Three Questions for Sixty-Five Composers

Bálint András Varga

doi:10.1017/9781580467360

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Garrido, Sandra Bernard, Sean and Davidson, Jane 2013. The creative personality. p. 308.

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2016. The Graph Music of Morton Feldman. p. 9.

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SILVA, MAX 2018. Heard Utopia vs Utopian Hearing: Haas'sin vainand Political Ambivalence in New Music. Twentieth-Century Music, Vol. 15, Issue. 1, p. 75.

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Высоцкая, М.С. 2023. György Ligeti’s “Wrong Path”?. Научный вестник Московской консерватории, Vol. 14, Issue. 3(54), p. 480.

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Bálint András Varga

Publisher:: Boydell & Brewer
Online publication date:: February 2023
Print publication year:: 2011
Online ISBN:: 9781580467360
DOI:: https://doi.org/10.1017/9781580467360

Series:: Eastman Studies in Music
Subjects:: Music, Music Criticism

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Master interviewer Bálint András Varga poses three probing questions to renowned contemporary composers about their work, and carefully renders their answers in their own words.

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Three Questions for Sixty-Five Composers

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-iv

Dedication
pp v-vi

Contents
pp vii-viii

Preface to the English-Language Edition
pp ix-x

Preface to the Hungarian Edition (1986): The Three Questions
pp xi-xiv

1 - Gilbert Amy
pp 1-3

2 - Milton Babbitt
pp 4-6

3 - Sándor Balassa
pp 7-11

4 - Luciano Berio
pp 12-15

5 - Sir Harrison Birtwistle
pp 16-20

6 - Pierre Boulez
pp 21-25

7 - Attila Bozay
pp 26-32

8 - Earle Brown
pp 33-37

9 - Sylvano Bussotti
pp 38-39

10 - John Cage
pp 40-41

11 - Elliott Carter
pp 42-44

12 - Friedrich Cerha
pp 45-48

13 - George Crumb
pp 49-53

14 - Sir Peter Maxwell Davies
pp 54-58

15 - Edison Denisov
pp 59-62

16 - Henri Dutilleux
pp 63-68

17 - Péter Eötvös
pp 69-75

18 - Morton Feldman
pp 76-89

19 - Lukas Foss
pp 90-93

20 - Alberto Ginastera
pp 94-95

21 - Karel Goeyvaerts
pp 96-97

22 - Sofia Gubaidulina
pp 98-100

23 - Georg Friedrich Haas
pp 101-106

24 - Hans Werner Henze
pp 107-107

25 - Klaus Huber
pp 108-114

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Three Questions for Sixty-Five Composers

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