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In this volume, Gabriel Zuchtriegel revisits the idea of Doric architecture as the paradigm of architectural and artistic evolutionism. Bringing together old and new archaeological data, some for the first time, he posits that Doric architecture has little to do with a wood-to-stone evolution. Rather, he argues, it originated in tandem with a disruptive shift in urbanism, land use, and colonization in Archaic Greece. Zuchtriegel presents momentous architectural change as part of a broader transformation that involved religion, politics, economics, and philosophy. As Greek elites colonized, explored, and mapped the Mediterranean, they sought a new home for the gods in the changing landscapes of the sixth-century BC Greek world. Doric architecture provided an answer to this challenge, as becomes evident from parallel developments in architecture, art, land division, urban planning, athletics, warfare, and cosmology. Building on recent developments in geography, gender, and postcolonial studies, this volume offers a radically new interpretation of architecture and society in Archaic Greece.
The concluding chapter contextualizes the study of ancient Doric architecture against the backdrop of European colonialism and modern globalization. The evolutionary explanation of the Doric temple can be seen as part of a broader tendency in the West of naturalizing and normalizing Greek/Western culture as world culture by tracing it back to universal principles. The critique of the evolutionary narrative makes it possible to appreciate the disruptive and innovative character of the Doric order as part of a historical shift in the wielding of religious and political power and in the relation between Greek communities and the landscapes they inhabited. Population growth, social change, and political innovation led to urbanization, colonization, and land reclamation on an unprecedented scale. These processes challenged the traditional religious system, which was based on an intrinsic relation between the divinities and the natural features of the landscape. The Doric temple can be seen as a response to this situation: by redefining the sacred space, “inhabited” by the gods, it also redefined what was outside the sacred precinct, the “profane” land that was subject to new forms of exploitation, land distribution, and colonization.
At the beginning of the sixth century BC, the Aphaia sanctuary on the island of Aegina underwent a radical transformation. What until then had been a local open-air cult place in the woody mountains of the western part of the island, where a female deity had been worshipped as early as the second millennium BC, became an architecturally structured sanctuary that conformed to the novel Doric architectural order. At the same time, a cult image made of ivory was set up in the newly built temple. The goddess, who had previously “shown herself” in the open grove that was associated with her presence, was now represented through a man-made image. In addition, a wall was built around the temple that separated the sacred precinct from the “profane” land outside the sanctuary. Around the same time, the island of Aegina became one of the most important trade centers in the Greek world. The book argues that the transformation of the Aphaia sanctuary on Aegina is typical of the larger area in which the Doric order emerged. This transformation was characterized by economic growth, urbanization, land reclamation, and colonization and prompted the Greeks to rethink their relationship with the gods who inhabited the land.
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