Hostname: page-component-586b7cd67f-g8jcs Total loading time: 0 Render date: 2024-11-25T21:16:53.535Z Has data issue: false hasContentIssue false

For Everyman, A Theatre

Published online by Cambridge University Press:  14 February 2022

Extract

I suppose the most beneficial result of your letter is the actual analysis on my part of what it is I am really doing. For many years I have been pulling better designs than the next fellow out of the hats of clients in financial corners. I can boast of never having had a rich client. I live at the top of my class but my work was at the bottom of the theatre world. I thought Izenour's theatres monstrously top-heavy, but had to admit he was more popular with the well-heeled lads and the conformists. Then someone pointed out to me the other day that perhaps I was building more theatres than he. On the other hand, your letter seemed to stigmatize my experimentation in actual “bricks-and-wood” and encourage, rather, flight-free drawings.

Finally I decided to stay with the “bricks-and-wood” and try to bring you around to a realization of what is actually going on in my world.

Type
Research Article
Copyright
Copyright © 1963 The Tulane Drama Review

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)