This chapter focuses on abbreviations, elements that were almost a byword for a written document from the Antiquity through the Middle Ages right until the early modern period: notwithstanding the language, text type and genre, script type, purpose and audience, these ideographic elements were nearly always to be found in a written document. For the medieval litteratus, abbreviations embodied the inextricable link between logos and imago; for the contemporary reader, they may well have a familiar feel of the multimodality we have grown accustomed to that informs digital textuality. The author outlines the origins, typology and visuality of Latin abbreviations used in medieval and early modern Europe, adding a postscript on the transition from script to print, which ultimately spelled the end of such ideograms in the modern era. This chapter, however, should not be read as a note on ‘the days of yore’ in the history of orthography in the Latin West: abbreviations do have a longue durée in Latin-based textuality and remain a feature of modern writing, if sometimes in a different guise.

The emergence of acronyms and abbreviations is discussed n this chapter.

This chapter demonstrates several ways in which scribes and the scriptorium were central to life in Hildegard of Bingen’s community, perhaps even before the women departed from the Disibodenberg. Under the probable supervision of Hildegard’s provost the monk Volmar, nuns in Hildegard’s scriptorium were responsible for the copying, and hence the preservation of Hildegard’s writings, from the letter collections of the earlier attested periods of scribal activity to the feverish activity of the final decade or so of Hildegard’s life, to the compilation and preparation of the Riesencodex, Wiesbaden, Hochschul- und Landesbibliothek RheinMein, MS 2, which forms a kind of critical edition of her writings. Many scribal hands were involved in the work, suggesting that copying was an important part of monastic discipline on the Rupertsberg. This essay introduces the major features of the house style and some of the problems of studying scribal practices, focusing on the habits of one scribe who worked on two copies of Scivias. A complete list of the manuscripts of Hildegard’s trilogy surviving in Rupertsberg copies is provided as well.

Authors are instructed that the Abstract is the most important part of their paper and that it needs very careful attention. It must attract the attention of potential readers, be succinct and clear. The structured Abstract is more verbose, which is required by some journals. It should contain in particular the hypothesis and, in the shortest way, the overall conclusion of the findings. Below it the author indicates what are the most appropriate keywords, sets out the abbreviations used.

An outline of the methodology of the BBC Voices survey and description of the corresponding audio archive at the British Library; a guide to using the thesaurus, with examples of typical entries; biographical details of all participants and a list of abbreviations used.

An outline of the methodology of the BBC Voices survey and description of the corresponding audio archive at the British Library; a guide to using the thesaurus, with examples of typical entries; biographical details of all participants and a list of abbreviations used.

Abadir and Magnus (2002, Econometric Theory) proposed a standard for notation in econometrics. The consistent use of the proposed notation in our volumes shows that it is in fact practical. The notational conventions described here mainly apply to the material covered in this volume. Further notation will be introduced, as needed, as the Series develops.