1. For example, Harpole, Charles, ed., The History of American Cinema, vols. 1-10 (Berkeley, Calif., 1990-2000)Google Scholar; Low, Rachel, The History of the British Film Industry, 1896-1939, vols. 1-7 (London, 1948-1985; 1997)Google Scholar; Sadoul, Georges, Histoire Générale du Cinéma, vols. 1-6 (Paris, 1948-1954)Google Scholar.

2. For example, Bordwell, David, Staiger, Janet, and Thompson, Kristin, The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 (New York, 1985)Google Scholar. An exception is the work of Sedgwick, John and Pokorny, Mike, “The Risk Environment of Film Making: Warner Brothers in the Inter-War Years,” Explorations in Economic History 35 (April 1998): 196–220.CrossRefGoogle Scholar

3. For example, Baumol, William J. and Bowen, William F., Performing Arts: The Economic Dilemma (New York, 1966).Google Scholar A French equivalent is Vessillier, Michèle, La Crise du Théâtre Privé (Paris, 1973).Google Scholar

4. For example Chung, Kee H. and Raymond A. K. Cox, “A Stochastic Model of Superstardom: An Application of the Yule Distribution,” Review of Economics and Statistics 76 (Nov. 1994): 771-75.Google Scholar

5. Examples are Hemmings, F. W. J., Theatre and State in France, 1760-1905 (Cambridge, U.K., 1994)CrossRefGoogle Scholar; Sanderson, Michael, From Irving to Olivier: A Social History of the Acting Profession in England, 1890-1980 (London, 1984)Google Scholar; Léglise, Paul, Histoire de la Politique du Cinéma Français 1-3 (Paris, 1970-1980)Google Scholar; Margaret, Dickinson and Sarah, Street, Cinema and State: The Film Industry and the British Government, 1927-1984 (London, 1985).Google Scholar

6. Schumpeter, Joseph A., Theorie der Wirtschaftlichen Entwicklung: Eine Untersuchung über Unternehmergewinn, Kapital, Kredit, Zins und den Konjunkturzyklus (München, 1911, 1926).Google Scholar

7. Sutton, John, Sunk Costs and Market Structure: Price Competition, Advertising and the Evolution of Concentration (Cambridge, Mass., 1991)Google Scholar and Technology and Market Structure: Theory and History (Cambridge, Mass., 1998).

8. I have published parts of these chapters in Bakker, Gerben, “America’s Master: Decline and Fall of the European Film Industry in the United States, 1907-1920,” in Across the Atlantic, ed. Passerini, Luisa (Brussels, 2000), 213–40.Google Scholar

9. Part of this chapter has been published in Bakker, Gerben, “Stars and Stories: How Films Became Branded Products,” Enterprise and Society 2 (Sept. 2001): 461–502 CrossRefGoogle Scholar, and “Building Knowledge about the Consumer: The Emergence of Market Research in the Motion Picture Industry,” Business History 44 (Jan. 2003): 101-27.

10. On social savings see, for example, Fogel, Robert William, Railroads and American Economic Growth (Baltimore, Md., 1964).Google Scholar

11. Broadberry, Stephen, The Productivity Race: British Manufacturing in International Perspective, 1850-1990 (Cambridge, U.K., 1997).CrossRefGoogle Scholar

12. See the work of William J. Baumol—for example, Baumol and Bowen, Performing Arts.