Search

Summary

This chapter explores the cultural significance of the optical telegraph in Ireland. Following the institution of the Chappe télégraphe in revolutionary France, this long-distance communications technology was widely innovated and subsequently adopted by numerous governments including, briefly, the British administration at Dublin Castle. The chapter begins by discussing the promotion, in the Belfast Northern Star, of the telegraph designed by the ‘improving’ Ascendancy landlord, Richard Lovell Edgeworth. It then considers the politics of telegraphic discourse in Ireland in the years leading up to the Rebellion of 1798, with a particular focus on the associations between telegraphy and the United Irish press. Finally, it suggests some points of affinity between Maria Edgeworth’s tale ‘The White Pigeon’ (1800) and her father’s telegraph. In its connection with competing ideas of Irish nationality, security, and surveillance, I argue, the telegraph offers valuable insights into the relations between literature and technology in late eighteenth-century Ireland.

Search Results

Refine search

Refine search

Actions for selected content:

1 results

Chapter 3 - The Optical Telegraph, the United Irish Press, and Maria Edgeworth’s ‘White Pigeon’

Summary

Search Results

Refine search

Refine search

Actions for selected content:

Save Search

1 results

Chapter 3 - The Optical Telegraph, the United Irish Press, and Maria Edgeworth’s ‘White Pigeon’

Summary