Wagner's <i>Meistersinger</i>: Performance, History, Representation

doi:10.1017/9781580466165

Wagner's Meistersinger

Wagner's Meistersinger

Performance, History, Representation

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GROOS, ARTHUR 2013. Becoming a Composer: Walther's Songs inDie Meistersinger. Cambridge Opera Journal, Vol. 25, Issue. 3, p. 261.

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Edited by Nicholas Vazsonyi, University of South Carolina

Publisher:: Boydell & Brewer
Online publication date:: March 2023
Print publication year:: 2003
Online ISBN:: 9781580466165
DOI:: https://doi.org/10.1017/9781580466165

Subjects:: Music, Music: General Interest

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A volume of collected essays which engage Wagner's Die Meistersinger von Nurnberg from the perspective of both active performers and academics in a wide range of disciplines.

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Wagner's Meistersinger

Performance, History, Representation

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Frontmatter
pp i-iv

Contents
pp v-vi

Illustrations
pp vii-vii

Introduction Die Meistersinger: Performance, History, Representation
pp 1-20

I - Performing (in) Die Meistersinger
pp 21-22

1 - Climbing Mount Everest: On Conducting Die Meistersinger
pp 23-38

2 - “We Must Finally Stop Apologizing for Die Meistersinger!”: A Conversation with Harry Kupfer
pp 39-50

3 - Richard Wagner's Cobbler Poet
pp 51-55

4 - The Dangers of Satisfaction: On Songs, Rehearsals, and Repetition in Die Meistersinger
pp 56-70

II - History in/of Die Meistersinger
pp 71-72

5 - Stereoscopic Vision: Sight and Community in Die Meistersinger
pp 73-97

6 - “The Most German of all German Operas”: Die Meistersinger through the Lens of the Third Reich
pp 98-119

7 - http://worldwidewagner.richard.de: An Interview with the Composer Concerning History, Nation, and Die Meistersinger
pp 120-142

III - Representation and/in Die Meistersinger
pp 143-144

8 - Die Meistersinger as Comedy: The Performative and Social Signification of Genre
pp 145-164

9 - Masters and their Critics: Wagner, Hanslick, Beckmesser, and Die Meistersinger
pp 165-189

10 - “Du warst mein Feind von je”: The Beckmesser Controversy Revisited
pp 190-208

11 - “I Married Eva”: Gender Construction and Die Meistersinger
pp 209-225

Works Cited
pp 226-238

Contributors
pp 239-241

Index
pp 242-247

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Wagner's Meistersinger

Performance, History, Representation

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