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Japanese Export Art of the Edo Period and its Influence on European Art

Published online by Cambridge University Press:  28 November 2008

Oliver Impey
Oliver Impey
Affiliation:
University of Oxford
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Extract

The opening up of Japan to the west and the consequent influences of the west and of Japan upon each other are remarkable for many reasons, not least of which is the interchange of styles and techniques of the arts and crafts one to the other. The export of Japanese works of art, and the influence upon European artistic production during the Meiji period (though often of works produced during the Edo period) have all but obscured the remarkable effects Japanese export art had upon the west during the period of self-imposed semi-isolation. Of course Japan was also greatly influenced by western art; that is not the subject of this paper, but it is a subject of great interest, worthy of considerable attention.

Type
Articles
Information
Modern Asian Studies , Volume 18 , Issue 4 , October 1984 , pp. 685 - 697
Copyright
Copyright © Cambridge University Press 1984

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References

1 For a fuller discussion see Impey, Oliver, Chinoiserie: The Impact of Oriental Styles on Western Art and Decoration (Oxford University Press, 1977).Google Scholar

2 Impey, O., ‘Japanese Export Lacquer of the 17th century’, in Watson, W. (ed.), Lacquer Work in Asia and Beyond (Percival David Foundation Colloquy on Art and Archaeology in Asia No. 11, 1981)Google Scholar, and B. von Rague, ‘The maki-e tradition’ in the same colloquy.

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11 I am grateful to Mr Robin Harcourt-Williams for this information.

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17 Quoted in Impey, Chinoiserie.

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24 My attention was drawn to these important documents by Dr Hiroko Nishida.

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27 O. R. Impey, ‘A Tentative Classification of the Arita Kilns’, in International Symposium on Japanese Ceramics (Seattle, 1972; publ. 1973).

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31 O. R. Impey, Japan; Trade and Collecting in 17th Century Europe (in press).