Hostname: page-component-745bb68f8f-b6zl4 Total loading time: 0 Render date: 2025-01-13T02:05:20.381Z Has data issue: false hasContentIssue false
  • English
  • Français

Live Music in America: A history from Jenny Lind to Beyoncé. By Steve Waksman. 2022. Oxford: Oxford University Press. 677 pp. ISBN: 978-0-19-757053-1

Review products

Live Music in America: A history from Jenny Lind to Beyoncé. By Steve Waksman. 2022. Oxford: Oxford University Press. 677 pp. ISBN: 978-0-19-757053-1

Published online by Cambridge University Press:  08 June 2023

Martin Cloonan Open the ORCID record for Martin Cloonan [Opens in a new window]
Martin Cloonan*
Affiliation:
University of Turku, Finland
*
[email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review
Information
Popular Music , Volume 42 , Issue 3 , October 2023 , pp. 332 - 335
Check for updates
Copyright
Copyright © The Author(s), 2023. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Frith, S., Brennan, M., Cloonan, M., and Webster, E. 2013. The History of Live Music in Britain, Volume 1: 1950–1967, From Dance Hall to the 100 Club (London, Routledge)Google Scholar
Frith, S., Brennan, M., Cloonan, M., and Webster, E. 2019. The History of Live Music in Britain, Volume 2: 1968–1984, From Hyde Park to the Hacienda (London, Routledge)CrossRefGoogle Scholar
Frith, S., Brennan, M., Cloonan, M., and Webster, E. 2021. The History of Live Music in Britain. Voulme 3: From Live Aid to Live Nation (Farnham, Ashgate)Google Scholar
Waksman, S. 2021. ‘Between the material and the ephemeral’, Journal of Popular Music Studies, 33/4, pp.203–12.CrossRefGoogle Scholar