Hostname: page-component-78c5997874-8bhkd Total loading time: 0 Render date: 2024-11-20T02:20:24.543Z Has data issue: false hasContentIssue false

On the Gymnastic Training of the Hand for Performing on Keyed Instruments

Published online by Cambridge University Press:  01 January 2020

Get access

Extract

Before entering upon my subject, I beg one moment's explanation. I can claim no originality in this matter, my attention having been drawn to it some eleven years ago by a work on Finger Gymnastics by Mr. Ward Jackson. I was greatly taken with the subject, and did my best to make the work known. Wishing to communicate with the author, I made many efforts, by letter and otherwise, but without success. Subsequently, the Rev. Edward Young, of Clifton, who knew Mr. Jackson, informed me of the latter gentleman's death. Finding the Finger Gymnastics but little known, I thought I might be doing some good by bringing the subject before this Association, as it seemed of great importance. A recognition of the only scientific work on the subject (to my knowledge), and my indebtedness to it, seem to me only an act of justice to the author.

Type
Research Article
Copyright
Copyright © Royal Musical Association, 1876

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Mind and Body, p. 45.Google Scholar

It is rather singular, that, since my paper was prepared, an article in the Choir of last month affords strong confirmation of my views in many points. The writers is Mr W Matthews, of Chicago, U.S.Google Scholar

Sir C. Bell, p. 86.Google Scholar