Book contents
- Frontmatter
- Contents
- Preface to First Edition
- Preface to Second Edition
- 1 The absent voice: American drama and the critic
- 2 Eugene O'Neill's Endgame
- 3 Tennessee Williams: the theatricalising self
- 4 Arthur Miller: the moral imperative
- 5 Edward Albee: journey to apocalypse
- 6 A Broadway interlude
- 7 Sam Shepard: imagining America
- 8 David Mamet: all true stories
- 9 The performing self
- 10 Redefining the centre: politics, race, gender
- 11 Beyond Broadway
- Notes
- Index
Notes
Published online by Cambridge University Press: 10 December 2009
- Frontmatter
- Contents
- Preface to First Edition
- Preface to Second Edition
- 1 The absent voice: American drama and the critic
- 2 Eugene O'Neill's Endgame
- 3 Tennessee Williams: the theatricalising self
- 4 Arthur Miller: the moral imperative
- 5 Edward Albee: journey to apocalypse
- 6 A Broadway interlude
- 7 Sam Shepard: imagining America
- 8 David Mamet: all true stories
- 9 The performing self
- 10 Redefining the centre: politics, race, gender
- 11 Beyond Broadway
- Notes
- Index
Summary
- Type
- Chapter
- Information
- Modern American Drama, 1945–2000 , pp. 425 - 440Publisher: Cambridge University PressPrint publication year: 2000