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Keith, Christiansen. ed. From Filippo Lippi to Piero della Francesca: Fra Carnevale and the Making of a Renaissance Master. New York : The Metropolitan Museum of Art, 2005. 384 pp. index. append. illus. bibl. $65. ISBN: 0-300-10716-1. Includes: Emanuela Daffra, “In Search of Fra Carnevale, A ‘Painter of High Repute’”; Keith Christiansen, “Florence: Filippo Lippi and Fra Carnevale”; Andrea De Marchi, “Fra Carnevale, Urbino, and the Marches: An Alternative View of the Renaissance”; Matteo Ceriana, “Fra Carnevale and the Practice of Architecture”; Keith Christiansen, “Fra Carnevale in Florence: Catalogue 1–27”; Andrea Di Lorenzo, “Documents in the Florentine Archives”; Keith Christiansen, “Fra Carnevale in Urbino and the Marches: Catalogue 28–47”; “Biographies”; Matteo Mazzalupi, “Documents in the Urbino Archives”; Livia Carloni, “Documents in the Barberini Archives”; Cecilia Frosinini and Roberto Bellucci, “Observations on the Technique and Artistic Culture of Fra Carnevale”; Keith Christiansen, “Plates”; and George Bisacca and Ciro Castelli, “Carpentry and Panel Construction.”Google Scholar

Ceri, Davies, and, Easton Law, John, eds. The Renaissance and the Celtic Countries. Renaissance Studies. Malden and Oxford : Blackwell Publishers, UK, 2005. viii + 115 pp. index. $34.95. ISBN: 1-4051-2063-0. Includes: John Barry, “Richard Stanihurst’s De Rebus in Hibernia Gestis”; Bryon Harries, “John Owen the Epigrammatist: A Literary and Historical Context”; Gruffydd Aled Williams, “The Poetic Debate of Edmwnd Prys and William Cynwal”; Roger P. H. Green, “Classical Voices in Buchanan’s Hexameter Psalm Paraphrases”; and Alastair J. Mann, “A Spirit of Literature — Melville, Baillie, Wodrow, and A Cast of Thousands.”Google Scholar

Hossam, Elkhadem, and, Bracke, Wouter, eds. Simon Stevin 1548–1620: L’émergence de la nouvelle science. Turnhout : Brepols Publishers, 2004. 184 pp. illus. tbls. map. €37.74. ISBN: 90-5622-054-3. Includes: Diego Quaglioni and Silvana Seidel Menchi, “Préface”; Diego Quaglioni and Silvana Seidel Menchi, “Introduction”; Guido vanden Berghe, “Simon Stevin, une vie à l’ombre du pouvoir”; Claude Sorgeloos, “Notice sur Simon Stevin, Brugeoispar Charles Louis Carton”; Rudolf de Smet, “Simon Stevin et le paradoxe de l’humanisme fragmenté”; Luc Duerloo, “Simon Stevin, penseur politique”; Dirk Imhof, “Christophe Plantin, éditeur de Simon Stevin”; Henk J. M. Bos, “Simon Stevin, mathématicien”; Paul van Praag, “‘L’Appendice Algebraique’: La retranscription de l’Appendeice Algebraiquepar le Père Henri Bosmans”; Frédéric Métin and Jean-Jacques Heirwegh, “Simon Stevin et les affaires financières”; Johan van Heesch, “Une médaille en argent du XVIIe siècle à l’effigie de Simon Stevin”; Jean-Pierre Le Goff, “Le traité d’ombragementde Simon Stevin et sa place dans l’histoire de la perspective”; Charles van den Heuvel, “Le traité incomplet de l’art militaire et l’instruction pour une école des ingénieurs de Simon Stevin”; Sergio Boffa, “Le plan idéal d’un campement mili-taire selon la Castrametatiode Simon Stevin (1617)”; Jean Dhombres, “Selon qu’on trouve utile: Simon Stevin, gérant économe et inventif de la circulation de l’eau dans les villes”; Patricia Radelet-de Grave, “Simon Stevin, l’un des tout premiers coperniciens”; Jozef T. Devreese and Marie Cornaz, “Le nouveau départ de la mécanique après 1800 ans de léthargie Epilogue”; Hossam Elkhadem, “Stevin et la navigation”; Wouter Bracke, “Le char à voile de Simon Stevin”; Jozef T. Devreese, “Simon Stevin et la musique”; Jean-Jacques Heirwegh, “La statue de Stevin”; and Marijke J. van der Wal, “Simon Stevin, observateur et utilisateur de la langue.”Google Scholar

Karl A. E., Enenkel, ed. Cognition and the Book: Typologies of Formal Organisation of Knowledge in the Printed Book of the Early Modern Period. Leiden and Boston : Brill Academic Publishers, 2005. xvi + 641 pp. index. illus. tbls. $239. ISBN: 90-04-12450-0. Includes: Wolfgang Neuber and Karl A. E. Enenkel, “Einleitung”; Frans A. Janssen: “The Rise of the Typographical Paragraph”; Ann Moss, “Locating Knowledge”; Karl A. E. Enenkel, “Ars Antiquitatis: Erkenntnissteuerung und Wissensverwaltung in Werken zur römischen Kulturgeschichte”; Detlef Haberland, “Die Kosmographie — Typologie und Medienstrategien”; Paul J. Smith, “Cognition in Emblematic Fable Books: Aegidius Sadeler’s Theatrum Morum(1608) and its Reception in France (1659–1743)”; Ian F. Verstegen, “Tacit Skills in the Perspective Treatise of the Late Renaissance”; Hilmar M. Pabel, “Credit, Paratexts, and Editorial Strategies in Erasmus of Rotterdam’s Editions of Jerome”; Dietmar Till, “Der ‘rhetorisierte’ Longin: Medienstrategien zur ‘Klassierung’ eines Autors”; Robert Luff, “Stratagien der Wissensvermittlung und Rezeptionssteuerung in Inkunabeln und Drucken zum Buch der NaturKonrads von Megenburg”; Ursula Kocher, “Bilder als Mittel der Erkenntnissteuerung: Text und Bild in Boccaccios Decameron”; Wolfgang Neuber, “Der geschlachtete Kannibale: Zu einigen niederländischen Ausgaben von Hans Stadens Reisebericht”; Manuel Braun, “Illustration, Dekoration und das allmähliche Verschwinden der Bilder aus dem Roman (1471–1700)”; Thomas Rahn, “Typographisches Decorum: Ordnung und Éclatin der Typographie der höfischen Figurendichtung und Festbeschreibung”; Maximilian Bergengruen, “‘Alles/was hierniden ist/das ist auch droben’: Zur Funktion gra-phischer Systemdarstellungen in Buch-Publikationen aus dem Bereich der magia naturalis(Robert Fludd, Oswald Croll)”; Romy Günthart, “Deutschsprachige Andachtsbücher um 1500: Drucke zwischen Wissensvermittlung und Medita-tionshilfe”; Jörg Jungmayr, “Typographische Erkenntnissteuerung in Handschrift und Druck: Der illustrierte ‘Geistliche Rosengarten’ in einer spätmittelalterlichen Handschrift und in einem Druck”; Kai Bremer, “Techniken der Leserlenkung und -selektion im volkssprachigen Buch der Gegenreformation Um 1600”; Claus Zittel, “Abbilden und Überzeugen bei Descartes”; and Matthijs van Otegem, “The Relationship between Word and Image in Books on Medicine in the Early Modern Period.”Google Scholar

David T., Gies, ed. The Cambridge History of Spanish Literature. Cambridge and New York : Cambridge University Press, 2004. xxxiv + 863 pp. index. tbls. chron. bibl. $160. ISBN: 0-521-80618-6. Includes: David T. Gies, “The Funes Effect: Making Literary History”; Wadda C. Ríos-Font, “Literary History and Canon Formation”; John Dagenais, “Medieval Spanish Literature in the Twenty-First Century”; Maria Rosa Menocal, “Beginnings”; Andrew M. Beresford, “The Poetry of Medieval Spain”; James Burke, “Medieval Spanish Prose”; Charlotte D. Stern, “The Medieval Theatre: Between scripturaand theatrica”; Jeremy Robbins, “Renaissance and Baroque: Continuity and Transformation in Early Modern Spain”; Alison P. Weber, “Religious Literature in Early Modern Spain”; Julian Weiss, “Renaissance Poetry”; E. Michael Gerli, “The Antecedents of the Novel in Sixteenth-Century Spain”; Anthony J. Close, “Miguel de Cervantes”; Mary Malcolm Gaylord, “The Making of Baroque Poetry”; Margaret R. Greer, “The Development of National Theatre”; Victor F. Dixon, “Lope Félix de Vega Carpio”; Evangelina Rodríguez Cuadros, “Pedro Calderón de la Barca”; Jorge Checa, “Didactic Prose, History, Politics, Life Writing, Convent Writing, Crónicas de Indias”; Philip Deacon, “Spain and Enlightenment”; “Eighteenth-Century Neoclassicism”; Joaquín Álvarez Barrientos, “Eighteenth-Century Prose Writing”; “Eighteenth-Century Poetry”; “Neoclassical Versus Popular Theatre”; Derek Flitter, “Romanticism in Spain”; David T. Gies, “The Theatre in Romantic Spain”; Gregorio C. Martín, “Mariano José de Larra”; Susan Kirkpatrick, “Romantic Poetry”; Michael Iarocci, “Romantic Prose, Journalism, and costumbrismo”; Harriet S. Turner, “Benito Pérez Galdós”; Stephen Miller, “The Realist Novel”; “The Naturalist Novel”; David T. Gies, “The Theatre in Spain 1850–1900”; María Ángeles Naval, “Poetry in the Second Half of the Nineteenth Century”; Lou Charnon-Deutsch, “Nineteenth-Century Women Writers”; Joan Ramon Resina, “The Catalan Renaixença”; Nil Santiáñez, “Great Masters of Spanish Modernism”; Richard A. Cardwell, “The Poetry of modernismoin Spain”; Joan Ramon Resina, “Modernism in Catalonia”; C. A. Longhurst, “Modernist Narrative in the 1920s”; Joan Ramon Resina, “Noucentisme”; Nelson R. Orringer, “Ideas, Aesthetics, Historical Studies”; Joan Ramon Resina, “The Catalan Avant-Garde”; Enric Bou, “Poetry Between 1920 and 1940”; Nigel Dennis, “Prose: Early Twentieth Century”; Dru Dougherty, “The Commercial Stage, 1900–1936”; “Theatrical Reform and Renewal, 1900–1936”; Andrew A. Anderson, “Federico García Lorca”; Michael Ugarte, “The Literature of Franco Spain, 1939–1975”; José María Naharro Calderón, “Twentieth-Century Literature in Exile”; Janet Perez, “Prose in Franco Spain”; Guillermo Carnero, “Poetry in Franco Spain”; Martha Halsey, “Theatre in Franco Spain”; Marvin D’Lugo, “Film and Censorship under Franco, 1937–1975”; José-Carlos Mainer, “Spanish Literature Between the Franco and Post-Franco Eras”; Juan Cano Ballesta, “Post-Franco Poetry”; Brad Epps, “Spanish Prose, 1975–2002”; Sharon G. Feldman, “Post-Franco Theatre”; and Susan Martin-Márquez, “Spanish Literature and the Language of New Media.”Google Scholar

Elizabeth C., Goldsmith, and, Winn, Colette H., eds. Lettres de femmes: Textes inédits et oubliés du XVIe au XVIIIe siècle. Paris : Honoré Champion Éditeur, 2005. xlii + 448 pp. index. illus. gloss. bibl. €83. ISBN: 2-7453-1123-9. Includes: Rouben C. Cholakian, “Lettres de Marguerite de Navarre à François Ier (1521–1546)”; Patricia Francis Cholakian, “Lettres de Marguerite de Navarre à François Ier (1521–1546)”; Anne R. Larsen, “Correspondance de Louise de Bourges et de Gaspard de Saillans (1569)”; Jane Couchman, “Lettres de Louise de Coligny, princesse d’Orange, aux membres de sa famille aux Pays-Bas et en France (1573–1620)”; Susan Broomhall, “Lettres de Louise-Julienne, d’Élisabeth et d’Amélie de Nassau à Charlotte-Brabantine de Nassau (1595–1601)”; Colette H. Winn, “Epistre d’une damoiselle françoise à une sienne amie dame estrangere(1564)”; Elizabeth C. Goldsmith, “Correspondance de Jeanne des Anges et de Madame du Houx (1652–1664)”; Marie-France Wagner, “Lettres de Françoise d’Aubigné, marquise de Maintenon, à l’abbé Gobelin et au marquis de Montchevreuil (1673–1717)”; Nathalie Grande, “Lettres de Madame de Scudéry à Bussy-Rabutin (1670–1685)”; Nadine Bérenguier, “Lettres de Suzanne Necker à Antoine Thomas (1766–1785)”; and Marie-Laure Girou-Swiderski, “Lettres de Madame de Meinières à Madame de Lénoncourt (1770–1774).”Google Scholar

Thomas M., Greene Poetry, Signs, and Magic. Newark, DE and Cranbury, NJ : Associated University Presses, 2005. 327 pp. index. illus. tbls. bibl. $57.50. ISBN: 0-87413-880-9. Includes: Thomas M. Greene, “Introduction”; “Language, Signs, and Magic”; “Poetry as Invocation”; “Rabelais and the Language of Malediction”; “Labyrinth Dances in the French and English Renaissance”; “The Poetics of Discovery: A Reading of Donne’s Elegy 19”; “Shakespeare’s Richard II: The Name in Bolingbroke’s Window”; “Pressures of Context in Antony and Cleopatra”; “Ceremonial Closure in Shakespeare’s Plays”; “Magic and Counter-Magic in Comus”; “The Balance of Power in Marvell’s ‘Horatian Ode’”; “Coledridge and the Energy of Asking”; “Poetry and the Scattered World”; and “Poetry and Permeability.”Google Scholar

Marcia B., Hall, ed. Michelangelo’s Last Judgment. Masterpieces of Western Painting. Cambridge and New York : Cambridge University Press, 2005. xiv + 194 pp. index. illus. bibl. $65 (cl), $23.99 (pbk). ISBN: 0-521-78002-0 (cl), 0-521-78368-2 (pbk). Includes: Marcia B. Hall, “Introduction”; William E. Wallace, “‘Nothing Else Happening’: Michelangelo between Rome and Florence”; Thomas F. Mayer, “The Historical and Religious Circumstances of the Last Judgment”; Marcia B. Hall, “Michelangelo’s Last Judgmentas Resurrection of the Body: The Hidden Clue”; Melinda Schlitt, “Painting, Criticism, and Michelangelo’s Last Judgmentin the Age of the Counter-Reformation”; and Margaret A. Kuntz, “A Ceremonial Ensemble: Michelangelo’s Last Judgmentand the Cappella Paolina Frescoes.”Google Scholar

M.-T., Jones-Davies, ed. Culture: Collections, Compilations. Paris : Honoré Champion Éditeur, 2005. 268 pp. index. illus. tbls. €48. ISBN: 2-7453-0961-7. Includes: M.-T. Jones-Davies, “Avant-Propos”; “Deux collections de livres et leurs vicissitudes”; E. Paganelli, “A Mirror of Renaissance Culture: The Library of William Drummond of Hawthornden”; J. Céard, “La notion de corpus à la Renaissance: éléments pour un essai de typologie et de définition”; M.-M. Fragonard, “Exhaustivité et collection raisonnée”; M.-M. Martinet, “Collections transitives ou réflexives”; J.-M. Flamand, “Lexiques ou anthologies: les premiers dictionnaires greco-latins imprimés aux XVe–XVIe siècle”; J.-F. Maillard, “Recueils et Anthologies des Estienne: Une politique éditoriale?”; C. Magnien, “L’Anthologie ou Recueils de plusieurs discours notables, tirez de divers bons autheurs Grecs et Latins: Par Pierre Breslay, Angevin: Paris, Jean Poupy, 1574”; A.-P. Pouey-Mounou, “Les dictionnaires d’épithètes, laboratoires de l’Aptum”; J.-C. Margolin, “Compilation, mixture ou sélection? De la farine des anciens à la farrago epistolarumd’Erasme”; G. Kilroy, “Edmund Campion’s Virgilian Epic”; M. Marrache-Gouraud, “La poésie des collections”; R. Wilson, “Dyed in Mummy: Othelloand the Mulberries”; and T. Hoenselaars, “Renaissance Collections of Alexander the Great.”Google Scholar

Ronda, Kasl, ed. Giovanni Bellini and the Art of Devotion. Indianapolis : Indianapolis Museum of Art, 2004. xiv + 169 pp. tbls. bibl. $65 (cl), $45 (pbk). ISBN: 0-936260-80-7 (cl), 0-936260-79-3 (pbk). Includes: Ronda Kasl, “Introduction”; Keith Christiansen, “Giovanni Bellini and the Practice of Devotional Painting”; Ronda Kasl, “Holy Households: Art and Devotion in Renaissance Venice”; Andrea Golden, “Creating and Re-creating: The Practice of Replication in the Workshop of Giovanni Bellini”; Antonietta Gallone and Cinzia Maria Mancuso, “Giovanni Bellini and His Workshop: A Technical Study of Materials and Working Methods”; and David A. Miller, “The Conservation of a Madonna and Child by Giovanni Bellini and His Workshop.”Google Scholar

Stephen D., Kolsky Courts and Courtiers in Renaissance Northern Italy. Variorum Collected Studies Series. Aldershot and Burlington, VT : Ashgate Publishing Company, 2003. xx + 328 pp. index. bibl. $114.95. ISBN: 0-86078-929-2. Includes: Stephen Kolsky, “Appunti sulla biografia di Mario Equicola”; “Women through Men’s Eyes: The Third Book of Il Cortegiano”; “Making and Breaking the Rules: Castiglione’s Cortegiano”; “Graceful Performances: The Social and Political Context of Music and Dance in the Cortegiano”; “Old Men in a New World: Morello ad Ortona in the Cortegiano”; “Learning Virtue, Teaching Politics: Some Notes on Book Four of the Cortegiano”; “Before the Nunciature: Castiglione in Fact and Fiction”; “‘The Good Servant’: Mario Equicola: Court and Courtier in Early Sixteenth-Century Italy”; “Men Framing Women: Sabadino degli Arienti’s Gynevera de le clare donneReexamined”; “The Courtier as Critic: Vincenzo Calmeta’s Vita del facondo poeta vulgare Serafino Aquilano”; “Lelio Manfredi traduttore cortigiano: Intorno al Carcer d’Amoree al Tirante il Bianco”; “Images of Isabella d’Este”; “An Unnoticed Description of Isabella d’Este’s Grotta”; “Theorizing Pleasure in the Renaissance”; “Male Descriptions, Female Inscriptions”; and “Did Mario Equicola Write Il novo corteggiano?”Google Scholar

Guy, Le Thiec, and, Tallon, Alain, eds. Charles Quint face aux Réformes: Colloques international organisé par le Centre d’histoire des Réformes et du protestantisme (11e colloque Jean Boisset), Montpellier, 8–9 juin 2001, Université Paul Valéry — Montpellier III. Colloques, Congrès et Conférences sur la Renaissance 49. Paris : Honoré Champion Éditeur, 2005. 216 pp. index. illus. tbls. €49. ISBN: 2-7453-1204-9. Includes: Joël Fouilleron, “Propos liminaire”; Alain Tallon, “Introduction”; Giuseppe Galasso, “Valdés et Naples”; Juan Carlos d’Amico, “Charles Quint et la Réforme dans les lettres italiennes: du ‘prince marrane et luthérien’ au ‘chevalier du Christ’”; Gérald Chaix, “L’empereur et son image dans le Saint Empire entre Réformes, Réformation et Réforme”; Raphaël Carrasco, “L’Inquisition espagnole à l’époque de Charles Quint”; Vincent Parello, “La politique de Charles Quint à l’égard des judéo-convers”; Alexander Koller, “La politique pontificale a l’égard de l’Empire enter l’Intérim et la paix d’Augsbourg (1548–1555)”; Olivier Poncet, “Charles Quint et l’épiscopat: Caractères et limites d’une politique de recrute-ment (1516–1556)”; Hugo De Schepper, “Entre compromis et répression: inquisition et clémence aux Pays-Bas sous Charles Quint”; Aline Goosens, “Charles Quint et les protestants aux Pays-Bas”; and Arlette Jouanna, “Conclusions.”Google Scholar

Jayne, Lewis, and, Novak, Maximillian E., eds. Enchanted Ground: Reimagining John Dryden. Toronto and Buffalo : University of Toronto Press, 2004. xiv + 344 pp. index. illus. bibl. $75. ISBN: 0-8020-8940-2. Includes: Maximillian E. Novak and Jayne Lewis, “Introduction”; Margery Kingsley, “Dryden and the Consumption of History”; Leo Braudy, “Dryden, Marvell, and the Design of Political Poetry”; Sharon Achinstein, “Dryden and Dissent”; Michael McKeon, “The Politics of Pastoral Retreat: Dryden’s Poem to His Cousin”; David Haley, “Dryden’s Emergence as A Political Satirist”; Richard Kroll, “The Political Economy of All for Love”; Susan Staves, “Wit, Politics, and Religion: Dryden and Gibbon”; Steven Zwicker, “How Many Religions Did John Dryden Have?”; Jennifer Brady, “Anxious Comparisons in John Dryden’s Troilus and Cressida”; Cedric D. Reverand, II, “Dryden and the Canon: Absorbing and Rejecting the Burden of the Past”; Deborah Payne Fisk, “‘Betwixt two Ages cast’: Theatrical Dryden”; Blair Hoxby, “Dryden’s Baroque Dramaturgy: The Case of Aureng-Zebe”; Dianne Dugaw, “‘The Spirituall Part’: Dryden and Purcell’s Baroque King Arthur”; James A. Winn, “Dryden’s Songs”; and James Grantham Turner, “‘Thy Lovers were all untrue’: Sexual Overreaching in the Heroic Plays and Alexander’s Feast.”Google Scholar

Karin, Maag, and, Witvliet, John D., eds. Worship in Medieval and Early Modern Europe: Change and Continuity in Religious Practice. Notre Dame : University of Notre Dame Press, 2004. xiv + 353 pp. index. illus. tbls. $60 (cl), $30 (pbk). ISBN: 0-268-03474-5 (cl), 0-268-03475-3 (pbk). Includes: John D. Witvliet, “Introduction”; Margot Fassler, “Psalms and Prayers in Daily Devotion: A Fifteenth-Century Devotional Anthology from the Diocese of Rheims, Beinecke 757”; Robert Kingdon, “Worship in Geneva Before and After the Reformation”; Frank C. Senn, “The Mass in Sweden: From Swedish to Latin?”; Bodo Nischan, “Becoming Protestants: Lutheran Altars or Reformed Communion Tables?”; Karin Maag, “Change and Continuity in Medieval and Early Modern Worship: The Practice of Worship in the Schools”; Susan M. Felch, “The Development of the English Prayer Book”; Katherine Elliot van Liere, “Catholic Reform of the Divine Office in the Sixteenth Century: The Breviary of Cardinal Francisco de Quiñones”; Kent J. Burreson, “Water Surrounded by God’s Word: The Diocese of Breslau as a Window into the Transformation of Baptism from the Medieval Period to the Reformation”; Bryan D. Spinks, “Conservation and Innovation in Sixteenth-Century Marriage Rites”; Henry Luttikhuizen, “The Art of Devotion in Haarlem Before and After the Introduction of Calvinism”; Robin A. Leaver, “Sequences and Responsories: Continuity of Forms in Luther’s Liturgical Provisions”; and John D. Witvliet, “Conclusion: Assessing Continuity and Change in Late Medieval and Early Modern Christian Worship.”Google Scholar

Catherine Gimelli, Martin, ed. Milton and Gender. Cambridge and New York : Cambridge University Press, 2004. xiv + 277 pp. index. illus. $75. ISBN: 0-521-84130-5. Includes: Catherine Gimelli Martin, “Introduction: Milton’s Gendered Subjects”; Gina Hausknecht, “The Gender of Civic Virtue”; James Grantham Turner, “The Aesthetics of Divorce: ‘Masculinism,’ Idolatry, and Poetic Authority in Tetrachordonand Paradise Lost”; Catherine Gimelli Martin, “Dalila, Misogyny, and Milton’s Christian Liberty of Divorce”; William Shullenberger, “The Profession of Virginity in A Maske Presented at Ludlow Castle”; Marshall Grossman, “The Genders of God and the Redemption of the Flesh in Paradise Lost”; John Rogers, “Transported Touch: The Fruit of Marriage in Paradise Lost”; Elizabeth M. Sauer, “The Experience of Defeat: Milton and Some Female Contemporaries”; Amy Boesky, “Samson and Surrogacy”; Rachel Trubowitz, “‘I was his nursling once’: Nation, Lactation, and the Hebraic in Samson Agonistes”; Achsah Guibbory, “‘The Jewish Question’ and ‘The Woman Question’ in Samson Agonistes: Gender, Religion, and Nation”; Dayton Haskin, “George Eliot as a ‘Miltonist’: Marriage and Milton in Middlemarch”; Virginia James Tufte and Wendy Furman-Adams, “Saying it With Flowers: Jane Giraud’s Ecofeminist Paradise Lost(1846)”; and Lisa Low, “Woolf’s Allusion to Comusin The Voyage Out.”Google Scholar

Donald K., McKim, ed. The Cambridge Companion to Martin Luther. Cambridge Companions To Religion. Cambridge and New York : Cambridge University Press, 2003. Reprint. xviii + 320 pp. index. chron. bibl. $22.99. ISBN: 0-521-01673-8. Includes: Albrecht Beutel and Katharina Gustavs, “Luther’s Life”; Helmar Junghans and Katharina Gustavs, “Luther’s Wittenberg”; Timothy F. Lull, “Luther’s Writings”; Eric W. Gritsch, “Luther as Bible Translator”; Oswald Bayer and Mark Mattes, “Luther as Interpreter of Holy Scripture”; Markus Wriedt and Katharina Gustavs, “Luther’s Theology”; Bernd Wannenwetsch, “Luther’s Moral Theology”; Fred W. Meuser, “Luther as Preacher of the Word of God”; Jane E. Strohl, “Luther’s Spiritual Journey”; Carter Lindberg, “Luther’s Struggle with Social-Ethical Issues”; David M. Whitford, “Luther’s Political Encounters”; Mark U. Edwards, Jr., “Luther’s Polemical Controversies”; Robert Kolb, “Luther’s Function in an Age of Confessionalization”; Hans J. Hillerbrand, “The Legacy of Martin Luther”; James Arne Nestingen, “Approaching Luther”; James M. Kittelson, “Luther and Modern Church History”; Robert W. Jenson, “Luther’s Contemporary Theological Significance”; and Günther Gassman, “Luther in the Worldwide Church Today.”Google Scholar

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