Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-10T04:37:52.267Z Has data issue: false hasContentIssue false

The royal New Wave: Aubrey Mellor and Queensland Theatre Company, 1988–1993

Published online by Cambridge University Press:  16 December 2015

Get access

Abstract

When Aubrey Mellor returned to Brisbane in 1988 to become the second artistic director of Queensland Theatre Company (QTC), the company had been under the direction of a British-born and trained director since its formation in 1969. QTC was part of the national state theatre company network established as a result of postwar cultural planning. The network was charged with promoting national drama and producing theatre to a high artistic standard, but this objective imposed very specific constraints around the companies' programming. This was particularly observable at QTC: the company had been culturally and geographically distant from the New Wave movement that emerged in Sydney and Melbourne between 1968 and 1981. Mellor brought his experience of working in key institutions during this movement to QTC where he pursued a personal mission to develop Australian playwriting. During his five-year leadership he transitioned the artistic identity of the company to a more contemporary artistic framework.

Type
Articles
Copyright
Copyright © The Author(s) 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Blundell, G. 1997. Australian theatre. Melbourne: Oxford University Press.Google Scholar
Casey, M. and Gallagher, J. 2009. ‘Lygon Street limbo, the disabling myth of the New Wave’. Double Dialogues, 11. http://www.doubledialogues.com/article/lygon-street-limbo-the-disabling-myth-of-the-new-wave.Google Scholar
Comans, C. 2006. ‘La Boite Theatre Company: A distinctive history’. PhD thesis, Queensland University of Technology.Google Scholar
Coombs, H.C. 1954. ‘The Australian Elizabethan Theatre Trust’. Meanjin 13: 283–85.Google Scholar
Craik, J. 2007. Re-visioning arts and cultural policy: Current impasses and future directions. Canberra: ANU ePress.Google Scholar
Fotheringham, R. 1998. ‘Boundary riders and claim jumpers: The Australian theatre industry’. In Kelly, V. (ed.), Our Australian theatre in the 1990s. Amsterdam: Rodopi, pp. 2037.Google Scholar
Johanson, K. 2000. ‘The role of Australia's Cultural Council, 1945–1995’. PhD thesis, University of Melbourne.Google Scholar
Johanson, K. and Rentschler, R. 2002. ‘The new arts leader’. International Journal of Cultural Policy 8 (2): 167–80.CrossRefGoogle Scholar
Mellor, A. 2011. Interview with author, 15 December.Google Scholar
Meyrick, J. 2002. See how it runs: Nimrod and the New Wave. Sydney: Currency Press.Google Scholar
Meyrick, J. 2003. ‘Feeding the habit.’ Eureka Street, 13 (2): 50–1.Google Scholar
Meyrick, J. 2005. ‘Talking 'bout another revolution’. Sydney Morning Herald, 18 January.Google Scholar
Meyrick, J. 2014a. ‘The logic of culture: The fate of alternative theatre in the post Whitlam period’. Australasian Drama Studies 64: 133–54.Google Scholar
Meyrick, J. 2014b. The retreat of our national drama. Sydney: Currency Press.Google Scholar
Milne, G. 2004. Theatre Australia (un)limited: Australian theatre since the 1950s. Amsterdam: Rodopi.CrossRefGoogle Scholar
Parsons, P. and Chance, V. 1997. Concise companion to theatre in Australia. Sydney: Currency Press.Google Scholar
Pensalfini, R. and Fotheringham, R. 2007. ‘Anti-colonial voices? Non-British accents and the national authentication of Shakespeare in Australia in the 1970s’. Australasian Drama Studies 50: 4965.Google Scholar
Rowse, T. 1985. Arguing the arts: The funding of the arts in Australia. Ringwood: Penguin.Google Scholar
Rowse, T. 2001. ‘Commonality and difference: The arts advocacy of H.C. Coombs’. In Bennett, T. and Carter, D. (eds), Culture in Australia: Policies, publics, and programs. Cambridge: Cambridge University Press, pp. 114–34.Google Scholar
Sanderson, R. 2003. ‘Queensland shows the world: Regionalism and modernity at Brisbane's World Expo '88’, Journal of Australian Studies, 79: 6575.CrossRefGoogle Scholar
Sharman, J. 2008. Blood and tinsel: A memoir. Melbourne: Miegunyah Press.Google Scholar
Stafford, A. 2004. Pig city: From The Saints to Savage Garden. Brisbane: University of Queensland Press.Google Scholar
Varney, D. 2011. Radical visions 1968–2008: The impact of the Sixties on Australian drama. Amsterdam: Rodopi.Google Scholar
Wherrett, R. 2000. The floor of heaven: My life in theatre. Sydney: Sceptre.Google Scholar