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The Architect's Compass in Creation Miniatures of the Later Middle Ages*
Published online by Cambridge University Press: 29 July 2016
Extract
It has long been believed that pictures of the creator marking out the universe with a compass, common in late-medieval manuscripts, were inspired by Wisdom 11.21 which says of God: ‘Omnia in mensura, et numero, et pondere disposuisti.’ Yet anyone who examines the forty-odd creation scenes with compass extant in psalters, horae, picture Bibles and other manuscript books will see quite clearly that only seven of these pictures illustrate literally the processes of weighing with scales, measuring, and numbering, as mentioned in the Book of Wisdom. The majority simply show God holding a compass with his handiwork before him, and seem to have been inspired by the opening chapters of Genesis — in which there is no compass — or by Proverbs 8.27, where God sets not a compass but a circle upon the face of the deep.
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References
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84 Fletcher 93-94, 95. A similar account of the creative power of the compass is given in Levi ben Gerson's commentary on Job 26.10 where he explains that the word for setting a boundary line is similar to the word compass: ‘As the compass determines the confines of the surface of the circle which comes into being through its movements.’ Lassen, Abraham L., tr. The Commentary of Levi Ben Gerson on the Book of Job (New York 1946) 161, my emphasis.Google Scholar
35 See Hirsch, S. A., ‘Presidential Address,’ in Transactions of the Jewish Historical Society of England 7 (1911-1914) 11–13; Smalley, Beryl, ‘Hebrew Scholarship among Christians in Thirteenth-Century England as Illustrated by some Hebrew-Latin Psalters,’ Lectiones in Vetere Testamento et in Rebus Judaicis 6 (1939) and her Study of the Bible 329-355; Loewe, Raphael, ‘The Mediaeval Christian Hebraists of England,’ Transactions of the Jewish Historical Society of England 17 (1953) 225-249; and Hailperin, , Rashi and the Christian Scholars .Google Scholar
36 To the best of my knowledge, no thorough study of Hugh of St. Cher has yet been written. See generally Jerman, Colman O.P., Hugh of St. Cher,’ Dominicana 44 (1959) 338–347. On the Correctoria and Concordantiae , see Spicq, C., Esquisse d'une histoire de l'exégèse latine au moyen äge (Paris 1944) 167-174. An interesting example of Hugh's unacknowledged borrowing from the Midrash occurs in a gloss on Genesis 3.1, where he remarks of Eve, ‘mulierem primo aggressus est in serpente qui tunc erectus erat,’ Opera Omnia in Uniuersum Vetus, & Novum Testamentum (Venice 1733) I fol. 5. In the Midrash on Genesis, tr. Freedman and Simon, we learn that ‘R. Hoshaya the Elder said: He [the serpent] stood distinguished (erect) like a reed, and he had feet.’ I xix 1 149. But ‘ministering angels descended and cut off his hands and feet,’ I xx 5 162.Google Scholar
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42 See Denifle, H. O.P., ed. Chartularium Universitatis Parisiensis (Paris 1889) I 209–211. A manuscript of the Extractiones, Munich MS Lat. 26847, fol. 68 remarks of Thibaut de Sézanne, the probable compiler that ‘quondam erat Judaeus.’ A recent study of the Extractiones is that of Judah M. Rosenthal, ‘The Talmud on Trial,’ The Jewish Quarterly Review 47 (1956) 58-76, 145-169. In the second part of this article, Rosenthal prints the charges and the Hebrew passages quoted in them.Google Scholar
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