Hostname: page-component-cd9895bd7-lnqnp Total loading time: 0 Render date: 2024-12-23T13:58:59.231Z Has data issue: false hasContentIssue false
  • English
  • Français

Kinesthetic City: Dance and Movement in Chinese Urban Spaces by SanSan Kwan, 2013. Oxford, UK: Oxford University Press, 175 pp., 49 figures, notes, bibliography, index. $99.00 cloth, $27.95 paper.

Published online by Cambridge University Press:  25 June 2014

Yatin Lin
Yatin Lin*
Affiliation:
Taipei National University of the Arts
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Dance Research Journal , Volume 46 , Issue 1 , April 2014 , pp. 129 - 133
Copyright
Copyright © Congress on Research in Dance 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Chen, Ya-Ping. 2011. Enquiry into Subjectivity: Modernity, History, Taiwan Contemporary Dance. Taipei, China: Taipei National University of the Arts Press (In Chinese).Google Scholar
Jiang, Dong. 2007. Contemporary Chinese Dance. Beijing, China: New Star Press.Google Scholar
Kwan, Sansan. 2003. “Choreographing Chineseness: Global Cities and the Performance of Ethnicity.” PhD dissertation. New York University.Google Scholar
Lin, Yatin. 1994. “The Legacy of Cloud Gate Dance Theatre's Legacy: A Nationalistic Interpretation Based on Laban Movement Analysis.” Master's thesis. York University, Toronto, Canada.Google Scholar
Lin, Yatin. 2004. “Choreographing a Flexible Identity: Cloud Gate Dance Theatre of Taiwan's Changing Repertoire, 1973–2003.” Ph.D. dissertation. University of California, Riverside.Google Scholar
Lin, Yatin. 2010. “Choreographing a Flexible Taiwan: Cloud Gate Dance Theatre and Taiwan's Changing Identity.” In Routledge Dance Studies Reader, (2nd edition), edited by Carter, Alexandra and O'Shea, Janet (250–60). New York: Routledge.Google Scholar
Lin, Yatin. 2012. “Roots and Routes of Cloud Gate Dance Theatre's Nine Songs (1993).” In Identity and Diversity: Celebrating Dance in Taiwan, edited by Yunyu, Wang and Burridge, Stephanie (147–60). New Delhi, India, and Abingdon, Oxford, UK: Routledge.Google Scholar
Lin, Yatin. 2014. “Choreographing Multiple Corporealities in the Sinophone World.” Korean Society of Dance Journal 71(6): 293–303.Google Scholar
Lo, Wai-luk. 2010. Dance Writings. Hong Kong: International Association of Theatre Critics (In Chinese).Google Scholar
Lu, Yuh-jen. 2002. “Wrestling with the Angels: Choreographing Chinese Diaspora in the United States (1930s–1990s).” PhD dissertation. New York University.Google Scholar
Seetoo, Chiayi. 2013. “The Political Kinesthetics of Contemporary Dance: Taiwan in Transnational Perspective.” PhD dissertation. University of California, Berkeley.Google Scholar
Shih, Shu-mei. 2007. Visuality and Identity: Sinophone Articulations Across the Pacific. Berkeley, CA: University of California Press.CrossRefGoogle Scholar
Shih, Shu-mei, Tsai, Chien-Hsin, and Bernards, Brian, eds. 2013. Sinophone Studies: A Critical Reader. New York: Columbia University Press.Google Scholar