Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-24T00:50:46.588Z Has data issue: false hasContentIssue false
  • English
  • Français

Dance-Based Dance Theory: From Borrowed Models to Dance-Based Experience, by Judith B. Alter. New Studies in Aesthetics, vol. 7. New York: Peter Lang, 1991. viii + 196 pp., illustrations, Labanotation examples, notes, bibliography, index. $42.95.

Published online by Cambridge University Press:  22 July 2014

Evan Alderson
Evan Alderson
Affiliation:
Simon Fraser University
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Dance Research Journal , Volume 25 , Issue 1 , Spring 1993 , pp. 37 - 39
Copyright
Copyright © Congress on Research in Dance 1993

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes

1. Sparshott, Francis, Off the Ground: First Steps to a Philosophical Consideration of the Dance (Princeton: Princeton University Press, 1988).Google Scholar

2. Foster, Susan, Reading Dancing: Bodies and Subjects in Contemporary American Dance (Berkeley: University of California Press, 1986).Google Scholar