Hostname: page-component-78c5997874-g7gxr Total loading time: 0 Render date: 2024-11-19T10:55:32.524Z Has data issue: false hasContentIssue false

Dance and Drama in Aristotle's Dramatics (aka Poetics): New Principles from an Ancient Treatise

Published online by Cambridge University Press:  02 August 2016

Abstract

In previous publications I demonstrated that dance and music are essential conditions in the definition of tragedy for Aristotle. This opens the door for a re-examination of the place of theatrical dance in the work usually considered to be the most influential treatise on drama in Western culture. Here I begin to explore how the principles of dance criticism might therefore now be developed, and I also discuss whether Aristotle modifies Plato's own critical principles pertaining to choral art (including dance) from Laws II.

Type
Research Article
Copyright
Copyright © Gregory L. Scott 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Aristotle, . Poetics (see Tarán and Gutas).Google Scholar
Aristotle, . 1957. Aristotle's Politica. [Greek text]. Edited by Ross, W. D.. Oxford, UK: Clarendon Press. http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0057%3Abook%3D8%3Asection%3D1341b. Accessed October 10, 2015.Google Scholar
Aristotle, . 1944. Aristotle in 23 Volumes, Vol. 21. [English]. Translated by Rackham, H.. Cambridge, MA: Harvard University Press. http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0058%3Abook%3D8%3Asection%3D1337b. Accessed October 10, 2015.Google Scholar
Athenaeus, . 1854. The Deipnosophists, or Banquet of the Learned of Athenaeus. Edited by Yonge, C. D.. London: Henry G. Bohn. http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2013.01.0003%3Abook%3D1%3Achapter%3D39. Accessed October 10, 2015.Google Scholar
Blasis, Carlo. 1976. The Code of Terpsichore. New York: Dance Horizons [originally published 1828, London: James Bulcock Publishing].Google Scholar
Fitton, J. W. 1973. “Greek Dance.” Classical Quarterly, New Series, No. 2: 254–274.Google Scholar
Isocrates, . 1980. Isocrates with an English Translation in Three Volumes. Edited by Norlin, George. Cambridge, MA: Harvard University Press & London: William Heinemann Ltd. http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0144%3Aspeech%3D15%3Asection%3D181. Accessed October 10, 2015.Google Scholar
Janko, Richard. 2011. Philodemus: The Aesthetic Works. Vol. I/3: Philodemus, On Poems Books 3–4, with the Fragments of Aristotle, On Poets. Oxford, UK: Oxford University Press.Google Scholar
Kraut, Richard. 1998. Aristotle Politics: Books VII and VIII. Oxford, UK: Clarendon Press.Google Scholar
Levinson, André. 1983. “The Idea of the Dance: From Aristotle to Mallarmé.” Republished in What Is Dance? Readings in Theory and Criticism. Edited by Copeland, Roger and Cohen, Marshall. Oxford, UK: Oxford University Press [first publ. in Theatre Arts Monthly, 1927].Google Scholar
Menestrier, Claude-François. 1682. Des Ballets Anciens et Modernes Selon les Regles du Theatre. [Ancient and Modern Ballets According to the Rules of the Theater]. Paris: René Guignard.Google Scholar
Morrow, Glenn. 1960. Plato's Cretan City: A Historical Interpretation of the Laws, second edition. Princeton, NJ: Princeton University Press.CrossRefGoogle Scholar
Meyer, Susan Sauvé. 2011. “Legislation as a Tragedy: On Plato's Laws VII, 817B-D.” In Plato and the Poets, edited by Destrée, Pierre and Herrmann, Fritz-Gregor, 387402. Leiden, Netherlands: Brill.Google Scholar
Meyer, Susan Sauvé. 2015. Plato Laws I and II. Oxford, UK: Clarendon.Google Scholar
Notomi, Noburu. 2011. “Image-Making in Republic X and the Sophist .” In Plato and the Poets, edited by Destrée, Pierre and Herrmann, Fritz-Gregor, 299326. Leiden, Netherlands: Brill.Google Scholar
Plato, . 1986. Alcibiades (in Platonis Opera). Edited by Burnet, John. Oxford, UK: Oxford University Press [first ed. 1901].Google Scholar
Plato, . 1903. Laws (in Platonis Opera). Edited by Burnet, John. Oxford, UK: Oxford University Press. http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0165%3Abook%3D2%3Apage%3D665. Accessed October 10, 2015.Google Scholar
Scott, Gregory. 1999. “The Poetics of Performance: The Necessity of Performance, Spectacle, Music, and Dance in Aristotelian Tragedy.” In Performance and Authenticity in the Arts, edited by Kemal, Salim and Gaskell, Ivan, 1548. Cambridge, UK: Cambridge University Press.Google Scholar
Scott, Gregory. 2005. “Twists and Turns: Modern Misconceptions of Peripatetic Dance Theory.” Dance Research (The Journal of the Society for Dance Research) No. 2, Winter: 153172.Google Scholar
Scott, Gregory. Unpublished (anticipated 2016). Aristotle on Dramatic Musical Theater: The Real Role of Literature, Catharsis, Music and Dance in the Poetics. Google Scholar
Tarán, Leonardo, and Gutas, Dimitri. 2012. Aristotle Poetics: Editio Maior of the Greek Text with Historical Introduction and Philological Commentaries. Leiden, Netherlands: Brill.Google Scholar
Webster, T. B. L. 1970. The Greek Chorus. London: Methuen & Co.Google Scholar