The Two cines con niño: Genre and the Child Protagonist in Fifty Years of Spanish Film (1955–2010)

Erin K. Hogan

The Two cines con niño

Genre and the Child Protagonist in Fifty Years of Spanish Film (1955–2010)

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Erin K. Hogan, University of Maryland, Baltimore

Publisher:: Edinburgh University Press
Online publication date:: May 2021
Print publication year:: 2018
Online ISBN:: 9781474436120

Subjects:: Film, Film, Media, Mass Communication

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The Two cines con niño is the first genre study of Spanish-language child-starred cinemas. It illuminates continuities in the political use of the child protagonist in over fifty years of Spanish cinema and how the child-starred genres use the concept of childhood to retrospectively define the nation and its future.

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The Two cines con niño

Genre and the Child Protagonist in Fifty Years of Spanish Film (1955–2010)

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Frontmatter
pp i-iv

Contents
pp v-v

List of Figures
pp vi-vii

Acknowledgements
pp viii-ix

Figure Permissions
pp x-x

Introduction The Two Cines Con Niño: The Ventriloquism, Dialogism and Biopolitics of the Children of Franco in Genre Film
pp 1-21

1 - The Black Market and the Stolen Children of Franco in Demonios En El Jardín
pp 22-38

2 - The Appropriative and Carnivalesque Ventriloquism of Altar Boys from Joselito in El pequeño ruiseñor to Ignacio in La mala Educación
pp 39-63

3 - Ventriloquism, Kidnapping and the Carnivalesque in Marisol’s Tómbola
pp 64-87

4 - Adopting, Adapting and Appropriating in the cines con niño: Un rayo de luz and El viaje de Carol
pp 88-106

5 - Prosopopeia and the Gothic Child from Marcelino pan y vino to El Orfanato
pp 107-127

6 - Dialogism and Ritual Function of the Nuevo Cine Con Niño: El Espíritu De La Colmena, Secretos Del Corazón And El Laberinto Del Fauno
pp 128-140

7 - Queering Post-war Childhood in Urte Ilunak and Pa Negre
pp 141-163

8 - The Transatlantic Dialogism in Narrative and Aesthetics of Bildungsfilms: La Lengua De Las Mariposas, Machuca, El Espíritu De La Colmena, El Premio, El Laberinto Del Fauno And Infancia Clandestina
pp 164-199

Conclusion Spanish Movies: Genre, Nation and Spanish Movie
pp 200-209

Select Filmography
pp 210-215

Select Bibliography
pp 216-231

Index
pp 232-236

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The Two cines con niño

Genre and the Child Protagonist in Fifty Years of Spanish Film (1955–2010)

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