9883 results in Twentieth-Century and Contemporary Music
The exploitation of ‘tangible ghosts’: conjectures on soundscape recording and its reappropriation in sound art
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- Organised Sound / Volume 4 / Issue 1 / January 1999
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- 18 January 2001, pp. 25-29
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- January 1999
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Reviewing the musicology of electroacoustic music: a plea for greater triangulation
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- Organised Sound / Volume 4 / Issue 1 / January 1999
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- 02 February 2001, pp. 61-70
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- January 1999
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Lords of Chaos: The Bloody Rise of the Satanic Metal Underground. By Michael Moynihan and Didrik Søderlind. Venice, CA: Feral House, 1998. 382 pp.
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- Popular Music / Volume 18 / Issue 1 / January 1999
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- 17 November 2008, pp. 154-156
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- January 1999
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The evolution of interactive graphical control interfaces for music applications
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- Organised Sound / Volume 4 / Issue 1 / January 1999
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- 02 February 2001, pp. 45-59
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- January 1999
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The Contributors
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- Popular Music / Volume 18 / Issue 1 / January 1999
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- 17 November 2008, p. iii
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- January 1999
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Looking to the USA: the politics of male close-harmony song style in South Africa during the 1940s and 1950s
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- Popular Music / Volume 18 / Issue 1 / January 1999
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- 17 November 2008, pp. 1-17
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- January 1999
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Getting High: The Adventures of Oasis. By Paolo Hewitt. London: Boxtree, 1997. 396 pp.
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- Popular Music / Volume 18 / Issue 1 / January 1999
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- 17 November 2008, pp. 158-160
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- January 1999
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A task analysis of music composition and its application to the development of Modalyser
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- Organised Sound / Volume 4 / Issue 1 / January 1999
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- 02 February 2001, pp. 31-43
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- January 1999
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PMU volume 18 issue 1 Cover and Front matter
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- Popular Music / Volume 18 / Issue 1 / January 1999
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- 17 November 2008, pp. f1-f4
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- January 1999
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Syncopation in rock: a perceptual perspective
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- Popular Music / Volume 18 / Issue 1 / January 1999
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- 17 November 2008, pp. 19-40
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- January 1999
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Centre for Contemporary Music Studies, Macquarie University
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- Popular Music / Volume 18 / Issue 1 / January 1999
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- 17 November 2008, p. 149
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- January 1999
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An analysis of Neil Young's ‘Powderfinger’ based on Mark Johnson's image schemata
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- Popular Music / Volume 18 / Issue 1 / January 1999
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- 17 November 2008, pp. 133-144
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- January 1999
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Ethics and aesthetics: the social theory of barbershop harmony
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- Popular Music / Volume 18 / Issue 1 / January 1999
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- 17 November 2008, pp. 41-61
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- January 1999
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MidiVisualiser: interactive music visualisation using VRML
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- Organised Sound / Volume 4 / Issue 1 / January 1999
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- 18 January 2001, pp. 15-23
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- January 1999
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Popular Music at the End of the Twentieth Century, at 6th Conference for the Study of European Ideas (ISSEI), Haifa University, Israel, 16–21 August 1998
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- Popular Music / Volume 18 / Issue 1 / January 1999
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- 17 November 2008, pp. 147-149
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- January 1999
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His Master's Voice? Exploring Qawwali and ‘Gramophone Culture’ in South Asia 1
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- Popular Music / Volume 18 / Issue 1 / January 1999
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- 17 November 2008, pp. 63-98
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- January 1999
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Popular Music in Theory: An Introduction. By Keith Negus. Cambridge: Polity Press, 1996. 243 pp.
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- Popular Music / Volume 18 / Issue 1 / January 1999
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- 17 November 2008, pp. 151-152
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- January 1999
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IASPM UK 1998 Liverpool Conference
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- Popular Music / Volume 18 / Issue 1 / January 1999
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- 17 November 2008, pp. 145-147
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- January 1999
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The embodiment of salsa: musicians, instruments and the performance of a Latin style and identity
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- Popular Music / Volume 18 / Issue 1 / January 1999
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- 17 November 2008, pp. 115-131
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- January 1999
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Masculinity and skill acquisition in the adolescent rock band
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- Popular Music / Volume 18 / Issue 1 / January 1999
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- 17 November 2008, pp. 99-114
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- January 1999
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