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Index
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- 27 August 2020, pp 302-310
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Part III - Critical Readings
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Contents
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Part II - Case Histories
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Musicology and Dance
- Historical and Critical Perspectives
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Introduction
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Figures
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Tables
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Contributors
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Select Bibliography
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Chapter 10 - Embodied Heritage: English Country Dance in Austen Screen Adaptations
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Part I - Conceptual Studies
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Acknowledgements
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Copyright page
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Music Examples
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Hugh Macdonald, Bizet (Master Musician Series) (New York and Oxford: Oxford University, 2014). xi + 300 pp. £22.99.
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- Nineteenth-Century Music Review / Volume 13 / Issue 2 / December 2016
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- 09 August 2016, pp. 299-302
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The Ballet Classics: ‘Coppélia’, ‘Paquita’, and ‘Giselle’ - Léo Delibes Coppélia Charline Giezendanner (Swanilda), Mathieu Ganio (Franz), Pierre Lacotte (Coppélius), Marie-José Redont (the Mother) and Cyril Mitilian (the Mayor) Paris National Opera Ballet School of Dance Arthur Saint-Léon, choreographer (version by Albert Aveline) Pierre Lacotte and Claude Bessy, stage directors Paris National Opera Orchestra, David Coleman, cond Recorded live at the Opéra National de Paris, Palais Garnier (2001). Arthaus Musik 107231, 2011 (1 DVD: 67 minutes). - Edouard Delvedez and Ludwig Minkus Paquita Agnès Letestu (Paquita), José Martinez (Lucien d'Hervilly), Karl Paquette (Iñigo), Richard Wilk (The General, Comte d'Hervilly), Céline Talon (the Countess), Jean-Marie Didière (Don Lopez de Mendoza) and Béatrice Martel (Dona Serafina) Pierre Lacotte, choreographer (after Joseph Mazilier and Marius Petipa) Luisa Spinatelli, set and costume designer Paris National Opera Orchestra, David Coleman, cond Recorded live at the Opéra National de Paris (2003) Arthaus Musik 107005, 2008 (1 DVD: 103 minutes) Special features include interviews with Brigitte Lefèvre (director of dance, Opéra National de Paris), Pierre Lacotte, Agnès Letestu and José Martinez. - Adolphe Adam, Giselle Laëtitia Pujol (Giselle), Nicolas Le Riche (Albrecht), Wilfried Romoli (Hilarion), and Marie-Agnès Gillot (Myrtha). Paris National Opera Ballet. Jean Coralli and Jules Perrot (1841), choreographers (restaged by Marius Petipa, adapted by Patrice Bart and Eugène Polyakov). Alexandre Benois (1924), set and costume designer (realized by Silvano Mattei and Claudie Gastine). Paris National Opera Orchestra, Paul Connelly, cond Recorded live at the Opéra National de Paris (2006) Arthaus Musik 107321, 2011. (1 DVD: 111 minutes)
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- Nineteenth-Century Music Review / Volume 11 / Issue 2 / December 2014
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- 19 December 2014, pp. 379-384
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A Survey of Online Digital Newspaper and Genealogy Archives: Resources, Cost, and Access
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- Journal of the Society for American Music / Volume 8 / Issue 2 / May 2014
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- 04 June 2014, pp. 277-283
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- May 2014
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Marian Smith, Ballet and Opera in the Age of Giselle. Princeton: Princeton University Press, 2000. xx+306 pp., illustrations, music, 24 cm. Princeton studies in opera. Bibliographic references pp. [241]-300, and index.
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- Cambridge Opera Journal / Volume 13 / Issue 2 / July 2001
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- 12 July 2002, pp. 191-196
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- July 2001
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Johnson James H.. Listening in Paris: A Cultural History. Berkeley: University of California Press, 1995. Studies in the History of Society and Culture, 21. xvi + 384 pp.
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- Cambridge Opera Journal / Volume 8 / Issue 1 / March 1996
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- 27 August 2008, pp. 77-81
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- March 1996
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