‘Everyday life is a life lived on the level of surging affects’, posits Kathleen Stewart in her challenging experimental ethnography Ordinary affects (2007). Affects – public feelings that put intimate sentiments in broad circulation – are, for Stewart, the sinews of social life, an opaque circuit that simultaneously grounds experience in places and things and publicizes the personal. As such, affects are quintessentially archaeological in that they are both artefactual, embedded in what Bill Brown (2003) calls the ‘object matter’ of human relationships, and rooted in deep histories of material production and transformation. It is not surprising, then, that the intertwined problems of emotion and affect have re-emerged as potentially productive loci of research within archaeology itself. Indeed, as the discipline continues to extend its understanding of the social instrumentality of objects, landscapes and representations, it must, of necessity, come to terms with the affective efficacy of things, with the causes and consequences of our captivation.