^{page 265 note 1} Gräber der Hellenen, Taf. XV. 5; Gerhard, , Gesamm. Abhandl. Taf. V. 5.Google Scholar Rosoher, Lexikoni. i col. 1995; cf. ibid. col. 2204.

^{page 265 note 2} Museum Gregor, ii. Tav. LXXIV. 1; Gerhard loc. cit. No. 4 Auserl. Vasenb. Taf. CIX. Roscher ibid. col. 2204.

^{page 265 note 3} Voi. xiii. 1892 Pl. I.–III. p. 1 sqq. (E. Sellers). For the excavations at Eretria cf. Tsountas, , Ἐφημ. 1886 p. 31Google Scholarsqq. From the same excavations come the lekythos Polytechnicon 3507 published Jahrbuch. d. Inst. ii. p. 163; another, 3508 published Antike Denkmāler i. Taf. XXIII. 3 (cf. Jahrbuch. ibid. p. 242) and various other lekythi and small oinochoai as far as the inventory number 3514; moreover the lekythos 3533 (Ephebus on horseback) etc.; all vases with the figures drawn on white ground, or else red-figured.

^{page 266 note 1} The drawing has been cleverly executed by Sig. Berretti, after a careful tracing.

^{page 267 note 1} Élite cêram. ii. Pl. CXV. 1.

^{page 267 note 2} Furtwängler, , Vasensammlung 1983.Google Scholar

^{page 267 note 3} C. Robinson, Museum of Fine Arts, Boston, Catalogue of Vases No. 335.

^{page 267 note 4} Laborde, , Vases Lamberg ii. p. 13, vign. 3Google Scholar; Élite céram. ii. Pl. CVI.

^{page 267 note 6} Furtwängler, , Vasensammlung 2293Google Scholar. Gerhard, , Trinkschalen Taf. VIII. 3, 4Google Scholar; Élite céram. ii. Pl. CXVII. The figure in Gerhard, , Gemmiti. Abhandl. Taf. VIII. 3Google Scholar and in Roscher, Lexiken ii. col. 3139, is reversed. Cf. also Hartwig, , Meisterschalen p. 356.Google Scholar

^{page 268 note 1} Wiener Vorlegeblätter 1889 Taf. XI. 8.

^{page 269 note 1} In the Plate the incised lines and the white colour are represented by the natural tone of the paper; the red is indicated by a half tint, and the veiled white of the parts immersed in the water by another, lighter half-tint. The flaked-off portions are indicated by small black strokes.

^{page 269 note 2} Miss Sellers in the text dealing with the Pl. I. cited mentions a fictile b.f. fragment from Naukratis (Catal. B. 103₁₉) in which the water is indicated in an analogous way.

^{page 270 note 1} Invent. No. 4294. Acquired in 1888. Put together out of several pieces. Height 0·33. The interior is varnished. It is provided also with a cover (omitted in the photograph) adorned with branches of laurel, palmettes and lotos-flowers.

^{page 270 note 2} Cf. Furtwängler, Sammlung Sabouroff, text to Taf. LXIII.

^{page 270 note 3} By Rapp in Roscher, Lexikon i. col. 1277, and at first also by Furtwängler she was interpreted as Eos; Robert, in Hermes 1884 p. 467Google Scholarsqq. recognised Nyx: but the presence of the lunar disc absolutely excludes both these interpretations. Cf. Weizsäcker in Roscher, , Lexikon iii. p. 575.Google Scholar

^{page 270 note 4} See the vaso in Comete Rendu 1860 Pl. III. and another in Gerhard, , Gesamm. Abhandl. Pl. VIII. 8Google Scholar, repeated in Roscher, Lexikon ii. col. 3166. Cf. the analogous representation of Helios in Gerhard ibid. Taf. V. 1, and Roscher ib. i. col. 1998.

^{page 270 note 5} Cf. the κύκλος πανσέληνος of Euripides, , Ion v. 1146Google Scholarsqq.

^{page 270 note 6} Cf. for example the vase at Florence, Heydemann, , Hall. Winckelmannsprogramm 1878 Taf. III. 2Google Scholar; Roscher Lexikon ii. col. 3140. A small r.f. lekythos with the head of Selene and the half-moon, unpublished, is mentioned by Hartwig, , Mcisterschalen p. 356Google Scholar note 1. See for the rest Roscher loc. cit. col. 3131.

^{page 271 note 1} Cf. Hymn. Hom. 32, 5. Roscher ibid. 3133.

^{page 271 note 2} Sauer, , Athen. Mittheil. xiii. 1891, p. 84Google Scholar, Taf. III. The hypothesis that Selene rode on horseback was sustained by Cecil Smith in this Journal, vol. ix. p. 9.

^{page 271 note 3} MissSellers, in Classical Review vi. 370Google Scholar proposes to recognize Nyx in accordance with the Euripidean description in Aristoph. Thesm. v. 1065; an opinion accepted reservedly by Furtwäiigler, Masterpieces p. 465.Google Scholar

^{page 271 note 4} Cf. Hymn. Hom. 32; Pindar, , Olymp, iii. 19Google Scholar; Euripid., Sappl. 990Google Scholarsqq.

^{page 271 note 5} Fiorelli, Vasi Cumani Tav. VI.

^{page 271 note 6} Cf. c.g. the vase at Bologna Annal, d. Inst. 1880 Tav. IV. where Hermes precedes the quadriga which bears Herakles to Olympos, moving, as here, over the sea, indicated by fish.

^{page 271 note 7} On the relief representing Echelos and Basile, the mother of Helios and Selene, Hermes acts as guide to the chariot (῾ Εφημ ἀρχ 1893 Pl. IX.; Collignoii, , Sculpture Grecque ii. p. 190)Google Scholar; but this is not enough to establish a connection.

^{page 271 note 8} See Roscher, Lexikon i, col. 2375 sq.

^{page 272 note 1} Roscher, ibid. ii. col. 3142. On a gem at Berlin, Hermes is figured as Hypnos. Müller-Wieseler, , Denk. a. K. ii. 328.Google Scholar

^{page 272 note 2} Cf. Jahn, O., Arch. Beiträge p. 88.Google Scholar

^{page 272 note 3} Klein, , Meistersignaturen p. 210Google Scholar; Gerhard, Lichtgotthcilcn, Taf. VII. 4Google Scholar.

^{page 272 note 4} Ilias Ω 343; Odyss. ϵ 47; ω 3; Verg., Acn. iv. 242Google Scholar.

^{page 272 note 5} Bull. corr. hell. xvi. 1892 p. 336.