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² Ibid. 27, 272.

³ Binyon, T. J., ‘Murder will out’: The Detective in Fiction (Oxford, 1989), 125 Google Scholar; Hoyser, Catherine E., ‘Historical Mystery’, in Herbert, Rosemary, ed., The Oxford Companion to Crime and Mystery Writing (Oxford, 1999), 209–10.Google Scholar

⁴ Oleksiw, Susan, ‘The British Clerical Milieu’, in Herbert, , ed., Oxford Companion, 74–5 Google Scholar; Catherine Aird, ‘Clerical Sleuth’, ibid. 75–6, who gives examples of sleuths in other religious traditions, including the Methodist Revd C. P. ‘Con’ Randolph and various detecting rabbis, plus a Tibetan Buddhist monk. See also Binyon, ‘Murder will out’, 64–6; Ashley, Mike, ‘Mistress of the Medieval Mystery’, Million: the Magazine of Popular Fiction, no. 4 (July-August 1991), 6–11.Google Scholar

⁵ Auden, W. H., ‘The Guilty Vicarage’ (1948), repr. in Winks, Robin W., ed., Detective Fiction: A Collection of Critical Essays (Englewood Cliffs, NJ, 1980), 15–24 Google Scholar, at 18.

⁶ Peters, Ellis, The Sanctuary Sparrow (London, 1982).Google Scholar

⁷ Knight, Stephen, ‘The Golden Age’, in Priestman, Martin, ed., The Cambridge Companion to Crime Fiction (Cambridge, 2003), 77–94 CrossRefGoogle Scholar; Breen, John L., ‘Golden Age Traditions’, in Herbert, , ed., Oxford Companion, 186–8.Google Scholar For a survey locating golden-age fiction in the context of contemporary historical writing, see Rzepka, Charles J., Detective Fiction (London, 2005), 151–75.Google Scholar For a wider discussion of the formula of the classic detective story, see Cawelti, John G., Adventure, Mystery and Romance: Formula Stories as Art and Popular Culture (Chicago, IL, 1976), 80–105.Google Scholar

⁸ Peters, Ellis, The Devil’s Novice (London, 1983; paperback edn 1985), 23.Google Scholar

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¹⁴ For example Peters, Ellis, One Corpse too Many (London, 1979)Google Scholar; The Leper of St Giles (London, 1981).

¹⁵ Susanna Gregory is the pseudonym of Elizabeth Cruwys, a Cambridge academic who was previously a coroner’s officer.

¹⁶ Franklin, Ariana, Mistress of the Art of Death (London, 2007; paperback edn 2008)Google Scholar. Ariana Franklin was the pen-name of Diana Norman, a British former journalist turned novelist.

¹⁷ Auden, ‘Guilty Vicarage’, 24.

¹⁸ Examples set in contemporary eras include James, P. D., The Black Tower (London, 1975)Google Scholar; Death in Holy Orders (London, 2001); Paretsky, Sara, Killing Orders (New York, 1985)Google Scholar; see Hawkins, David G., ‘Whodunit Theology’, AThR 71 (1989), 273–80 Google Scholar, at 278–80.

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²² Punter, David, The Literature of Terror I: The Gothic Tradition, 2nd edn (London, 1996), 94.Google Scholar Cardinal Gasquet, of course, thought otherwise: Knowles, David, Cardinal Gasquet as an Historian (London, 1957)Google Scholar; Trevor-Roper, Hugh, ‘The Twilight of the Monks’, in idem, Historical Essays (London, 1958), 67–73.Google Scholar

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²⁵ Sansom, C. J., Dissolution (London, 2003), 13.Google Scholar Sansom is a British writer.

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³⁰ Membership of the National Trust expanded sharply during the 1960s and 1970s: ‘National Trust Timeline’, <http://www.nationaltrust.org.uk/main/w-trust/w-thecharity/w-history_trust-timeline.htm>, accessed 19 July 2010.

³¹ Ortenberg, V., In Search of the Holy Grail: The Quest for the Middle Ages (London, 2006), 191.Google Scholar

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³³ Edwin Ernest Christian and Blake Lindsay, ‘The Habit of Detection: The Medieval Monk as Detective in the Novels of Ellis Peters’, Studies in Medievalism 4 (1992), 276–89, at 284–5. Most revealing of theological themes among Ellis Peters’s Cadfael books are The Confession of Brother Haluin (1988), The Heretic’s Apprentice (1989), The Potter’s Field (1989) and Brother Cadfael’s Penance (1994).

³⁴ Quoted in Henderson, Lesley, ed., Twentieth-Century Crime and Mystery Writers, 3rd edn (Chicago, IL, 1991), 848.Google Scholar On the morality of Peters’s writing, see Harriott, John F. X., ‘Detective Extraordinary’, The Tablet 240, no. 7631 (11 October 1986), 1066.Google Scholar

³⁵ Hawkins, ‘Whodunit Theology’, 276–7.

³⁶ Cawelti, Adventure, Mystery and Romance, 137.

³⁷ Christian and Lindsay, ‘Habit of Detection’, 286. Among contemporary monastic sleuths Sister Mary Helen, a nun at Mount St Francis College for Women in San Francisco, stands out, created by Sister Carol Anne O’Marie, a Sister of St Joseph of Carondelet who lives in Oakland, California; Sister Mary Helen appeared first in A Novena for Murder (London, 2006).

³⁸ Brown, Callum G., The Death of Christian Britain: Understanding Secularisation 1800–2000 (London, 2001)Google Scholar; Bruce, Steve, Cod is Dead: Secularization in the West (Oxford, 2002).Google Scholar

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