Hostname: page-component-78c5997874-m6dg7 Total loading time: 0 Render date: 2024-11-06T05:02:45.223Z Has data issue: false hasContentIssue false
  • English
  • Français

The cassette industry and popular music in North India

Published online by Cambridge University Press:  17 November 2008

Peter Manuel
Get access Rights & Permissions [Opens in a new window]

Extract

Since the early 1970s the advent of cassette technology has had a profound effect on music industries worldwide. This influence has been particularly marked in the developing world, where cassettes have largely replaced vinyl records and have extended their impact into regions, classes and genres previously uninfluenced by the mass media. Cassettes have served to decentralise and democratise both production and consumption, thereby counterbalancing the previous tendency toward oligopolisation of international commercial recording industries.

Type
Research Article
Information
Popular Music , Volume 10 , Issue 2 , May 1991 , pp. 189 - 204
Copyright
Copyright © Cambridge University Press 1991

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Arnold, A. 1988. ‘Popular film song in India: a case of mass-market musical eclecticism’, Popular Music, 7/2, pp. 177–88Google Scholar
Chandravarkar, B. 1987. ‘Tradition of music in Indian cinema’, Cinema in India (03), pp. 8–11Google Scholar
Dubashi, J. 1986. ‘Cassette piracy: high stakes’, India Today, 31 03Google Scholar
Lalitha, S. 1988. ‘The business of Bhajans’, The Times of India, 10 1: II, p. 1Google Scholar
Manuel, P. 1988a. ‘Popular music in India: 1901–86’, Popular Music, 7/2, pp. 157–76Google Scholar
Manuel, P. 1988b. Popular Musics of the Non-Western World: An Introductory Survey (New York)Google Scholar
Manuel, P. 1988–1989. ‘A historical survey of the Urdu ghazal-song in India’, Asian Music (Fall/Winter)Google Scholar
Middleton, R. 1985. ‘Popular music, class conflict, and the music-historical field’, in Popular Music Perspectives, 2, ed. Horn, D. (Gothenburg and Exeter)Google Scholar
Ranga Roa, V.A.K. 1986. ‘Version recordings: new controversy, old issue’, Playback and Fast Forward, 08, pp. 26–27, and 09, p. 29Google Scholar
Tewari, L. 1974. Folk Music of India, Ph.D. dissertation, Wesleyan UniversityGoogle Scholar
Upadhyay, M. 1985. ‘The bhajan samrat’ (interview with Purshottam Das), Playback and Fast Forward, 07, p. 15Google Scholar
Yampolsky, P. 1989. ‘Hati Yang Luka, an Indonesian Hit’, Indonesia, 47, pp. 1–18Google Scholar