9883 results in Twentieth-Century and Contemporary Music
Experiments with a new customisable interactive evolution framework
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 267-273
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- December 2002
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Approaches to creating interactivated spaces, from intimate to inhabited interfaces
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 239-246
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- December 2002
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Modalys-ER for OpenMusic (MfOM): virtual instruments and virtual musicians
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 325-338
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- December 2002
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Anticipating interactivity: Henry Cowell and the Rhythmicon
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 247-254
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- December 2002
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Spatio-musical composition strategies
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- Organised Sound / Volume 7 / Issue 3 / December 2002
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- 26 June 2003, pp. 313-323
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- December 2002
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Chewing gum for the ears: children's television and popular music
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- Popular Music / Volume 21 / Issue 3 / October 2002
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- 09 December 2002, pp. 291-305
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- October 2002
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Wrong's What I Do Best: Hard Country Music and Contemporary Culture. By Barbara Ching. New York: Oxford University Press, 2001. 186 pp
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- Popular Music / Volume 21 / Issue 3 / October 2002
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- 09 December 2002, pp. 375-388
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- October 2002
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From fanfare to funfair: the changing sound world of UK television idents
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- Popular Music / Volume 21 / Issue 3 / October 2002
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- 09 December 2002, pp. 345-355
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- October 2002
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‘One night on TV is worth weeks at the Paramount’: musicians and opportunity in early television, 1948–55
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- Popular Music / Volume 21 / Issue 3 / October 2002
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- 09 December 2002, pp. 249-276
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- October 2002
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Television's problem with (classical) music
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- Popular Music / Volume 21 / Issue 3 / October 2002
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- 09 December 2002, pp. 367-374
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- October 2002
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Look! Hear! The uneasy relationship of music and television
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- Popular Music / Volume 21 / Issue 3 / October 2002
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- 09 December 2002, pp. 277-290
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- October 2002
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Blue Nippon: Authenticating Jazz in Japan. By E. Taylor Atkins. Durham: Duke University Press, 2001. 355 pp
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- Popular Music / Volume 21 / Issue 3 / October 2002
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- 09 December 2002, pp. 375-388
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- October 2002
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Sounds real: music and documentary
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- Popular Music / Volume 21 / Issue 3 / October 2002
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- 09 December 2002, pp. 357-366
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- October 2002
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Authentic boy bands on TV? Performers and impresarios in The Monkees and Making the Band
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- Popular Music / Volume 21 / Issue 3 / October 2002
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- 09 December 2002, pp. 307-329
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- October 2002
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Progressive Rock Reconsidered. Edited by Kevin Holm-Hudson. New York and London: Routledge, 2002. 280 pp
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- Popular Music / Volume 21 / Issue 3 / October 2002
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- 09 December 2002, pp. 375-388
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- October 2002
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Introduction to ‘Music and Television’ special issue
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- Popular Music / Volume 21 / Issue 3 / October 2002
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- 09 December 2002, pp. 245-248
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- October 2002
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Tracking British television: pop music as stock soundtrack to the small screen
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- Popular Music / Volume 21 / Issue 3 / October 2002
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- 09 December 2002, pp. 331-343
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- October 2002
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Clubbing: Dancing, Ecstasy and Vitality. By Ben Malbon. London: Routledge, 1999. 236 pp
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- Popular Music / Volume 21 / Issue 3 / October 2002
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- 09 December 2002, pp. 375-388
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- October 2002
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Karaoke Around the World: Global Technology, Local Singing. By Toru Mitsui and Shuhei Hosokawa. London and New York: Routledge, 1998. 206 pp
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- Popular Music / Volume 21 / Issue 3 / October 2002
- Published online by Cambridge University Press:
- 09 December 2002, pp. 375-388
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- October 2002
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The Mourning of John Lennon. By Anthony Elliott. California: University of California Press, 1999. 219 pp
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- Popular Music / Volume 21 / Issue 3 / October 2002
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- 09 December 2002, pp. 375-388
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- October 2002
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