Hostname: page-component-586b7cd67f-dlnhk Total loading time: 0 Render date: 2024-11-23T14:07:37.188Z Has data issue: false hasContentIssue false
  • English
  • Français

Séverine Sofio Artistes femmes. La parenthèse enchantée, xviiie-xixe siècles Paris, Cnrs Éditions, 2016, 375 p.

Published online by Cambridge University Press:  30 August 2018

Charlotte Guichard
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Arts et lettres (comptes rendus)
Information
Annales. Histoire, Sciences Sociales , Volume 72 , Issue 3 , September 2017 , pp. 876 - 878
Copyright
Copyright © Éditions de l'EHESS 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Linda Nochlin, « Why Have There Been No Great Women Artists ? », ARTnews, janv. 1971, p. 22-39 ; Ann Sutherland Harris et Linda Nochlin (dir.), Women Artists: 1550-1950, cat. exp., New York, Knopf, 1976 ; Griselda Pollock, Vision and Difference: Feminity, Feminism, and Histories of Art, Londres, Routledge, 1988.

2 Mary D. Sheriff, The Exceptional Woman: Élisabeth Vigée-Le Brun and the Cultural Politics of Art, Chicago, University of Chicago Press, 1996 ; Marie-Jo Bonnet, « Femmes peintres à leur travail : de l'autoportrait comme manifeste politique (xviiie-xixe siècles) », Revue d'histoire moderne et contemporaine, 49-3, 2002, p. 140-167.

3 Pierre Bourdieu, Manet. Une révolution symbolique. Cours au Collège de France, 1998-2000, éd. par P. Casanova et al., Paris, Raisons d'agir/Le Seuil, 2013, p. 170.