Hostname: page-component-586b7cd67f-rcrh6 Total loading time: 0 Render date: 2024-11-28T13:39:43.356Z Has data issue: false hasContentIssue false
  • English
  • Français

Elissa Auther and Adam Lerner (eds.), West of Center: Art and the Counterculture Experiment in America, 1965–1977 (Minneapolis: University of Minnesota Press, 2012, $39.95). Pp. 448. isbn978 0 8166 7726 9.

Published online by Cambridge University Press:  17 April 2013

JACQUELINE FRANCIS
JACQUELINE FRANCIS*
Affiliation:
California College of the Arts
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Journal of American Studies , Volume 47 , Issue 2: Special Collection: Art Across Frontiers , May 2013 , pp. 581 - 582
Copyright
Copyright © Cambridge University Press 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Jenni Klein does devote a section of her essay, “Goddess: Feminist Art and Spirituality in the 1970s,” to the Los Angeles Women's Building.

2 See Julia Bryan-Wilson, “Handmade Genders: Queer Costuming in San Francisco, Circa 1970,” at 77–91; Eva J. Friedberg, “Collective Movement: Anna and Lawrence Halprin's Joint Workshops,” at 23–41; Amy Azarrito, “Libre, Colorado, and the Hand-Built Home,” at 95–108; and Scott Herring, “Out of the Closets, into the Woods: The Post-Stonewall Emergence of Queer Anti-urbanism,” at 255–83.