Hostname: page-component-78c5997874-94fs2 Total loading time: 0 Render date: 2024-11-20T01:47:09.424Z Has data issue: false hasContentIssue false
  • English
  • Français

Bruno R. Reuer and Lujza Tari (editors). Perspektiven der Musikethnologie. Documentationstechniken und interkulturelle Beziehungen. Beiträge des Internationalen Symposiums in Budapest (22.-26. April 1990). Veröffentlichungen des Südostdeutschen Kulturwerkes, Reihe B: Wissenschaftliche Arbeiten, 61. Munich: Verlag Südostdeutsches Kulturwerk, 1994. 234 pp., photographs, musical examples, bibliography.

Review products

Bruno R. Reuer and Lujza Tari (editors). Perspektiven der Musikethnologie. Documentationstechniken und interkulturelle Beziehungen. Beiträge des Internationalen Symposiums in Budapest (22.-26. April 1990). Veröffentlichungen des Südostdeutschen Kulturwerkes, Reihe B: Wissenschaftliche Arbeiten, 61. Munich: Verlag Südostdeutsches Kulturwerk, 1994. 234 pp., photographs, musical examples, bibliography.

Published online by Cambridge University Press:  07 March 2019

Stephen Erdely
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Yearbook for Traditional Music , Volume 28 , 1996 , pp. 211 - 214
Copyright
Copyright © 1996 By The International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Béla, Bartók 1911-12 “A hangszeres zene folkloreja Magyarországon” [Instrumental Folklore in Hungary]. Zeneközlöny 9:141–8, 207-13, 309-12; 10:601–4. Eng. trans., “The Folklore of Instruments and their Music in Eastern Europe,” in Béla Bartók Essays, ed. Benjamin Suchoff. New York: St. Martin's Press, pp. 239–84.Google Scholar
1920 “Die Volksmusik der Araber von Biskra und Umgebung.” Zeitschrift für Musikwissenschaft 2:489–522.Google Scholar
1993- Hungarian Folk Songs. Complete Collection. Budapest, Bartók Archives of the Institute of Musicology, Hungarian Academy of Sciences. 2 vols. published to date.Google Scholar
Erdely, Stephen and Chipman, Robert A. 1972 “Strip Chart Recording of Narrow Band Frequency Analysis in Aid of Ethnomusicological Data.” Yearbook of the International Folk Music Council 4:119–36.CrossRefGoogle Scholar
Hornbostel, Erich M. von and Sachs, Curt 1914 “Systematik der Musikinstrumente.” Zeitschrift für Ethnologie 56: 553–90.Google Scholar
Hornbostel, Erich M. von 1906 “Phonographierte tunesische Melodien.” Sammelbände der Internationalen Musikgesellschaft 8:1–43. Repr. in Sammelbände für vergleichende Musikwissenschaft 1:311–48 (1922) and in Hornbostel Opera Omnia, ed. K.P. Wachsmann, D. Christensen and H.-P. Reinecke. The Hague: Nijhoff, 1975, pp. 325–80.Google Scholar
Járdányi, Pál 1961 Magyar Nepdaltipusok, I and II. Budapest: Akadémiai Kiadó.Google Scholar