms. Rather, for him there is only one world but seen from different perspectives by different cognitive activities of the soul. What happens in noetic contemplation is not that the Forms are seen apart from their sensible images, but that they are seen in and through their images, having become transparent to their essences. Or, when the experience is mature, it is rather that the sensible things are seen in and through their intelligible archetypes. To explain that phenomenon, Plotinus uses the continuum of dimness and clarity, and claims that perception is dim intellection, while intellection is clear perception. The contemplation of the transparency of the sensible to the intelligible gives rise to the experience of “bodies in Intellect” or the profound unity of the two realms, where the entire reality of the sensible is to be found in the intelligible.

This chapter examines the notion of being in the Consolation of Philosophy and contrasts it with modern notions of existence. The notions in the Consolation relevant to this inquiry are those expressed by the verbs esse and exsistere. The chapter argues that the basic notion of exsistere in the Consolation should be understood as “to be manifest,” while the basic notion of esse should be understood as “to be something or other” or “to be intelligible.” Furthermore, the chapter demonstrates that the notion of esse in the Consolation differs from typical modern notions of existence in two significant ways. First, unlike modern notions of existence, according to which there are things that do not exist, the notion of esse or being in the Consolation has no contrary. Everything that can be spoken of or thought about “is” in some way. Second, the notion of esse in the Consolation, as in Aristotle, is “said in many ways.” In this it differs from modern notions of existence, which tend to be univocal. The chapter shows that once the notions of exsistere and esse are properly understood, certain arguments in the Consolation that might initially appear confused turn out to be quite clear and highly plausible.

Engaging directly with the question whether Platonic Forms are concepts, David Sedley’s chapter ’Are Platonic Forms Concepts?’ takes its start from the Parmenides 132b–c, where Socrates and Parmenides briefly examine the hypothesis that Forms are ‘thoughts’ (noēmata). Sedley asks what ‘thoughts’ are in that context, and argues that they are not thought contents, but acts of thinking. The chapter offers an ambitious and comprehensive analysis of the classical theory of Forms as showcased in the Phaedo, Republic, Parmenides, and Timaeus, in terms that clarify why Plato was bound to reject the hypothesis considered in the Parmenides (132b–c), namely that Forms are thoughts.

A growth point captures the moment of speaking, taking a first-person view. It is thought in language, imbued with mental/social energy, and unpacked into a sentence. It is not a translation of gesture into speech. It is a process of processes. One is the psychological predicate (a notion from Vygotsky), a differentiation of context for what is newsworthy, the growth point’s core meaning – the context reshaped into a field of equivalents to make the differentiation meaningful. The core meaning has dual semiosis – opposite semiotic modes – a global-synthetic gesture and analytics-segmented speech, synchronized and coexpressive of the core. The gesture phases foster the synchronization. Cohesive threads to other growth points (a “catchment”) enrich it. A dialectic provides the growth point’s unpacking – the gesture becoming the thesis, the coexpressive speech the antithesis. Jointly, they create the dialectic synthesis. The dialectic synthesis and the unpacking are the same summoned construction-plus-gesture. The growth point, its processes fulfilled, inhabits the speaker’s being, taking up a position in the world of meaning it has created (conception from Merleau-Ponty).

After an introductory discussion about Mann’s and Heidegger’s direct comments about each other, I explore how Mann and Heidegger are situated with regard to what has been called conservative revolution. Mann not only helped to gain currency for the concept of conservative revolution, but he also defended it against what he considered its right-wing and/or fascist spoilers, before eventually providing a thorough criticism of it in his Doctor Faustus. Heidegger’s recently published Black Notebooks show that in the 1930s and 1940s his thought veered towards the direction of conservative revolution, as described in Mann’s novel. To complement the understanding of conservative revolution, I also draw on Hugo von Hofmannsthal’s seminal speech from 1927, which helps to determine how much Heidegger’s philosophy partakes of the spirit of conservative revolution in Germany.

This chapter deals with the concept of being in Mesoamerican traditions, which to some extent resembles what we find in other global traditions. The chapter covers concept such as the Yucatec Maya itz and the Nahuatl teotl as a kind of basic stuff of the cosmos determining its nature. It is not quite right to call these constituents of reality, in the sense of a material such as atoms that make up the world in physicalistic systems. Instead, these concepts should be understood as expressing the nature of reality itself, that is, being itself, underlying, prior to, and sustaining all particular things.

This analysis of Jacobi’s pivotal Spinoza Letters illustrates that the driving force behind his innovative altercation with Spinoza lies not in religious motives, but rather in motives derived from the philosophy of action. By putting into effect the contradiction between system and freedom in the practical sphere, Jacobi opened up new perspectives in modernity’s own self-understanding.

Being as the most fundamental intentional state. Being as a matter of “being-there,” where the “there” is determined by metaphors. Sovereign states and sovereign individuals in early modern Europe. The uncertain ontological status of both subjects. Theater and theory as ways to make both subjects beholdable and indisputably there. Dance as a way to come into being. Social ontologies based on dance metaphors – the world-stage and the social interaction of resident ambassadors.

This chapter explores possible differences between powerful qualities and pure powers, argues for the Pure Powers Model, and discusses the problem of being for pure powers. It is argued that powerful qualities are modally indistinguishable from pure powers but have a denser nature. Since pure powers are ontologically simpler than powerful qualities yet equally explanatorily relevant to modality, we should reject powerful qualities. After rejecting the Powerful Qualities Model, the reality of pure powers is defended. If pure powers are to provide a stable basis for physical modality, the problem of their being or grounding during periods of nonmanifestation needs resolution. It is argued that pure powers are self-grounded. A regress argument advanced by Stathis Psillos, which challenges the self-grounding of pure powers, is deflected. Lastly, Point Theory is developed to explain the self-grounding of pure powers.

A number of readings of the work of Martin Heidegger have emerged recently that place at its heart what has been labeled a "paradox of being." We find these readings in the work of Filippo Casati, Adrian Moore, Graham Priest, and Edward Witherspoon, though related themes can be traced earlier in work by Daniel Dahlstrom. The approach that these readings take poses new and interesting questions of Heidegger’s texts – some of these commentators arguing, for example, that the paradox they identify calls for a radical change in our understanding of logic – as well as contributing to a revival of interest in "the question of being." This chapter argues that these readers are right to point to a "paradox of being" in Heidegger’s work and to stress the importance of that "question"; but it raises questions about how they do this. The first half of the chapter examines critically the "paradox of being" that these readings identify, and the basis upon which they believe it rests. The second half of the chapter argues that a "paradox of being" does indeed emerge in Heidegger’s work, but it is rather different in character, is more pressing – because it rests on sounder foundations – and becomes visible only when we examine more closely precisely which "question of being" it is that is at stake in Heidegger’s work.

In the Sophist, Plato asks how there can be false statements. A false statement (logos) says what is not. But a statement cannot say nothing – there must be something that it says. Plato tries to solve the puzzle by investigating the notion of not-being and the notion of a logos. To understand not-being, we must first understand being. That in turn requires understanding how something can be called by many different names. Plato’s solution to these problems rests on the distinction between what something is of itself and what it is because it is related to other things. It also rests on an understanding of the notion of difference. The class of not-beautiful things, for example, is a real group: they are different from the beautiful things. Similarly, not-beings are a real group. The upshot is this: “Theaetetus is flying” is false, in that flying is different from what is with reference to Theaetetus. Theaetetus has being. Flying has being. But “Theaetetus is flying” says with reference to him what is not.

Chapter 5 inquires with Augustine into the origins and metaphysics of humility and pride, and how we may come to know them. In books XI–XII of The City of God, Augustine explores this theme by reflecting on biblical and Platonic accounts of creation, especially of angels and human beings, and of the birth of Augustine’s famous “two cities” among them.

Numenius (second century AD), the only witty Platonist after Plato himself, memorably described Plato as ‘Moses talking Attic’. He did not mean thereby to rate Eastern wisdom more highly than Platonic philosophy, as is sometimes suggested, but to recognise in the words ‘I AM THAT I AM’, spoken to Moses by the God of the Hebrews, an anticipation, unique in Eastern lore, of the conception Numenius championed of the Platonic first principle One or Good as Being itself. This paper proposes that his further exploration of that idea shows him to have construed the Timaeus account of such being as an eternal present, or in Boethius’s words ‘the complete possession all at once of an infinite life’, not as timelessness (the Timaeus interpretation advocated by Richard Sorabji). It is argued that this was both a correct interpretation of Plato’s text, and one shared in much subsequent ancient and medieval philosophy, including Plotinus, Augustine, and Aquinas. From our own human perspective, a present tense without past or future connections might be considered ‘a kind of logical torso’, a defective remnant of ordinary time. For Plato that human conception of present time is itself a mere image of eternity.