Hostname: page-component-78c5997874-8bhkd Total loading time: 0 Render date: 2024-11-18T13:17:59.767Z Has data issue: false hasContentIssue false

SESSION 6: PLENARY

Celluloid Capitalism—Entrepreneurs in Action

Published online by Cambridge University Press:  13 August 2001

John Lithgow
Affiliation:
University of California, Los Angeles
Mary Corey
Affiliation:
University of California, Los Angeles
Ella Taylor
Affiliation:
Los Angeles Weekly
Rights & Permissions [Opens in a new window]

Abstract

Core share and HTML view are not available for this content. However, as you have access to this content, a full PDF is available via the ‘Save PDF’ action button.

Movies might appropriately be the defining genre for the twentieth century. There were no movies before the twentieth century. Knowing what movies were made and seen by whom over time, and which messages and symbols were conveyed tells us a great deal about the American Century and about how people saw capitalists and capitalism. We argue that American movie culture evolved at a time when the debate about wealth and poverty and structural change was transforming the economy, and when most people could not explain or understand the revolutionary changes underway. We also suggest that who made the movies and how they made them mattered: a majority of the early movies were made by immigrant groups, such as Jews, and that mattered to how the movies perceived the outsiders and the insiders and how they portrayed capitalism and capitalists.

Type
EHA ABSTRACT
Copyright
© 2001 Cambridge University Press