Drawing on lengthy ethnographic fieldwork with ethnic performers in South-West China, this article seeks to explore the multi-layered ethnic scripts in contemporary China. Ethnic performers are people who perform ethnic songs and dances in restaurants or tourist sites, most of whom are rural–urban migrants from ethnic minority backgrounds. Ethnic performers’ ambivalences regarding whether they are “authentic minorities” points to the inadequacy of attempting to understand ethnicity in an essentialized way. Understanding ethnicity as something people do rather than who they are, the concept of “ethnic scripts” is proposed as a conceptual tool to illuminate the cultural and social repertoires which deeply shape people's understanding of and ways of doing ethnicity. By exploring the multi-layered meaning of ethnic scripts in contemporary China, this article highlights the ways that ethnic scripts are closely related to migrant performers’ emotions and sense of self, and addresses the fact that ethnic scripts are inherently gendered.

In its one hundred years of existence, the Communist Party of China has experimented with how to connect its narratives of legitimacy to people's affects. In this essay, I trace the conceptualization of gratitude, from its repudiation in the Mao era as a vestige of feudalism and imperialism to its return in the reform era as a re-verticalization of Party sovereignty. The paper addresses four examples of gratitude work: Politburo Standing Committee member Wang Yang's short-lived critique of gratitude in the name of a different conception of popular sovereignty; the celebration of the tenth anniversary of the Sichuan earthquake as a day of gratitude; the detention of Uyghurs in Xinjiang who are taught to be grateful to the Communist Party in a campaign of religious de-radicalization; and the refusal of gratitude in quarantined Wuhan during the COVID-19 pandemic. In these cases, the Communist Party's sovereignty stands at the threshold between bio- and necro-politics, promising life and salvation in the midst of death and destruction.

Through an analysis of every instance of the term qing 情 in the text, this article explores the role of this concept in the ethical thought of the second-century b.c.e. text Huainanzi. The Huainanzi authors draw on several features of the semantic range of qing in the early Han dynasty to help support their overall argument that the text provides an exhaustive and authoritative account of how to effectively govern an empire. As part of this project, I argue that the authors also use qing to articulate the meta-ethical features of the cosmos and human beings that make ideal moral action possible, as well as to explain the process of how humans can cultivate themselves to the ideal state of sagehood. Understanding the role of qing in the Huainanzi is thus essential to understanding the text's ethical content.