6365 results in Music Criticism
5 - Group portrait in the Sixties: Davies, Birtwistle, and Goehr to 1967
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Figures
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Introduction
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Dedication
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2 - Post-war motifs
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Acknowledgements
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7 - Vernaculars: Bedford and Souster as pop musicians
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4 - A Manchester generation in Paris, London, and Rome: Musgrave, Maw, Crosse, and Bennett
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3 - The composer as witness: Hanns Eisler's Film Score to Nuit et Brouillard
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Epilogue
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Copyright page
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Introduction
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Contents
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Musical Witness and Holocaust Representation
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Glossary
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Epilogue
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1 - The composer as witness: Arnold Schoenberg's A Survivor from Warsaw
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British Musical Modernism
- The Manchester Group and their Contemporaries
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7 - “Capricious Play”: Veiled Cyclic Relations in Brahms's Ballades Op. 10 and Fantasies Op. 116
- from Part Two - Focus on Motive
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11 - The “Pseudo-Einsatz” in Two Handel Fugues: Heinrich Schenker's Analytical Work with Reinhard Oppel
- from Part Three - Structure and Design II
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