Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-11-26T04:47:15.339Z Has data issue: false hasContentIssue false

Harrison Birtwistle's Operas and Music Theatre by David Beard. Cambridge University Press, £70.00.

Published online by Cambridge University Press:  08 October 2013

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Copyright
Copyright © Cambridge University Press 2013 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Hall, Michael, Harrison Birtwistle (London, 1984)Google Scholar and Harrison Birtwistle in Recent Years (London, 1998)Google Scholar; Cross, Jonathan, Harrison Birtwistle: Man, Mind, Music (London, 2000)Google Scholar; and Adlington, Robert, The Music of Harrison Birtwistle (Cambridge, 2000).Google Scholar

2 Cross, Jonathan, Harrison Birtwistle: The Mask of Orpheus (Aldershot, 2009).Google Scholar

3 Hall, Michael, ‘The sanctity of the context: Birtwistle's recent music’, Musical Times 129 (January 1988), 1416.CrossRefGoogle Scholar

4 See The Shadow of Opera: Dramatic Narrative and Musical Discourse in Gawain’, twentieth-century music 2/2 (Sept 2005), 159–95CrossRefGoogle Scholar and “A Face Like Music”: Shaping Images into Sound in The Second Mrs Kong’, Cambridge Opera Journal 18/3 (November 2006), 273300.CrossRefGoogle Scholar

5 The Minotaur, Royal Opera House/Opus Arte 2008, OA 1000 D (DVD).