Hostname: page-component-586b7cd67f-t7fkt Total loading time: 0 Render date: 2024-11-20T06:30:26.675Z Has data issue: false hasContentIssue false

More Black Slip Vases from Central Gaul with Applied and Moulded Decoration in Britain

Published online by Cambridge University Press:  29 November 2011

Summary

The method of manufacture and application of plaques is discussed, also the use and length of life of moulds, in modern ceramic factories; together with the results of experiments in laboratories on the colour and content of clay slips. In Parts I and II respectively are described and illustrated thirty plaques and twelve moulded beakers.

The (lost) Oundle Form 64 by LIBERTVS in red samian is discussed; and there are further comments on the black ‘cup’ from Colchester mentioned in the 1957 paper.

Type
Research Article
Copyright
Copyright © The Society of Antiquaries of London 1973

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

page 42 note 1 Simpson, Grace, ‘Metallic Black Slip Vases from Central Gaul with Applied and Moulded decoration’, Antiq. Journ. xxxvii (1957), 2942.CrossRefGoogle Scholar

page 42 note 2 By the kindness of the Directors of Messrs. Josiah Wedgwood & Sons Ltd. My grateful thanks are also due to Ivor Newcomb, Esq., for arranging this and other visits to pottery factories in Staffordshire.

page 43 note 1 My thanks are due to Dr. Th. A. H. M. Dobbelmann, Director of the Technical Department, De Kon Delft Aardewerkfabriek N. V. ‘Porceleyne Fles’, Delft, Holland; and to Dr. J. H. C. Kern, Rijksmuseum van Oudheden, Leiden.

page 43 note 2 G. B. Duncan, Esq., of Wedgwood & Co. Ltd., Tunstall, discussed their methods of manufacture, for which I express my gratitude.

page 43 note 3 Especially A. W. G. Kingsbury, Esq., University Museum, Oxford, and Dr. C. S. Exley, University of Keele.

page 43 note 4 A. Winter, ‘Die Technik des griechischen Töpfers in ihren Grundlagen’, Technische Beiträge zur Archäologie 1959, 1–45; Hofmann, U., ‘Die chemischen Grundlagen der griechischen Vasenmalerei’, Angewandte Chemie, lxxiv (1962), 397— 406.Google Scholar

page 43 note 5 Vertet, H., R.C.R.F.Acta, xiii (1971), 92111Google Scholar, pls. 1, 2, 4–7.

page 44 note 1 Examined by the kind permission of Professor M. Labrousse.

page 44 note 2 Johns, Catherine, The British Museum Quarterly, xxxiv, 5863Google Scholar.

page 44 note 3 Stanfield and Simpson, 1958, pl. 52, no. 608. A Form 64 stamped OF LIBERTI, not located by Stanfield, and attributed by Simpson to Charnay.

page 44 note 4 Smith, C. R., Collectanea Antiqua, iv (1857), 63Google Scholar, pl. 17; and Haverfield, F., V.C.H. Northants. i (1902), 219, fig. 35.Google Scholar

page 44 note 5 Déchelette, i, 284, no. 65, from Oundle.

page 44 note 6 Archaeologia, xix (1821), 409Google Scholar, pl. xlii. The illustration comes from a fuller account by John Bowtell, MS. Notebook 2, p. 171, in Downing College Library, Cambridge.

page 44 note 7 Cotton, M. A. and Wheeler, R. E. M., ‘Verulamium, 1949’, Trans. St. Albans Architectural and Archaeol. Soc. 1953, p. 80, fig. 7, no. 21.Google Scholar