9883 results in Twentieth-Century and Contemporary Music
our music machines
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- Organised Sound / Volume 10 / Issue 2 / August 2005
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- 15 September 2005, pp. 103-110
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- August 2005
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‘from a musical point of view, the world is musical at any given moment’: an interview with bill fontana
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- Organised Sound / Volume 10 / Issue 2 / August 2005
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- 15 September 2005, pp. 97-101
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- August 2005
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the memory machine: sound and memory at the british museum
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- Organised Sound / Volume 10 / Issue 2 / August 2005
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- 15 September 2005, pp. 141-148
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- August 2005
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in your ear: hearing art in the twenty-first century
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- Organised Sound / Volume 10 / Issue 2 / August 2005
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- 15 September 2005, pp. 91-96
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- August 2005
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editorial
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- Organised Sound / Volume 10 / Issue 2 / August 2005
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- 15 September 2005, pp. 89-90
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- August 2005
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‘Jazz at Night and the Classics in the Morning’: musical double-consciousness in short fiction by Langston Hughes
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- Popular Music / Volume 24 / Issue 2 / May 2005
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- 15 June 2005, pp. 273-278
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- May 2005
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Celtic Modern: Music at the Global Fringe. Edited by Martin Stokes and Philip V. Bohlman. Lanham, MD: The Scarecrow Press, 2003. 293 pp. ISBN 0-8108-4781-7 (paperback).
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- Popular Music / Volume 24 / Issue 2 / May 2005
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- 15 June 2005, pp. 303-304
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- May 2005
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Other Lives: rock, memory and oblivion in post-Franco fiction
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- Popular Music / Volume 24 / Issue 2 / May 2005
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- 15 June 2005, pp. 245-256
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- May 2005
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‘Can You Still Keep Your Balance?’: Keith Emerson's anxiety of influence, style change, and the road to prog superstardom
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- Popular Music / Volume 24 / Issue 2 / May 2005
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- 15 June 2005, pp. 223-244
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- May 2005
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Popular Music & National Culture in Israel. By Motti Regev and Edwin Seroussi. Berkeley: University of California Press, 2004. 298 pp. ISBN 0-520-23654-8 (paperback).
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- Popular Music / Volume 24 / Issue 2 / May 2005
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- 15 June 2005, pp. 300-302
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- May 2005
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García Márquez, macondismo, and the soundscapes of vallenato
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- Popular Music / Volume 24 / Issue 2 / May 2005
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- 15 June 2005, pp. 207-222
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- May 2005
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Satchmo: The Lewis Armstrong Encyclopaedia. By Michael Meckna. Connecticut: Greenwood Press, 2004. x+432 pp. ISBN 0 31330137 9 (hardback).
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- Popular Music / Volume 24 / Issue 2 / May 2005
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- 15 June 2005, pp. 304-305
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- May 2005
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Hollywood Theory, Non-Hollywood Practice. Cinema Soundtracks in the 1980s and 1990s. By Annette Davison. Aldershot: Ashgate, 2004. 232 pp. ISBN 0 7546 0582 5 (hardback).
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- Popular Music / Volume 24 / Issue 2 / May 2005
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- 15 June 2005, pp. 295-298
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- May 2005
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Introduction to ‘Literature and Music’ special issue
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- Popular Music / Volume 24 / Issue 2 / May 2005
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- 15 June 2005, pp. 163-164
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- May 2005
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Dead Channel Surfing: the commonalities between cyberpunk literature and industrial music
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- Popular Music / Volume 24 / Issue 2 / May 2005
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- 15 June 2005, pp. 165-178
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- May 2005
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From Tomorrow’s Eve to High Fidelity: novel responses to the gramophone in twentieth century literature
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- Popular Music / Volume 24 / Issue 2 / May 2005
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- 15 June 2005, pp. 193-206
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- May 2005
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That's Me in the Spotlight: rock autobiographies
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- Popular Music / Volume 24 / Issue 2 / May 2005
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- 15 June 2005, pp. 287-294
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- May 2005
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Hamlet: voice, music, sound
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- Popular Music / Volume 24 / Issue 2 / May 2005
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- 15 June 2005, pp. 257-267
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- May 2005
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Ten Little Title Tunes: Towards a Musicology of the Mass Media. By Philip Tagg and Bob Clarida. New York: Mass Media Music Scholars' Press, 2003. xvi+898 pp. ISBN 0-9701684-2-x (paperback).
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- Popular Music / Volume 24 / Issue 2 / May 2005
- Published online by Cambridge University Press:
- 15 June 2005, pp. 298-300
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- May 2005
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Blues, criticism, and the signifying trickster
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- Popular Music / Volume 24 / Issue 2 / May 2005
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- 15 June 2005, pp. 179-191
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- May 2005
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