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Séverine Sofio Artistes femmes. La parenthèse enchantée, xviiie-xixe siècles Paris, Cnrs Éditions, 2016, 375 p.

Published online by Cambridge University Press:  30 August 2018

Charlotte Guichard
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Type
Arts et lettres (comptes rendus)
Information
Annales. Histoire, Sciences Sociales , Volume 72 , Issue 3 , September 2017 , pp. 876 - 878
Copyright
Copyright © Éditions de l'EHESS 

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References

1 Linda Nochlin, « Why Have There Been No Great Women Artists ? », ARTnews, janv. 1971, p. 22-39 ; Ann Sutherland Harris et Linda Nochlin (dir.), Women Artists: 1550-1950, cat. exp., New York, Knopf, 1976 ; Griselda Pollock, Vision and Difference: Feminity, Feminism, and Histories of Art, Londres, Routledge, 1988.

2 Mary D. Sheriff, The Exceptional Woman: Élisabeth Vigée-Le Brun and the Cultural Politics of Art, Chicago, University of Chicago Press, 1996 ; Marie-Jo Bonnet, « Femmes peintres à leur travail : de l'autoportrait comme manifeste politique (xviiie-xixe siècles) », Revue d'histoire moderne et contemporaine, 49-3, 2002, p. 140-167.

3 Pierre Bourdieu, Manet. Une révolution symbolique. Cours au Collège de France, 1998-2000, éd. par P. Casanova et al., Paris, Raisons d'agir/Le Seuil, 2013, p. 170.