Hostname: page-component-586b7cd67f-t7fkt Total loading time: 0 Render date: 2024-11-20T10:30:05.275Z Has data issue: false hasContentIssue false

Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance by Bojana Cvejić . 2015. London: Palgrave Macmillan. 262 pp., 16 illustrations, series preface, acknowledgments, abbreviations, introduction, conclusion, notes, bibliography, index. $95 hardcover.

Review products

Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance by Bojana Cvejić . 2015. London: Palgrave Macmillan. 262 pp., 16 illustrations, series preface, acknowledgments, abbreviations, introduction, conclusion, notes, bibliography, index. $95 hardcover.

Published online by Cambridge University Press:  20 December 2016

Biba Bell*
Affiliation:
Wayne State University

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Copyright
Copyright © Congress on Research in Dance 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Ahmed, Sara. 2006. Queer Phenomenology: Orientations, Objects, Others. Durham: Duke University Press.Google Scholar
Alberro, Alexander. 2009. “Questionnaire on the ‘The Contemporary.’” October 130: 5560.Google Scholar
Austin, J. L. 1975. How to Do Things with Words. Cambridge: Harvard University Press.CrossRefGoogle Scholar
Banes, Sally. 1989. “Terpsichore in Combat Boots.” The Drama Review 33 (1) T121: 1315.CrossRefGoogle Scholar
Birringer, Johannes. 2005. “Dance Not Dance.” PAJ: A Journal of Performance and Art 27 (2): 1027.Google Scholar
Burrows, Jonathan, and Ritsema, Jan. 2003. “Weak Dance Strong Questions.” Performance Research 8 (2): 2833.CrossRefGoogle Scholar
Burt, Ramsay. 2004. “Constructing Contemporary Dance—Amperdans festival.” Ballet-Dance Magazine (October).Google Scholar
Deleuze, Gilles. 1988. Spinoza: Practical Philosophy. San Francisco: City Lights Books.Google Scholar
Harvey, David. 2003. The New Imperialism. London: Oxford University Press.CrossRefGoogle Scholar
Harvey, David. 2005. A Brief History of Neoliberalism. London: Oxford University Press.CrossRefGoogle Scholar
Hochmuth, Martina, Kruschkova, Krassimira, and Schöllhammer, Georg. 2006. “Preface.” In It Takes Place When It Doesn't: On Dance and Performance Since 1989, edited by Hochmuth, Martina, Kruschkova, Krassimira, and Schöllhammer, Georg, 911. Frankfurt: Revolver.Google Scholar
Goldman, Danielle. 2010. I Want to Be Ready: Improvised Dance as a Practice of Freedom. Ann Arbor: University of Michigan Press.CrossRefGoogle Scholar
Gottschild, Brenda Dixon. 2005. The Black Dancing Body: A Geography from Coon to Cool. London: Palgrave Macmillan.Google Scholar
Lepecki, André. 2006. Exhausting Dance: Performance and the Politics of Movement. New York: Routledge.CrossRefGoogle Scholar
Manning, Susan. 1989. “Terpsichore in Combat Boots.” The Drama Review 33 (1): 1516.Google Scholar
Manning, Susan. 1988. “Modernist dogma and post-modern rhetoric.” The Drama Review 32 (4): 3239.CrossRefGoogle Scholar
Martin, Randy. 1998. Critical Moves: Dance Studies in Theory and Politics. Durham: Duke University Press.Google Scholar
Meyer, Richard. 2013. What Was Contemporary Art? Cambridge: MIT Press.Google Scholar
Novack, Cynthia. 1990. Sharing the Dance: Contact Improvisation and American Culture. Madison: University of Wisconsin Press.Google Scholar