Book contents
- Wagner’s Melodies
- Wagner’s Melodies
- Copyright page
- Dedication
- Contents
- Illustrations
- Acknowledgements
- A note on presentation
- Abbreviations
- Introduction
- 1 German melody
- 2 Melodielehre?
- 3 Wagner in the melodic workshop
- Excursus: Bellini’sSinnlichkeitand Wagner’s Italy
- 4 Hearing voices: Wilhelmine Schröder-Devrient and theLohengrin“recitatives”
- 5 Vowels, voices, and “original truth”
- 6 Wagner’s material expression
- Epilogue: Turning off the lights
- Appendix A: Books on language in Wagner’s Dresden library
- Appendix B: Books on language in Wagner’s Wahnfried library
- Select bibliography
- Index
Abbreviations
Published online by Cambridge University Press: 05 May 2013
- Wagner’s Melodies
- Wagner’s Melodies
- Copyright page
- Dedication
- Contents
- Illustrations
- Acknowledgements
- A note on presentation
- Abbreviations
- Introduction
- 1 German melody
- 2 Melodielehre?
- 3 Wagner in the melodic workshop
- Excursus: Bellini’sSinnlichkeitand Wagner’s Italy
- 4 Hearing voices: Wilhelmine Schröder-Devrient and theLohengrin“recitatives”
- 5 Vowels, voices, and “original truth”
- 6 Wagner’s material expression
- Epilogue: Turning off the lights
- Appendix A: Books on language in Wagner’s Dresden library
- Appendix B: Books on language in Wagner’s Wahnfried library
- Select bibliography
- Index
- Type
- Chapter
- Information
- Wagner's MelodiesAesthetics and Materialism in German Musical Identity, pp. xiii - xivPublisher: Cambridge University PressPrint publication year: 2013