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Broken Voices: Postcolonial Entanglements and the Preservation of Korea's Central Folksong Traditions By Roald Maliangkay. Honolulu: University of Hawai‘i Press, 2017. Pp. 264. ISBN 10: 0824866657; ISBN 13: 978-0824866655.

Published online by Cambridge University Press:  23 July 2019

Hyunseok Kwon
Hyunseok Kwon*
Affiliation:
Hanyang University, Email: [email protected]
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Abstract

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Type
Book Reviews
Information
International Journal of Asian Studies , Volume 16 , Issue 2 , July 2019 , pp. 154 - 156
Copyright
Copyright © Cambridge University Press 2019 

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References

1 Regarding the tense relationship in Korean intangible music properties between preservation and promotion, see Howard, Keith, Preserving Korean Music: Intangible Cultural Properties as Icons of Identity (Aldershot: Ashgate, 2006)Google Scholar.

2 Regarding the case of mask drama of t'ongyŏng, a national intangible property, see the article by Hyunseok, Kwon, “A Case Study on the Perception of the Wŏnhyŏng (Original Form) of Local Music in Korea,” Acta Koreana 12:1 (2009), pp. 53–71CrossRefGoogle Scholar.

3 In 2016, the Act on Conservation and Promotion of Intangible Properties had newly been enacted, partly to overcome the inflexibility of the CPPL's previous rule.