Published online by Cambridge University Press: 11 February 2009
With these words the ‘first slave’’ of the Knights (usually identified as Demosthenes), encourages the Sausage-seller to take up the cudgels against the Paphlagonian, confident that the actor playing this role will not be masked. The exception proves the rule and it is generally concluded from these lines that portrait masks were customary in Aristophanic comedy.
page 215 note 1 KOMOIDOTRAGEMATA, Studia Aristopbanea, Kostr, W. J. W., in honorem, 1967, pp.16 ffGoogle Scholar. Dover repeated his arguments in Aristophanic Comedy, Berkeley and Los Angeles, 1972, pp.28–9.Google Scholar
page 215 note 2 Fr. 217A, Edmonds.
page 215 note 3 For in this sense, cf. Aesch, . 1. 61.Google Scholar