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David, Armitage , ed. British Political Thought in History, Literature and Theory, 1500–1800. Cambridge : Cambridge University Press , 2006. xii + 326 pp. index. bibl. $90. ISBN: 978-0-521-87041-2. Includes: David Armitage, “Introduction”; J. G. A. Pocock, Gordon Schochet, and Lois G. Schwoerer, “The History of British Political Thought: A Field and Its Futures”; John Morrill, “Thinking about the New British History”; Colin Kidd, “The Matter of Britain and the Contours of British Political Thought”; Nicholas Canny, “The Intersections between Irish and British Political Thought of the Early-Modern Centuries”; Tim Harris, “In Search of a British History of Political Thought”; Andrew Hadfield, “Republicanism in Sixteenth- and Seventeenth-Century Britain”; Jean E. Howard, “Dramatic Traditions and Shakespeare’s Political Thought”; Steven N. Zwicker, “Irony, Disguise and Deceit: What Literature Teaches Us about Politics”; Karen O’Brien, “Poetry and Political Thought: Liberty and Benevolence in the Case of the British Empire c. 1680–1800”; Duncan Ivison, “The Nature of Rights and the History of Empire”; Joanne H. Wright, “Reading the Private in Margaret Cavendish: Conversations in Political Thought”; Kirstie M. McClure, “Reflections on Political Literature: History, Theory and the Printed Book”; Richard E. Flathman, “Here and Now, There and Then, Always and Everywhere: Reflections Concerning Political Theory and the Study/Writing of Political Thought”; and Quentin Skinner, “Afterword.”Google Scholar

Linda Phyllis, Austern , and , Naroditskaya, Inna , eds. Music of the Sirens. Bloomington : Indiana University Press , 2006. viii + 424 pp. index. illus. map. bibl. $29.95. ISBN: 0-253-21846-2. Includes: Inna Naroditskaya and Linda Phyllis Austern, “Introduction: Singing Each to Each”; Leofranc Holford-Strevens, “Sirens in Antiquity and the Middle Ages”; Linda Phyllis Austern, “‘Teach Me to Heare Mermaides Singing’: Embodiments of (Acoustic) Pleasure and Danger in the Modern West”; Henry Stobart, “Devils, Daydreams, and Desire: Siren Traditions and Musical Creation in the Central-Southern Andes”; Elena Laura Calogero, “‘Sweet aluring harmony’: Heavenly and Earthly Sirens in Sixteenth- and Seventeenth-Century Literary and Visual Culture”; Stephen M. Buhler, “The Sirens, the Epicurean Boat, and the Poetry of Praise”; Lawrence Kramer, “‘Longindyingcall’: Of Music, Modernity, and the Sirens”; Inna Naroditskaya, “Russian Rusalkas and Nationalism: Water, Power, and Women”; Annegret Fauser, “Rheinsirenen: Loreley and Other Rhine Maidens”; John Morgan O’Connell, “The Mermaid of the Meyhane: The Legend of a Greek Singer in a Turkish Tavern”; Henry John Drewal (with Charles Gore and Michelle Kisliuk), “Siren Serenades: Music for Mami Wata and Other Water Spirits of Africa”; Thomasin LaMay and Robin Armstrong, “The Navel, the Corporate, the Contradictory: Pop Sirens at the Twenty-First Century”; and Jeongwon Joe, “The Cocktail Siren in David Lynch’s Blue Velvet”.Google Scholar

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David, Blanks , , Frassetto, Michael , and , Livingstone, Amy , eds. Medieval Monks and Their World: Ideas and Realities: Studies in Honor of Richard E. Sullivan. . Leiden : Brill Academic Publishers , 2006. vi + 212 pp. index. $99. ISBN: 90-04-15463-6. Includes: Amy Livingstone, “Introduction: We Stand on the Shoulders of Giants”; Darlene L. Brooks Hedstrom, “Redrawing a Portrait of Egyptian Monasticism”; John J. Contreni, “‘And Even Today’: Carolingian Monasticism and the Miracula sancti Germani of Heiric of Auxerre”; Steven A. Stofferahn, “A New Majesty: Paschasius Radbertus, Exile, and the Masters’ Honor”; Daniel F. Callahan, “Ademar of Chabannes, Charlemagne and the Pilgrimage to Jerusalem of 1033”; Constance B. Bouchard, “‘Feudalism,’ Cluny, and the Investiture Controversy”; Amy Livingstone, “Brother Monk: Monks and their Family in the Chartrain, 1000–1200 AD”; M. A. Claussen, “Practical Exegesis: The Acts of the Apostles, Chrodegang’s Regula canonicorum, and Early Carolingian Reform”; Michael Frassetto, “The Gentle Voices of Teachers: Carolingian Eucharistic Thought and the Sermons of Ademar of Chabannes”; David Blanks, “The Wrong Sort of Mentor: Heterodoxy and Anti-Clericism in Languedoc”; Edith Wilks Dolnikowski, “The Early Fourteenth-Century Context for the Doctrine of Divine Foreknowledge in Wyclif’s Latin Sermons”; and Kathleen Mitchell, “Conclusion: The Academic as Public Historian.”Google Scholar

Barbara S, Bowers., ed. The Medieval Hospital and Medical Practice. . Aldershot : Ashgate Publishing Company , 2007. xiv + 258 pp. index. illus. tbls. $99.95. ISBN: 978-0-7546-5110-9. Includes: John M. Riddle, “Research Procedures in Evaluating Medieval Medicine”; Theresa M. Vann, “The Archives and Library of the Sacre Infermeria, Malta”; Bruno Tabuteau, “Historical Research Developments on Leprosy in France and Western Europe”; William White, “Excavations at St Mary Spital: Burial of the ‘Sick Poore’ of Medieval London, the Evidence of Illness and Hospital Treatment”; Geoff Egan, “Material Culture of Care for the Sick: Some Excavated Evidence from English Medieval Hospitals and Other Sites”; Lynn T. Courtenay, “The Hospital of Notre-Dame des Fontenilles at Tonnerre: Medicine as Misericordia”; Renzo Baldasso, “Function and Epidemiology in Filarete’s Ospedale Maggiore”; James W. Brodman, “Religion and Discipline in the Hospitals of Thirteenth-Century France”; Peregrine Horden, “A Non-Natural Environment: Medicine without Doctors and the Medieval European Hospital”; Alain Touwaide, “Byzantine Hospital Manuals (Iatrosophia) as a Source for the Study of Therapeutics”; M. K. K. Yearl, “Medieval Monastic Customaries on Minuti and Infirmi”; Anne Van Arsdall, “Challenging the ‘Eye of Newt’ Image of Medieval Medicine”; Rafaël Hyacinthe, “De Domo Sancti Lazari Milites Leprosi: Knighthood and Leprosy in the Holy Land”; Piers D. Mitchell, “The Infirmaries of the Order of the Temple in the Medieval Kingdom of Jerusalem”; and Maria A. D’Aronco, “The Benedictine Rule and the Care of the Sick: The Plan of St Gall and Anglo-Saxon England.”Google Scholar

Juan José, Carreras , , Garcìa Garcìa, Bernardo , and , Knighton, Tess , eds. The Royal Chapel in the Time of the Habsburgs: Music and Court Ceremony in Early Modern Europe. . Rochester : Boydell & Brewer, Inc. , 2005. xii + 402 pp. index. illus. tbls. bibl. $180. ISBN: 1-84383-139-2. Includes: Bernardo J. Garcìa Garcìa, “Introduction”; Juan José Carreras, “The Court Chapel: A Musical Profile and the Historiographical Context of an Institution”; Andrew Wathey, “The English Royal Chapel: Models and Perspectives”; Iain Fenlon, “Rites of Passage: Music, Ceremony, and Dynasty in Renaissance Florence and Venice”; Herbert Seifert, “The Institution of the Imperial Court Chapel from Maximilian I to Charles VI”; Catherine Massip, “The Chapelle Royale in the Time of Louis XIV”; Emilio Ros-Fábregas, “‘Foreign’ Music and Musicians in Sixteenth-Century Spain”; Tess Knighton, “A Meeting of Chapels: Toledo, 1502”; Eugeen Schreurs, “Musical Relations between the Court and Collegiate Chapels in the Netherlands, 1450–1560”; Ignace Bossuyt, “Nicolas Payen, an Unknown Chapelmaster of Charles V and Philip II”; Louis Robledo Estaire, “The Form and Function of the Music Chapel at the Court of Philip II”; Michael Noone, “Processions to the ‘City of the Dead’: The Spanish Royal Chapel and an Anonymous Requiem from El Escorial”; Dinko Fabris, “The Royal Chapel in the Etiquettes of the Viceregal Court of Naples during the Eighteenth Century”; Louise K. Stein, “The Musicians of the Spanish Royal Chapel and Court Entertainments, 1590–1648”; José Manuel Barbeito, “Spaces for Court Music”; Francis Cerdán, “The Pulpit in the Royal Chapel during the Spanish Habsburg Era: A Receptacle and Echo of Baroque Culture”; Fernando Negredo del Cerro, “The Royal Chapel as the Setting for Political Struggle: Praise and Attacks on the Royal Favourite during the Time of Philip IV”; Antonio álvarez-Ossorio, “The Ceremonial of Majesty and Aristocratic Protest: The Royal Chapel at the Court of Charles II”; Juan A. Sánchez Belén, “The Palace Royal Chapel at the End of the Seventeenth Century”; and Nicolás Morales, “The Royal Chapel and Musical Networks: Festera, Brotherhoods and ì Friendly Societies for Musicians in Eighteenth-Century Madrid.”Google Scholar

Jean-Marie, Cauchies , ed. Finances et financiers des princes et des villes à ‘époque l bourguignonne. . Turnhout : Brepols Publishers , 2004. 132 pp. illus. tbls. map. €41. ISBN: 978-2-503-51433-8. Includes: Jean-Marie Cauchies, “Introduction au thème”; Bertrand Schnerb, “Un aspect de la politique financière de Jean sans Peur: la question des dépenses de guerre”; J. A. M. Y. Bos-Rops, “Guerres du comte et argent des villes: Les relations financières entre les comtes de Hollande et Zélande et leurs villes (1389–1433)”; Denis Clauzel, “Le roi, le prince et la ville: l’enjeu des réformes financières à Lille à la fin du moyen âge”; Marc Boone and Jan Dumolyn, “Les officiers-créditeurs des ducs de Bourgogne dans l’ancien comté de Flandre: aspects financiers, politiques et sociaux”; Jean-Marie Yante, “économie urbaine et poli-tique princière dans le Luxembourg (1443–1506)”; J. W. Marsilje, “Les modes d’imposition en Hollande (1477–1515)”; Anne Vandenbulcke, “Fonction pub-lique et crédit au prince (1^e moitié du XVI^e siècle)”; and Malte Prietzel, “Canonistes et gens de finances. Les officiers de l’évêque de Tournai au XV^e siècle.”Google Scholar

Paul Maurice, Clogan , ed. Medievalia et Humanistica: Studies in Medieval and Renaissance Culture. . Lanham, MD : Rowman & Littlefield Publishing Group , 2006. xii + 158 pp. illus. $85. ISBN: 978-0-7425-4779-7. Includes: John Martyn, “Gregorian Chant in Spain”; Jean-Marie Kauth, “The Shaping of Dante’s Cosmos”; Emmanuel Mickel, “Truthtelling and Satire in the Trial of Renard”; Michelle Bolduc, “Wayward Wives: Fauvel Bibliothèque Nationale de France MS. fr. 146”; Albrecht Classen, “Heinrich der Teichner: The Didactic Poet as a Troublemaker, Whistle-Blower, and Social Rebel”; Tison Pugh, “Squire Jankyn’s Legs and Feet: Physiognomy, Social Class, and Fantasy in The Wife of Bath’s Prologue and Tale ”; Jane Marchetti, “Poes-ing in the Dark: An Irish Presence in Early Modern British Literature”; and Kevin Lindberg, “‘Your Father’s Perfection Shall Be Your Blemish’: The 3^rd Earl of Essex and the Development of a Legend.”Google Scholar

Frank A, D’Accone. Music in Renaissance Florence: Studies and Documents. . Aldershot : Ashgate Publishing Company , 2006. xiv + 330 pp. index. append. illus. tbls. $109.95. ISBN: 0-75465-900-3. Includes: “Music and Musicians at the Florentine Monastery of Santa Trinita, 1360–1363”; “Una nuova fonte dell’Ars Nova Italiana: il codice di San Lorenzo, 2211”; “Music and Musicians at Santa Maria del Fiore in the Early Quattrocento”; “The Singers of San Giovanni in Florence during the 15^th Century”; “Lorenzo the Magnificent and Music”; “Sacred Music in Florence in Savonarola’s Time”; “Heinrich Isaac in Florence: New and Unpublished Documents”; “Some Neglected Composers in the Florentine Chapels, ca. 1475–1525”; and “Alessandro Coppini and Bartolomeo degli Organi: Two Florentine Composers of the Renaissance.”Google Scholar

Chrysa, Damianaki , , Procaccioli, Paolo , and , Romano, Angelo , eds. Ex marmore: Pasquini, pasquinisti, pasquinate nell’Europa moderna. . Rome : Vecchiarelli Editore , 2006. 606 pp. index. append. illus. bibl. €60. ISBN: 88-8247-190-X. Includes: Angelo Romano, “La satira di Pasquino: formazione di un genere letterario”; Antonio Corsaro, “Poesia satirica e poesia pasquinesca”; Marco Faini, “‘Credite Pasquino schietto savioque prophetae’: L’impossibile verità di Pasquino nel Baldus di Teofilo Folengo”; Paolo Procaccioli, “‘Tu es Pasquillus in aeterno’: Aretino non romano e la maschera di Pasquino”; Christopher Cairns, “Pasquino come intervento diretto nella storia’: rivisitando le commedie di Pietro Aretino e le loro ‘storie’”; Paul Larivaille, “Pasquino tra Francia e Spagna: Una pasquinata inedita”; Antonio Marzo, “Pasquino e il Gobbo di Rialto”; Enrico Garavelli, “La Bona di Modena e la sua corrispondenza inedita con Pasquino”; Franco Pignatti, “‘Quel libro è com’un’insalata confusa senz’ordine, che non fu mai trascritto’. Niccolà Franco pasquinista”; Gigliola Fragnito, “Censura ecclesiastica e pas-quinate”; Danilo Romei, “Gregorio Leti sosia e ciurmatore di Pasquino”; Stephen Parkin, “Pasquino in England: A Volume of Pasquinades in the Guilford Collection in the British Library”; Giorgio Masi, “Le statue parlanti del Cavaliere e altri prodigi pasquineschi fiorentini (Bandinelli, Cellini, Michelangelo)”; Chrysa Damianaki, “Il Pasquino di Giulio Bonasone e di Antonio Salamanca: per una interpretazione iconografica”; Denise La Monica, “Ex aere, ex marmore: Una sola statua”; Maddalena Spagnolo, “Poesie contro le opere d’arte: Arguzia, bi-asimo e ironia nella critica d’arte del Cinquecento”; Genevieve Warwick, “Pasquinade at Piazza Navona: ‘Public’ Art and Popular Protest in Early Modern Rome”; Davide Dalmas, “Satira in progress: Una lettura del Pasquino in estasi nuovo e più pieno che il primo di Celio Secondo Curione”; Damiano Mevoli, “Il latino di Curione pasquillista”; Letizia Panizza, “Pasquino among Anglican Reformers: The Two Editions in English (1566 and 1584) of Celio Secondo Curione’s Pasquino in estasi”; Tiziana Provvidera, “La tradizione pasquinesca nell’Inghilterra del Cinquecento: dal Pasquil the playne (1533) ai Pasquill tracts (1589–1590)”; Chiara Lastraioli, “Pasquillus exul: note sulla diffusione di testi e temi pasquineschi al di là delle Alpi”; and Clazina Dingemanse and Marijke Meijer Drees, “Pasquino in Early Modern Dutch Pamphlet Literature (ca. 1500–1750).”Google Scholar

Thomas J, Dandelet., and , Marino, John A. , eds. Spain in Italy: Politics, Society, and Religion 1500–1700. . Leiden : Brill Academic Publishers , 2007. xiv + 594 pp. + 10 b/w pls. index. illus. tbls. map. $188. ISBN: 90-04-15429-9. Includes: Thomas James Dandelet and John A. Marino, “Introduction”; Francesco Benigno, “Integration and Conflict in Spanish Sicily”; Francesco Manconi, “The Kingdom of Sardinia: A Province in Balance between Catalonia, Castile, and Italy”; Aurelio Musi, “The Kingdom of Naples in the Spanish Imperial System”; Antonio álvarez-Ossorio AlvariÑo, “The State of Milan and the Spanish Monarchy”; Carlos José Hernando Sánchez, “Naples and Florence in Charles V’s Italy: Family, Court, and Government in the Toledo-Medici Alliance”; Thomas James Dandelet, “Paying for the New St. Peter’s: Contributions to the Construction of the New Basilica from Spanish Lands, 1506–1620”; Arturo Pacini, “‘Pignatte di vetro’: Being a Republic in Philip II’s Empire ”; John Jeffries Martin, “The Venetian Territorial State: Constructing Boundaries in the Shadow of Spain”; Giovanni Muto, “Noble Presence and Stratification in the Territories of Spanish Italy”; Claudio Donati, “The Profession of Arms and the Nobility in Spanish Italy: Some Considerations”; Elizabeth S. Cohen, “Evolving the History of Women in Early Modern Italy: Subordination and Agency”; Mireille Peytavin, “Government/Administration: The Italian Kingdoms within the Spanish Monarchy”; Paolo Malanima, “A Declining Economy: Central and Northern Italy in the Sixteenth and Seventeenth Centuries”; John A. Marino, “The Rural World in Italy under Spanish Rule”; James S. Amelang, “Exchanges between Italy and Spain: Culture and Religion”; Massimo Firpo, “Reform of the Church and Heresy in the Age of Charles V: Reflections of Spain in Italy”; Flavio Rurale, “Male Religious Orders in Seventeenth-Century Italy”; Agostino Borromeo, “The Crown and the Church in Spanish Italy in the Reigns of Philip II and Philip III”; and Sebastian Schütze, “The Politics of Counter-Reformation Iconography and a Quest for the Spanishness of Neopolitan Art.”Google Scholar

Christine, de Buzon , and , Girot, Jean-Eudes , eds. Jean Dorat: Pote humaniste de la è renaissance. . Genève : Librairie Droz S. A. , 2007. xvi + 548 pp. index. illus. tbls. CHF 136. ISBN: 978-2-600-00927-0. Includes: Christine de Buzon, “Avant-propos”; Jean-Eudes Girot, “Préface”; Geneviève Demerson, “Dorat et la famille de Lorraine-Guise”; Jean Vignes, “Jean Dorat et Jean-Antoine de Baïf”; Michel Cassan, “Les choix politiques et confessionnels de la ville natale de Jean Dorat, durant la seconde moitié du XVI^e siècle et les débuts du XVII^e siècle”; Max Engammare, “Que fais tu là Dorat … en bas d’une haute fenestre? La religion de Jean Dorat dune’ pi été convenue à une spiritualité engagée”; Bruno Petey-Girard, “Dorat, Henri III et la Confrairie de saincte Cécile”; Isabelle Cirolo, “Dorat et les arts plastiques, les Oracles des douze sibylles”; Florence Vuilleumier-Laurens and Pierre Laurens, “Le Bal des Polonais (1573): Anatomie d’une description”; Francesco Tissoni, “Jean Dorat lecteur des Dionysiaques de Nonnos de Panopolis”; Philip Ford, “Jean Dorat et l’allégorie homérique: les sources”; George Hugo Tucker, “Jean Dorat et Giovanni Matteo (Giovam-matteo) Toscano, lectuers des Pythiques de Pindare en 1566: le double t é moignage des ouvrages publiés (1575–1580) de Toscano et d’un livre annoté par lui (1564–1566/7[?])”; Laurence Pradelle, “A propos du ‘fabuleux manteau’ chez Jean Dorat: une lecture de l’Ode latine ‘sur la Cosmographie d’André Thévet’”; Fernand Hallyn, “Jean Dorat et l’anagramme: ressource po étique et problème herméneutique”; Anne-Pascale Pouey-Mounou, “Dorat, figure de l’expérience poétique dans quelques textes de Pierre de Ronsard”; Perrine Galand-Hallyn, “La poétique des Odes de Jean Dorat: l’influence de Salmon Macrin ”; Virginie Leroux, “Ter repetamus hymen: Dorat et la tradition antique de ‘é l pithalame”; Isabelle Pantin, “Dorat et la Poésie de la Nature, du Ciel et du Nombre”; Michel Magnien, “Sur un échange poétique méconnu entre Dorat et La Boétie autour de l’Edit du semestre (1554)”; Jean Dupebe, “Précision sur la jeunesse de Jean Dorat”; Jean-Eudes Girot, “Dorat et les humanistes: les paradoxes de la renommée”; and Catherine Magnien-Simonin, “Inventaire des contributions imprimées éparses de Jean Dorat.”Google Scholar

Dominique, de Courcelles , ed. Mémoire et subjectivité (XIV^e –XVII^e siècle): L’entrelacement de memoria, fama et historia. études et rencontres de l’école des Chartes 22. . Paris : école des chartes , 2006. 108 pp. illus. €23. ISBN: 2-900791-86-3. Includes: Dominique de Courcelles, “Introduction”; Margarete Zimmermann, “Christine de Pizan ou la memoria au féminin”; Jean-Claude Margolin, “Mémoire, histoire et survie du ‘moi’ au jugement d’érasme”; Jean-Claude Zancarini, “La politisation de la mémoire: les ‘choses dignes de m émoire’ chez Machiavel et Francesco Guicciardini”; Daniel Ménager, “L’art de l’ambassadeur: rumeur, mémoire, subjectivité”; Dominique de Courcelles, “Passions de femmes en mémoire, renommée et histoire d’un homme du XVI^e siècle: les Epistres spiritueles du Bienheureux Jean d’Avila (Paris, 1588)”; José Rubén Romero Galván, “Renommée et mémoire dans la création dune’ identit é indigène: le cas de la Nouvelle Espagne au début du XVII^e siècle”; Elena Taddia, “Histoire d’archives: une célébrité douteuse à Gênes au XVI^e siècle, au défi des pouvoirs civils et religieux”; and Emmanuelle Bermès, “Juan Bautista Dávila: en quête de memoria et fama à travers l’image.”Google Scholar

Kenneth, Fincham , and , Lake, Peter G. , eds. Religious Politics in Post-Reformation England. . Rochester : Boydell & Brewer, Inc. , 2006. xiv + 252 pp. index. $85. ISBN: 978-1-84383-253-9. Includes: Peter Lake, “Introduction: Puritanism, Arminianism and Nicholas Tyacke”; Keith Thomas, “Art and Iconoclasm in Early Modern England”; Diarmaid MacCulloch, “The Latitude of the Church of England”; Thomas S. Freeman, “Joan of Contention: The Myth of the Female Pope in Early Modern England”; Peter Lake, “Anti-Puritanism: The Structure of a Prejudice”; Brett Usher, “The Fortunes of English Puritanism: An Elizabethan Perspective”; Patrick Collinson, “What’s in a Name? Dudley Fenner and the Peculiarities of Puritan Nomenclature”; Paul Seaver, “Puritan Preachers and their Patrons”; Susan Hardman Moore, “New England’s Reformation: ‘Wee shall be as a Citty upon a Hill, the Eies of All People are upon Us’”; Anthony Milton, “‘Anglicanism’ by Stealth: The Career and Influence of John Overall”; Thomas Cogswell, “Destroyed for Doing my Duty: Thomas Felton and the Penal Laws under Elizabeth and James I”; Richard Cust, “Charles I and Providence”; William Sheils, “John Shawe and Edward Bowles: Civic Preachers at Peace and War”; and Kenneth Fincham, “Material Evidence: The Religious Legacy of the Interregnum at St George Tombland, Norwich.”Google Scholar

Philip, Ford , and , White, Paul , eds. Masculinities in Sixteenth-Century France. . Cambridge : Cambridge French Colloquia , 2006. xii + 202 pp. index. illus. n.p. ISBN: 0-9511645-9-7. Includes: Gary Ferguson, “A Prototype of the Modern Man: Saint Joseph in France, c. 1400–1650”; Kathleen Wilson-Chevalier, “Feminising the Warrior at Francis Is’ Fontainebleau ”; Kathryn Banks, “Situating the Masculine: Gender, Identity, and the Cosmos, in Maurice Scève’s Dé lie, Marsilio Ficino’s De amore, and Leone Ebreo’s Dialoghi”; Cathy Yandell, “Rhetoric and Virility in Ronsard’s Folastries”; Todd W. Reeser, “Re-Reading Platonic Sexuality Sceptically in Montaigne’s ‘Apologie de Raimond Sebond’”; John O’Brien, “Betwixt and Between: Hermaphroditism and Masculinity”; Guy Poirier, “Masculinité et virilité: récits d’un roi sans enfants”; Marc Bizer, “Men are from Mars: Jean de Sponde’s Homeric Heroes and Vision of Just French Leaders”; and Gisèle Mathieu-Castellani, “éros masqué: figures mythiques de l’homosexualité.”Google Scholar

Thomas, Frangenberg , and , Williams, Robert , eds. The Beholder: The Experience of Art in Early Modern Europe. . Aldershot : Ashgate Publishing Company , 2006. x + 234 pp. index. illus. bibl. $99.95. ISBN: 978-0-7546-0679-6. Includes: David Summers, “The Heritage of Agatharcus: On Naturalism and Theatre in European Painting”; Georges Didi-Huberman, “Opening Up Venus: Nudity, Cruelty and the Dream”; Hubertus Günther, “Michelangelo’s Works in the Eyes of his Contemporaries”; Robert Williams, “Bronzino’s Gaze”; Raphael Rosenberg, “Artists as Beholders: Drawings after Sculptures as a Medium and Source for the Experience of Art”; Martina Hansmann, “Giovanni Battitsta Agucchi’s Programme for Ludovico Carracci’s Erminia among the Shepherds”; Dalia Judovitz, “Georges de La Tour: The Enigma of the Visible”; Thomas Frangenberg, “‘As if … ‘: Pietro Francesco Zanoni on Filippo Gherardi’s Ceiling in S. Pantaleo, Rome”; Michael Baxandall, “Attention, Hand and Brush: Condillac and Chardin”; and Giovanna Perini, “The Reception of Art in the oeuvre of Sir Joshua Reynolds: Theory and Practice.”Google Scholar

Russell L, Friedman., and , Nielsen, Lauge O. , eds. The Medieval Heritage in Early Modern Metaphysics and Modal Theory, 1400–1700. . Dordrecht : Kluwer Academic Publishers , 2003. vi + 346 pp. index. bibl. $155. ISBN: 1-4020-1631-X. Includes: Maarten J. F. M. Hoenen, “Via Antiqua and Via Moderna in the Fifteenth Century: Doctrinal, Institutional, and Church Political Factors in the Wegestreit”; Claude Panaccio, “Ockham and Locke on Mental Language”; Ludger Honnefelder, “Metaphysics as a Discipline: From the ‘Transcendental Philosophy of the Ancients’ to Kant’s Notion of Transcendental Philosophy”; Joël Biard, “God as First Principle and Metaphysics as a Science”; Russell L. Friedman, “Gabriel Biel and Later-Medieval Trinitarian Theology”; Simo Knuuttila, “The Question of the Validity of Logic in Late Medieval Thought”; Sachiko Kusukawa, “Uses of Philosophy in Reformation Thought: Melanchthon, Schegk, and Crellius”; Chris Schabel, “Divine Foreknowledge and Human Freedom: Auriol, Pomponazzi, and Luther on ‘Scholastic Subtleties ‘”; Jeffrey Coombs, “The Ontological Source of Logical Possibility in Catholic Second Scholasticism”; Sven K. Knebel, “The Renaissance of Statistical Modalities in Early Modern Scholasticism”; Gino Roncaglia, “Modal Logic in Germany at the Beginning of the Seventeenth Century: Christoph Scheibler’s Opus Logicum”; and Fabrizio Mondadori, “Leibniz on Compossibility: Some Scholastic Sources.”Google Scholar

Sharon E. J., Gerstel , ed. Thresholds of the Sacred: Architectural, Art Historical, Liturgical, and Theological Perspectives on Religious Screens, East and West. Cambridge, MA : Harvard University Press , 2006. 246 pp. index. illus. $65. ISBN: 0-88402-311-7. Includes: Sharon E. J. Gerstel, “Introduction”; Joan R. Branham, “Penetrating the Sacred: Breaches and Barriers in the Jerusalem Temple”; Robert F. Taft, S.J., “The Decline of Communion in Byzantium and the Distancing of the Congregation from the Liturgical Action: Cause, Effect, or Neither?”; Urs Peschlow, “Dividing Interior Space in Early Byzantine Churches: The Barriers between the Nave and Aisles”; Elizabeth S. Bolman, “Veiling Sanctity in Christian Egypt: Visual and Spatial Solutions”; Sophia Kalopissi-Verti, “The Proskynetaria of the Templon and Narthex: Form, Imagery, Spatial Connections, and Reception”; Sharon E. J. Gerstel, “An Alternate View of the Late Byzantine Sanctuary Screen”; Nicholas P. Constas, “Symeon of Thessalonike and the Theology of the Icon Screen”; Jacqueline E. Jung, “Seeing through Screens: The Gothic Choir Enclosure as Frame”; and Marcia B. Hall, “The Tramezzo in the Italian Renaissance, Revisited.”Google Scholar

Jean A, Givens., , Reeds, Karen M. , and , Touwaide, Alain , eds. Vizualizing Medieval Medicine and Natural History, 1200–1550. . Aldershot : Ashgate Publishing Company , 2006. xxii + 278 pp. index. illus. $99.95. ISBN: 0-7546-5296-3. Includes: Peter Murray Jones, “Image, Word, and Medicine in the Middle Ages”; Alain Touwaide, “Latin Crusaders, Byzantine Herbals”; Cathleen Hoeniger, “The Illuminated Tacuinum sanitatis Manuscripts from Northern Italy ca. 1380–1400: Sources, Patrons, and the Creation of a New Pictorial Genre”; Sarah Blake McHam, “Erudition on Display: The ‘Scientific’ Illustrations in Pico della Mirandolas’ Manuscript of Pliny the Elder ‘s Natural History”; Jean A. Givens, “Reading and Writing the Illustrated Tractatus de herbis, 1280–1526”; Monica Azzolini, “Leonardo da Vinci’s Anatomical Studies in Milan: A Re-Examination of Sites and Sources”; Piers D. Britton, “(Hu)moral Exemplars: Type and Temperament in Cinquecento Painting”; Karen M. Reeds, “Leonardo da Vinci and Botanical Illustration: Nature Prints, Drawings, and Woodcuts ca. 1500”; and Claudia Swan, “The Uses of Realism in Early Modern Illustrated Botany.”Google Scholar

James, Haar , ed. European Music 1520–1640. . Rochester : Boydell & Brewer, Inc. , 2006. x + 576 pp. index. illus. $145. ISBN: 978-1-843832-0-3. Includes: Gary Tomlinson, “Renaissance Humanism and Music”; James Haar, “The Concept of the Renaissance”; Tim Carter, “The Concept of the Baroque”; Giulio Ongaro, “Italy, :i 1520–1560”; Noel O’Regan, “Italy, ii: 1560–1600”; Tim Carter, “Italy, iii: 1600–1640”; Allan W. Atlas, “Music for the Mass”; Anthony Cummings, “The Motet”; Richard Freedman, “France, i: 1520–1560”; Jeanine Brooks, “France, ii: 1560–1600”; David Tunley, “France, iii: 1600–1640”; Kate van Orden, “Chanson and Air”; James Haar, “Madrigal”; Kristine K. Forney, “The Netherlands, 1520–1640”; Iain Fenlon, “Music, Print, and Society in Sixteenth-Century Europe”; Karol Berger, “Concepts and Developments in Music Theory”; Peter Bergquist, “Germany and Central Europe,i: 1520–1600”; David Crook, “Germany and Central Europe, ii: 1600–1640”; Robin A. Leaver, “The Reformation and Music”; Craig Monson, “Renewal, Reform, and Reaction in Catholic Music”; Todd M. Borgerding and Louise K. Stein, “Spain, i: 1530–1600”; Louise K. Stein, “Spain, ii: 1600–1640”; Giuseppe Gerbino and Iain Fenlon, “Early Opera: The Initial Phase”; Roger Bray, “England, i: 1485–1600”; Jonathan P. Wainwright, “England, ii: 1603–1642”; and Victor Coelho and Keith Polk, “Instrumental Music.”Google Scholar

Peter, Holland , ed. Editing Shakespeare. . Cambridge : Cambridge University Press , 2006. x + 396 pp. index. illus. $110. ISBN: 0-521-86838-6. Includes: John Jowett, “Editing Shakespeare’s Plays in the Twentieth Century”; Edward Pechter, “Crisis in Editing?”; Stanley Wells, “On Being a General Editor”; Patricia Parker, “Altering the Letter of Twelfth Night: ‘Some are born great’ and the Missing Signature”; Tom Rooney, “‘A thousand Shylocks’: Orson Welles and The Merchant of Venice”; MacDonald P. Jackson, “The Date and Authorship of Hand D’s Contribution to Sir Thomas More: Evidence from ‘Literature Online’”; Ronald A. Tumelson II, “Ferdinand’s Wife and Prospero’s Wise”; Andrew Gurr, “Editing Stefanos’ Book ”; Tom Lockwood, “Manuscript, Print and the Authentic Shakespeare: The Ireland Forgeries Again”; Júlia Paraizs, “The Author, the Editor and the Translator: William Shakespeare, Alexander Chalmers and Sándor Peto fi or the Nature of a Romantic Edition”; Jeanne Addison Roberts, “Women Edit Shakespeare”; Cary DiPietro, “The Shakespeare Edition in Industrial Capitalism”; Bernice W. Kliman, “Print and Electronic Editions Inspired by the New Variorum Hamlet Project”; Christie Carson, “The Evolution of Online Editing: Where will it End?”; Alan C. Dessen, “The Director as Shakespeare Editor”; Balz Engler, “The Editor as Translator”; Elizabeth Schafer, “Performance Editions, Editing and Editors”; Suzanne Gossett, “Editing Collaborative Drama”; Ronald Gray, “Will in the Universe: Shakespeare’s Sonnets, Plato’s Symposium, Alchemy and Renaissance Neoplatonism”; Lynn Forest-Hill, “Giants and Enemies of God: The Relationship between Caliban and Prospero from the Perspective of Insular Literary Tradition”; Ruth Morse, “Shakespeare’s Ages”; Brandon S. Centerwall, “Who Wrote William Basse’s ‘Elegy On Shakespeare’? Rediscovering a Poem Lost from the Donne Canon”; Jonathan Holmes, “‘Sometime a Paradox’: Shakespeare, Diderot and the Problem of Character”; Michael Dobson, “Shakespeare Performances in England, 2005”; and James Shaw, “Professional Shakespeare Productions in the British Isles, January–December 2004.”Google Scholar

Peter, Holland , ed. Shakespeare, Memory and Performance. Cambridge : Cambridge University Press , 2006. xx + 358 pp. index. illus. $90. ISBN: 978-0-521-86380-3. Includes: Stanley Wells, “Foreword”; Peter Holland, “Introduction”; Bruce R. Smith, “Speaking What We Feel about King Lear”; John J. Joughin, “Shakespeare’s Memorial Aesthetics”; Anthony B. Dawson, “Priamus Is Dead: Memorial Repetition in Marlowe and Shakespeare”; Michael Cordner, “‘Wrought with things forgotten’: Memory and Performance in Editing Macbeth”; Margaret Jane Kidnie, “Citing Shakespeare”; Barbara Hodgdon, “Shopping in the Archives: Material Memories”; Carol Chillington Rutter, “‘Her first remembrance from the Moor’: Actors and the Materials of Memory”; Peter Holland, “On the Gravy Train: Shakespeare, Memory and Forgetting”; Russell Jackson, “Remembering Bergners’ Rosalind: As You Like It on Film in 1936”; Michael Dobson, “Shakespeare Exposed: Outdoor Performance and Ideology, 1880–1940”; W. B. Worthen, “Fond Records: Remembering Theatre in the Digital Age”; Robert Shaughnessy, “The Shakespeare Revolution Will Not Be Televised: Staging the Media Apparatus”; and Dennis Kennedy, “Memory, Performance, and the Idea of the Museum.”Google Scholar

Richard, Kay. Dante’s Enigmas: Medieval Scholasticism and Beyond. . Aldershot : Ashgate Publishing Company , 2006. x + 340 pp. index. illus. tbls. $114.95. ISBN: 0-86078-984-5. Includes: Richard Kay, “Rucco di Cambio de’ Mozzi in France and England”; “The Sin(s) of Brunetto Latini”; “The Pope’s Wife: Allegory as Allegation in Inferno 19.106–111”; “Dante’s Double Damnation of Manto”; “The Spare Ribs of Dante’s Michael Scot”; “Two Pairs of Tricks: Ulysses and Guido in Dante’s Inferno XXVI–XXVII”; “Vitruvius and Dante’ s Giants ”; “Dantes’ Razor and Gratian’s D.XV”; “Dante’s Prophecy of Peripety (Par. 27.142–148) as Astrological fortuna”; “Unwintering January (Dante, Paradiso 27.142–143)”; “Dante’s Empyrean and the Eye of God”; “Vitruvius and Dante’ s Imago dei”; “Dante in Ecstasy: Paradiso 33 and Bernard of Clairveaux”; “Flash or Effulgence? Mental Illumination in Dante’s Paradiso 33.141”; “Parallel Cantos in Dante’s Commedia”; “Dantes’ Acrostic Allegations: Inferno XI–XII”; “Dantes’ Acrostic Allegations: Inferno XI”; “Dante’ s Acrostic Allegations: Inferno XII”; “An Acrostic Allegation in Dante’s Vita nuova”; and “Il Giorno della nascita di Dante e la dipartita di Beatrice.”Google Scholar

Paulina, Kewes , ed. The Uses of History in Early Modern England. San Marino : Huntington Library Press , 2006. x + 450 pp. index. illus. $39.95. ISBN: 0-87328-219-1. Includes: Paulina Kewes, “History and Its Uses”; Daniel Woolf, “From Hystories to the Historical: Five Transitions in Thinking about the Past, 1500–1700”; Blair Worden, “Historians and Poets”; David Womersley, “Against the Teleology of Technique”; Felicity Heal, “Appropriating History: Catholic and Protestant Polemics and the National Past”; John N. King, “Guides to Reading Foxe’s Book of Martyrs”; Christopher Highley, “‘A Pestilent and Seditious Book’: Nicholas Sander’s Schismatis Anglicani and Catholic Histories of the Reformation”; Richard Dutton, “‘Methinks the truth should live from age to age’: The Dating and Contexts of Henry V”; Ian W. Archer, “Discourses of History in Elizabethan and Early Stuart London”; Arthur H. Williamson, “An Empire to End Empire: The Dynamic of Early Modern British Expansion”; David Cressy, “Remembrancers of the Revolution: Histories and Historiographies of the 1640s”; Martin Dzelzainis, “History and Ideology: Milton, the Levellers, and the Council of State in 1649”; Paul Seaward, “Clarendon, Tacitism, and the Civil Wars of Europe”; John Spurr, “‘A special kindness for dead bishops’ : The Church, History, and Testimony in Seventeenth-Century Protestantism”; Andrew Starkie, “Contested Histories of the English Church: Gilbert Burnet and Jeremy Collier”; Mark Knights, “The Tory Interpretation of History in the Rage of Parties”; Eve Tavor Bannet, “‘Secret History:’ Or, Talebearing Inside and Outside the Secretorie ”; Karen O’Brien, “History and the Novel in Eighteenth-Century Britain”; and F. J. Levy, “Afterword.”Google Scholar

Dennis D, Kezar., ed. Solon and Thespis: Law and Theater in the English Renaissance. Notre Dame : University of Notre Dame Press , 2007. viii + 294 pp. index. $37.50. ISBN: 978-0-268-03313-2. Includes: Dennis Kezar, “Introduction”; Matthew Greenfield, “Trial by Theater: Jonson, Marston, and Dekker in the Court of Parnassus”; Paul Cantor, “The Law versus the Marketplace in Jonsons Bartholomew Fair”; Frances Teague, “Ben Jonson and London Courtrooms”; Heather Dubrow, “‘They took from me the use of mine own house:’ Land Law and Shakespeare’s Lear and Shakespeare’s Culture”; Ernest B. Gilman, “Sycorax’s ‘Thing’”; Dennis Kezar, “The Witch of Edmonton and the Guilt of Possession”; Debora Shuger, “‘Paper Bullets’: Texts, Lies, and Censorship in Early Modern England”; Karen J. Cunningham, “‘So Many Books, So Many Rolls of Ancient Time’: The Inns of Court and Gorboduc”; Luke Wilson, “The Rich Cabinet: Bacon, Chapman, and the Culture of Corruption”; and Deak Nabers, “Epilogue: The True Image of Authority.”Google Scholar

Elizabeth Eva, Leach , ed. Machaut’s Music New Interpretations. . Rochester : Boydell & Brewer, Inc. , 2003. xviii + 296 pp. index. illus. bibl. $120. ISBN: 1-84383-016-7. Includes: Virginia Newes, “Symmetry and Dissymmetry in the Music of the Lay de Bonne Esperance (L18/13)”; Jacques Boogaart, “Speculum mortis: Form and Signification in Machaut’s MotetHe! Mors/Fine Amour/Quare non sum mortuus (M3)”; Alice V. Clark, “Observations on Machaut’s Motet He! Mors, com tu es haie/Fine Amour, qui me vint navrer/Quare non sum mortuus (M3)”; Thomas Brown, “Flos/Celsa and Machaut’s Motets: Emulation — and Error?”; Kevin N. Moll, “Texture and Counterpoint in the Four-Voice Mass Settings of Machaut and his Contemporaries”; Margaret Bent, “The ‘Harmony’ of the Machaut Mass”; Owen Rees, “Machaut’ s Mass and Sounding Number ”; Elizabeth Eva Leach, “Singing More About Singing Less: Machaut’ s Pour ce que tous (B12)”; Anne Stone, “Music Writing and Poetic Voice in Machaut: Some Remarks on B12 and R14”; Jehoash Hirshberg, “A Portrayal of the Lady Who Guards her Honour (B25)”; Peter M. Lefferts, “Machaut’s B-Flat Balade Honte, paour (B25)”; Jane Flynn, “The Intabulation of De toutes flours (B31) in the Codex Faenza as Analytical Model”; Christian Berger, “Machaut’s Balade Ploures dames (B32) in the Light of Real Modality”; Jennifer Bain, “Balades 32 and 33 and the ‘res dalemangne’”; William Peter Mahrt, “Male and Female Voice in Two Virelais of Guillaume de Machaut”; Yolanda Plumley, “The Marriage of Words and Music: Musique Naturele and Musique Artificiele in Machaut’s Sans cuer, dolens (R4)”; Daniel Leech-Wilkinson, “Rose, lis Revisited”; and Karl Kügle, “Some Observations Regarding Musico-Textual Interrelationships in Late Rondeaux by Machaut.”Google Scholar

Thomas, Leinkauf , and , Hartbecke, Karin , eds. Der Naturbegriff in der Frühen Neuzeit: Semantische Perspektiven zwischen 1500 und 1700. . Tübingen : Max Niemeyer Verlag , 2005. vi + 336 pp. index. illus. tbls. €84. ISBN: 3-484-36610-9. Includes: Thomas Leinkauf, “Der Naturbegriff in der Frühen Neuzeit. Einleitung”; Enno Rudolph, “Die Seele innerhalb der Grenzen der bloßen Natur”; Martin Mulsow, “Arcana naturae: Verborgene Ursachen und universelle Methode von Fernel bis Gemma und Bodin”; Michael Zywietz, “‘Perfectio igitur delecta-tionis musicae consistit in eius perfecta cognitione:’ Adrian Willaerts Motette Victimae paschali laudes und die Aristoteles-Rezeption in Venedig”; Wilhelm Kühlmann, “Anmerkungen zum Verhältnis von Natur und Kunst im Theoriezusammenhang des paracelsistischen Hermetismus”; Barbara Mahlmann-Bauer, “Poetische Darstellungen des Kosmos in der Nachfolge des Lukrez: Bruno — Kepler — Goethe”; Wolfgang Neuser, “Der Naturbegriff bei Giordano Bruno”; Wilhelm Schmidt-Biggemann, “Kosmos und Kabbala: Robert Fludds Naturkonzeption”; Massimo Luigi Bianchi, “Ewige e zeitliche Natur in Jacob Böhme”; Gábor Boros, “Dieu ou la nature: Die Umkehrung des cartesischen Naturbegriffs im Spä twerk Descartes”; Karin Hartbecke, “Natur und Selbstbewegung: Die Umdeutung des galenistischen Naturbegriffs durch den Anatomen Francis Glisson”; and Michaela Boenke, “Gott und seine Mitregenten: Theologische, stoische und platonische Elemente in der Naturtheorie Newtons.”Google Scholar

Zachary, Lesser , and , Robinson, Benedict S. , eds. Textual Conversations in the Renaissance: Ethics, Authors, Technologies. Aldershot : Ashgate Publishing Company , 2006. xii + 228 pp. index. bibl. $99.95. ISBN: 0-7546-5685-3. Includes: Zachary Lesser and Benedict S. Robinson, “Introduction”; Arthur F. Kinney, “The Art of Conversazioni: Practices in Renaissance Rhetoric”; Patrick Cheney, “‘Defend his freedom ‘gainst a monarchy’: Marlowe’s Republican Authorship”; Peter G. Platt, “‘Much More the Better for Being a Little Bad,’ or Gaining by Relaxing: Equity and Paradox in Measure for Measure”; Judith H. Anderson, “Allegory. Irony, Despair: Chaucer’s Pardoner’s and Franklins’ Tales and Spenser’s Faerie Queene, Books I and III”; William J. Kennedy, “‘Les langues des hommes sont pleines de tromperies’: Shakespeare, French Poetry, and Alien Tongues”; Margaret P. Hannay, “Joining the Conversation: David, Astrophil, and the Countess of Pembroke”; Betty S. Travitsky, “The Puzzling Letter of Sister Elizabeth Sa[u]nder[s]”; Roger Kuin, “A Civil Conversation: Letters and the Edge of Form”; and Douglas A. Brooks, “‘Made all of rusty yron, ranckling sore’: The Imprint of Paternity in The Faerie Queene”.Google Scholar

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Alexander, Marr , and , Evans, R. J. W , eds. Curiosity and Wonder from the Renaissance to the Enlightenment. Aldershot : Ashgate Publishing Company , 2006. xvi + 266 pp. index. illus. $99.95. ISBN: 0-7546-4102-3. Includes: Alexander Marr, “Introduction ”; Wes Williams, “‘Out of the Frying Pan … ‘: Curiosity, Danger and the Poetics of Witness in the Renaissance Travellers’ Tale ”; Neil Kenny, “The Metaphorical Collecting of Curiosities in Early Modern France and Germany”; Adriana Turpin, “The New World Collections of Duke Cosimo I de’Medici and their Role in the Creation of a Kunst-and Wunderkammer in the Palazzo Vecchio”; Claire Preston, “The Jocund Cabinet and the Melancholy Museum in Seventeenth-Century English Literature”; Peter Forshaw, “Curious Knowledge and Wonder-Working Wisdom in the Occult Works of Heinrich Khunrath”; Stephen Clucas, “Enthusiasm and ‘damnable curiosity’: Meric Casaubon and John Dee”; Alexander Marr, “Gentille curiosité: Wonder-Working and the Culture of Automata in the Late Renaissance”; Deborah Harkness, “Nosce teipsum : Curiosity, the Humoural Body and the Culture of Therapeutics in Late Sixteenth- and Early Seventeenth-Century England”; Paola Bertucci, “Back from Wonderland: Jean Antoine Nollets’ Italian Tour (1749) ”; and George Rousseau, “Curiosity and the lusus naturae: The Case of ‘Proteus’ Hill.”Google Scholar

Maria Teresa, Monti , ed. écriture et mémoire: Les carnets medico-biologiques de Vallisneri a é. Wolff. . Milan : FrancoAngeli , 2006. 226 pp. index. illus. tbls. €22. ISBN: 88-464-7937-8. Includes: Maria Teresa Monti, “Introduction”; Dario Generali, “Scrittura, narra-zione e memoria scientifica nei Quaderni e nei Giornali di Antonio Vallisneri”; Maria Ferrucci, “‘La mano ristette’: Strategie del candore nei giornali delle infusioni di Lazzaro Spallanzani”; Marc J. Ratcliff, “Construction, découverte, et contexte de réalité dans les cahiers de laboratoire: Le cas de Horace-Bénédict de Saussure”; Maria Teresa Monti, “Espaces blancs, espaces vides, espaces insuf-fisants: L’écriture du carnet d’observations chez Bonaventura Corti”; Marco Bresadola, “Note di laboratorio e percorsi investigativi: Il caso di Luigi Galvani”; Marco Piccolino, “La torpille domptée: d’un ‘art’ merveilleux et terrible à ‘‘é l lec-tricité animale’”; Céline Cherici, “Le rôle moteur des carnets d’observations sur la pensée médicale de Vincenzo Malacarne”; and Jean-Louis Fischer, “Les cahiers de laboratoire d’étienne Wolff des années 1930–1935.”Google Scholar

Elizabeth, Morrison , and , Kren, Thomas , eds. Flemish Manuscript Painting in Context: Recent Research. Los Angeles : Getty Publications , 2007. viii + 198 pp. index. append. illus. $60. ISBN: 978-0-89236-852-5. Includes: Lorne Campbell, “Jan van der Scaghe and Anne de Memere, the First Owners of the Hours of 1480 in the Abbey Library at Nová R ì š e”; Catherine Reynolds, “The Undecorated Margin: The Fashion for Luxury Books without Borders”; Chrystèle Blondeau, “A Very Burgundian Hero: The Figure of Alexander the Great under the Rule of Philip the Good”; Margaret Scott, “The Role of Dress in the Image of Charles the Bold, Duke of Burgundy”; Nancy K. Turner, “The Suggestive Brush: Painting Techniques in Flemish Manuscripts from the Collections of the J. Paul Getty Museum and the Huntington Library”; Lieve Watteeuw, “Flemish Manuscript Production, Care, and Repair: Fifteenth-Century Sources”; Lorne Campbell, “Rogier van der Weyden and Manuscript Illumination”; Stephanie Buck, “On Relationships between Netherlandish Drawing and Manuscript Illumination in the Fifteenth Century”; Jan Van der Stock, “Flemish Illuminated Manuscripts: Assessing Archival Evidence”; Gregory T. Clark, “The Master of Fitzwilliam 268: New Discoveries and New and Revisited Hypotheses”; Dominique Vanwijnsberghe, “Marketing Books for Burghers: Jean Markant’s Activity in Tournai, Lille, and Bruges”; Elizabeth Morrison, “Iconographic Originality in the Oeuvre of the Master of the David Scenes”; James H. Marrow, “Scholarship on Flemish Manuscript Illumination of the Renaissance: Remarks on Past, Present, and Future”; Jonathan J. G. Alexander, “One Hundred Years of the Study of Netherlandish Manuscripts”; and Richard Gay, “Appendix: Scribe Biographies.”Google Scholar

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Clare M, Murphy., ed. Moreana: Revue trimestrielle sur l’univers de Thomas More. Vol. 42, no. 161: Time Trieth Truth. Tempe : Arizona Center for Medieval and Renaissance Studies , 2005. 160 pp. illus. map. $15. ISBN: ISSN 0047-8105. Includes: Clare M. Murphy, “Editorial Letter”; Richard Britnell, “Service, Loyalty, and Betrayal in Cavendish’s The Life and Death of Cardinal Wolsey”; Jackson C. Boswell, “References and Allusions to Thomas More: 1641–1700 (Part Four)”; and Germain Marc’hadour, “Vivès éducateur.”Google Scholar

Antonio Cortijo, OcaÑa , and , Schaffer, Martha E. , eds. Medieval and Renaissance Spain and Portugal: Studies in Honor of Arthur L-F. Askins. Rochester : Boydell & Brewer, Inc. , 2006. xviii + 324 pp. index. illus. bibl. $80. ISBN: 1-85566-122-5. Includes: Dru Dougherty, “Preface”; Charles B. Faulhaber, “Introduction”; Gemma Avenoza, “Lope Garcìa de Salazar: la formación de un bibliófilo y de su biblioteca”; Nieves Baranda, “El camino espiritual a Jerusalén a principios del Renacimiento”; Vivenç Beltrán, “Tipos y tema. trovadorescos, XX: Fernan Velho”; Alberto Blecua, “Cómo vive un soneto: sobre ‘Perdido ando, seÑora, entra la gente’”; Pedro M. Cátedra, “Del claustro al pliego suelto: la obra de Antonio de Espinosa”; Alan Deyermond, “The Bestiary Tradition in the Orto do Esposo”; Aida Fernanda Dias, “As Diffinçõoes de Calatraua (1468), numa Versão Portuguesa”; Thomas F. Earle, “Damião de Góis’s Translation and Commentary on Cicero’s De Senectute”; Marìa del mar Fernández Vega, “Muestrario de incunables catalanes de la Biblioteca Colombina”; Manuel da Costa Fontes, “Between Ballad and Parallellistic Song: A Condessa Traidora in the Portuguese Oral Tradition”; Helder Godinho, “Dois Casos de Heróis Sem Terra: Rodrigo e Guillaume d’Orange”; Angel Gómez Moreno, “El Tratado del menospreçio del mundo ¿de Juan del Encina? ”; Thomas R. Hart, “Cantiga and Canso”; Ana Hatherly, “Luìs Vaz de Camões and Fernão Mendes Pinto: A Comparative Overview of their Lives in Asia and After”; David Hook, “New Dates and Hypotheses for Some Early Sixteenth-Century Dramatic Texts Suggested by an Alcalá Annotator of Nicolás Antonio”; Victor Infantes, “Los pliegos sueltos del siglo XVI después del Nuevo Diccionario”; Beatriz Mariscal Hay, “‘Moricos los mis moricos’: observaciones sobre el romancero carolingio”; Aires A. Nascimento, “Manuscritos e Textos dos Prìncipes de Avis: o Leal Conselheiro e Outros Manu-scritos: Problemas de Deriva Filológica e Tentativa de Reintegração”; João David Pinto-Correia, “Autobiografia, Cultura e Ideologia em Peregrinação de Fernão Mendes Pinto”; Dorothy Sherman Severin, “The Sepultura de Macìas by San Pedro — But Which San Pedro?”; and Harvey L. Sharrer, “Tablante de Ricamonte before and after Cervantes’ Don Quixote”.Google Scholar

Jessie Ann, Owens , ed. “Noyses, sounds, and sweet aires”: Music in Early Modern England. Seattle : University of Washington Press , 2007. 222 pp. illus. $34.95. ISBN: 978-0-295-98656-2. Includes: Jessie Ann Owens, “Introduction: Soundscapes of Early Modern England”; Bruce R. Smith, “‘What means this noise?’”; Ross W. Duffin, “Ballads in Shakespeare’s World”; Stacey Houck, “John Playford and the English Musical Market”; Jeremy Smith, “Music and the Cult of Elizabeth: The Politics of Panegyric and Sound”; Craig Monson, “Reading Between the Lines: Catholic and Protestant Polemic in Elizabethan and Jacobean Sacred Music”; and Nicholas Temperley, “‘If any of you be mery let hym synge psalmes:’ The Culture of Psalms in Church and Home.”Google Scholar

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Marian, Rothstein , ed. Charting Change in France around 1540. Selinsgrove, PA : Susquehanna University Press , 2006. 224 pp. index. bibl. $50. ISBN: 1-57591-108-6. Includes: Marian Rothstein, “Introduction”; Virginia Krause, “Serializing the French Amadis in the 1540s”; Richard Freedman, “Clément Janequin, Pierre Attaingnant, and the Changing Image of French Music, ca. 1540”; Laurier Turgeon, “The Cartier Voyages to Canada (1534–42) and the Beginnings of French Colonialism in North America”; Francis Higman, “New Forms of Religious Engagement, ca. 1540”; Marian Rothstein, “Printing, Translation, and the Paradigm Shift of 1540”; and Bernd Renner, “Changes in Renaissance Epistemology: The Dialogism of Rabelais’s Prologues.”Google Scholar

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Kim W, Woods., ed. Making Renaissance Art. . New Haven : Yale University Press , 2007. index. illus. bibl. $35. ISBN: 978-0-300-12189-6. Includes: Kim W. Woods, “Introduction”; Catherine King, “Drawing and Workshop Practices”; Carol M. Richardson, “Constructing Space in Renaissance Painting”; Kim W. Woods, “The Illusion of Life in Fifteenth-Century Sculpture”; Tim Benton, “Architecture: Theory and Practice”; Diana Norman, “Making Renaissance Altarpieces”; Charles Harrison, “The Printed Picture in the Renaissance”; and Catherine King, “Making Histories, Publishing Theories.”Google Scholar

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