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2 results

  • A new portrait type for Faustina the Younger

  • Martin Beckmann
  • Journal:
    Journal of Roman Archaeology / Volume 34 / Issue 2 / December 2021
    Published online by Cambridge University Press:
    08 April 2021, pp. 734-741
    Print publication:
    December 2021

  • This note identifies a new portrait type of Faustina the Younger, which appears on medallions and on a single aureus. On medallions the type appears in a single, closely die-linked group, indicating a synchronous emission. I suggest that this emission should be placed in a prominent gap in the (dated) medallion issues of Antoninus Pius and Marcus Aurelius, which in turn dates this newly identified portrait of Faustina to 153/4 CE.

  • 3 - Hadrian to the Antonines

  • from PART I - NARRATIVE
  • Edited by Alan K. Bowman, University of Oxford, Peter Garnsey, University of Cambridge, Dominic Rathbone, King's College London
  • Book:
    The Cambridge Ancient History
    Published online:
    28 March 2008
    Print publication:
    12 October 2000, pp 132-194

  • Summary

    Hadrian's position as emperor was apparently far from secure. Hadrian is said to have played a personal role in the temple's design, one of many examples of his vaunted omniscience. Only Antoninus Pius' insistence that failure to deify would involve the annulling of Hadrian's acts, including his own adoption, enabled him to overcome. In 143 or 144 the young orator from Hadriani in Mysia, Aelius Aristides, delivered at Rome his famous speech in praise of the empire, which has largely contributed to the favourable verdict of posterity on the Antonine era. With Pius' death Marcus lacked only the name Augustus and the position of pontifex maximus, having held imperium and tribunician power for nearly fourteen years: there was no doubt that he was emperor. Out of respect for Pius, Marcus assumed the name Antoninus, while Lucius gave up the name Commodus, which he had borne from birth, and took instead Marcus' name M. Annius Verus.