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  • Cited by 13
Publisher:
Cambridge University Press
Online publication date:
March 2014
Print publication year:
2011
Online ISBN:
9780511842313

Book description

Shelley's drafts and notebooks, which have recently been published for the first time, are very revealing about the creative processes behind his poems, and show - through illustrations and doodles - an unexpectedly vivid visual imagination which contributed greatly to the effect of his poetry. Shelley's Visual Imagination analyzes both verbal script and visual sketches in his manuscripts to interpret the lively personifications of concepts such as 'Liberty', 'Anarchy', or 'Life' in his completed poems. Challenging the persistent assumption that Shelley's poetry in particular, and Romantic poetry more generally, reject the visual for expressive voice or music, this first full-length study of the drafts and notebooks combines criticism with a focus upon bibliographic codes and iconic pages. The product of years of close examination of these remarkable texts, this much-anticipated book will be of great value for all students of Shelley and all those interested in the Romantic process of creation.

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Contents

Bibliography
Facsimiles
Bodleian Shelley manuscripts
Shelley, Percy Bysshe. Ed. Reiman, Donald H.. BSM I: MS. Shelley adds. c. 5 fols. 50–69; MS. Shelley adds. c. 4 fols. 18–58. Peter Bell the Third and The Triumph of Life. (New York: Garland, 1986.)
Shelley, Percy Bysshe. Murray, E. B. ed. BSM IV: A Facsimile of Bodleian MS. Shelley D. 1. 2 vols. (New York: Garland, 1988.)
Shelley, Percy Bysshe. Adamson, Carlene, ed. BSM V: The Witch of Atlas Notebook [adds. e. 6]. (New York: Garland, 1997.)
Shelley, Percy Bysshe. Adamson, Carlene, ed. BSM VI: Shelley's Pisan Winter Notebook (1820–21), A Facsimile of Bodleian MS. Shelley adds. e. 8. (New York: Garland, 1992.)
Shelley, Percy Bysshe. Reiman, Donald H., ed. BSM VII: Shelley's Last Notebook, Bodleian MS. Shelley adds. e. 20. (New York: Garland, 1990.)
Shelley, Percy Bysshe. Tokoo, Tatsuo, ed. BSM VIII: Bodleian MS. Shelley adds. d.3, The Revolt of Islam Fair/Press Copy. (New York: Garland, 1988.)
Shelley, Percy Bysshe. Fraistat, Neil, ed. BSM IX: The ‘Prometheus’ Notebooks of Percy Bysshe Shelley. (New York: Garland, 1992.)
Shelley, Percy Bysshe. Erkelenz, Michael, ed. BSM XI: The Geneva Notebook of Percy Bysshe Shelley: Bodleian MS. Shelley adds. e. 16 and MS. Shelley adds. c. 4, folios 63, 65, 71, and 72. (New York: Garland, 1992.)
Shelley, Percy Bysshe. Tokoo, Tatsuo, ed. BSM XIII: Drafts for ‘Laon and Cythna,’ Facsimiles of Bod. MSS. Shelley adds. e. 14 and adds. e. 19. (New York: Garland, 1992.)
Shelley, Percy Bysshe. Dawson, P. M. S. and Webb, Timothy, eds. BSM XIV: Shelley's ‘Devils’ Notebook: Bodleian MS. Shelley adds. e. 9. (New York: Garland, 1993.)
Shelley, Percy Bysshe. Jones, Steven E., ed. BSM XVII: Drafts for ‘Laon and Cythna ’, Cantos V–XII: Bod. MS. Shelley adds. e. 10. (New York: Garland, 1994.)
Shelley, Percy Bysshe. Goslee, Nancy Moore, ed. BSM XVIII : The ‘Homeric Hymns’ and ‘Prometheus’ Drafts Notebook. (New York: Garland, 1996.)
Shelley, Percy Bysshe.Tokoo, Tatsuo. BSM XXIII : A Catalogue and Index of the Shelley Manuscripts in the Bodleian Library and a General Index to the Facsimile Edition of the Bodleian Shelley Manuscripts, Volumes I–XXII, with Barker-Benfield, B. C., Shelleyan Writing Material in the Bodleian Library. (New York and London: Routledge, 2002.)
Other facsimiles of Shelley's works
Shelley, Percy Bysshe. The Noel Douglas Replicas: Percy Bysshe Shelley, Adonais, reproduced from the British Museum copy. (London: Percy Lund, Humphries, and Co., 1927.)
Shelley, Percy Bysshe. The Shelley Notebook in the Harvard College Library, Reproduced with Notes and a Postscript by George Edward Woodberry. (Cambridge, MA: John Barnard Associates, 1929.)
Shelley, Percy Bysshe. Reiman, Donald H., ed. Percy Bysshe Shelley, Volume II: The Mask of Anarchy, Facsimiles of the Intermediate Fair-Copy Holograph … . the Press-Copy Transcription by Mary W. Shelley, … and Proofs of the First Edition. (New York: Garland, 1985.)
Shelley, Percy Bysshe. Quinn, Mary A., ed. Percy Bysshe Shelley, Volume IV: The Mask of Anarchy Draft Notebook, a Facsimile of Huntington MS. HM 2177. (New York: Garland, 1990.)
Shelley, Percy Bysshe. Reiman, Donald H., ed. Percy Bysshe Shelley, Volume V: The Harvard Shelley Poetic Manuscripts. (New York: Garland, 1991.)
Shelley, Percy Bysshe. Reiman, Donald H. and O'Neill, Michael, eds. Percy Bysshe Shelley, Volume VIII: Fair-Copy Manuscripts of Shelley's Poems in European and American Libraries. (New York: Garland, 1997.)
Editions of Shelley's poetry and Letters
Shelley, Percy Bysshe. Alastor; or the Spirit of Solitude and other poems. (London: Baldwin, Cradock and Joy: Carpenter and son, 1816.)
Shelley, Percy Bysshe. Poetical Works of Percy Bysshe Shelley. Ed. H. Buxton, Forman. 2 vols. (London: Reeves and Turner, 1882.)
Shelley, Percy Bysshe. The Complete Poetry of Percy Bysshe Shelley. Ed. Reiman, Donald H. and Fraistat, Neil. (Volume i, 2000; Volume ii, 2004. Baltimore and London: Johns Hopkins University Press.)
Shelley, Percy Bysshe. Ed. Frederick, Jones. The Letters of Percy Bysshe Shelley. 2 vols. (Oxford. Clarendon Press, 1964.)
Shelley, Percy Bysshe. The Poems of Shelley. Ed. Geoffrey, Matthews and Everest, Kelvin. 2 vols. to date. (London: Longman, 1989, 2000.)
Shelley, Percy Bysshe. Queen Mab. London: Printed by P. B. Shelley, 1813. Pforzheimer copy with holograph revisions.
Shelley, Percy Bysshe. Shelley: Poetical Works. Oxford Standard Authors. Ed. Thomas, Hutchinson. 2nd edn. rev. G. M. Matthews. (Oxford University Press, 1970.)
Shelley, Percy Bysshe. Shelley's Poetry and Prose, 2nd edn. (Reiman, Donald H. and Neil Fraistat, eds.) (New York: Norton, 2002.)
Shelley, Percy Bysshe. The Works of Percy Bysshe Shelley in Verse and Prose. Ed. H. Buxton, Forman. 8 vols. (London: Reeves and Turner, 1880.)
Works by other authors
Abrams, M. H.The Mirror and the Lamp: Romantic Theory and the Critical Tradition. (New York: Oxford University Press, 1953.)
Adams, Elizabeth Bryding. The Dwight and Lucille Beeson Wedgwood Collection at the Birmingham Museum of Art. (Birmingham, AL: Birmingham Museum of Art, 1992.)
Allert, Beate, ed. Languages of Visuality: Crossings Between Science, Art, Politics, and Literature. (Detroit: Wayne State University Press, 1996.)
Anon. Ed. Osborn, James M.. The Quenes Maiesties Passage through the Citie of London to Westminster the Day before her Coronacion, intro. Sir John Neale. (New Haven: Yale University Press for the Elizabethan Club, 1960.)
,Augustine. De Civitate Dei: English and Latin. Books 16–18, tr. Sanford, C. M. and Green, W. M.. (Cambridge, MA: Harvard University Press, 1967–72.) v.
Bacon, Francis. “Of Masques and Triumphs.” In Works. 15 vols. Ed. Spedding, J. R.. (Ellis, Tr. L., and Heath, D. D.), (Boston: Houghton, Mifflin, 1900–.) Vol. xii, 209–11.
Balfour, Ian. The Rhetoric of Romantic Prophecy. (Stanford University Press, 2002.)
Baker, Carlos. Shelley's Major Poetry: The Fabric of a Vision. (1948; rpt. Princeton University Press, 1966.)
Barkan, Leonard. The Gods Made Flesh: Metamorphosis and the Pursuit of Paganism. (New Haven: Yale University Press, 1986.)
Barker-Benfield, B. C. Shelley's Guitar: A Bicentenary exhibition of manuscripts, first editions, and relics of Percy Bysshe Shelley. (Oxford: Bodleian Library, 1992.)
Barrell, John. The Political Theory of Painting from Reynolds to Hazlitt: The Body of the Public. (New Haven: Yale University Press, 1986.)
Beattie, James. Essays on the Nature and Immutability of Truth, in Opposition to Sophistry and Scepticism. On Poetry and Music, as they affect the Mind. On Laughter, and Ludicrous Composition. On the Utility of Classical Learning. (Edinburgh: William Creech, 1776.)
Behrendt, Stephen C., ed., Romanticism, Radicalism, and the Press. (Detroit: Wayne State University Press, 1989.)
Behrendt, Stephen C..Shelley and his Audiences. (Lincoln and London: University of Nebraska Press, 1989.)
Belchem, John. “Orator” Hunt: Henry Hunt and English Working-Class Radicalism. (Oxford: Clarendon Press, 1985.)
Bennett, Betty T. and Curran, Stuart, eds. Shelley: Poet and Legislator of the World. (Baltimore: Johns Hopkins University Press, 1996.)
Bindman, David. The Shadow of the Guillotine: Britain and the French Revolution. (London: British Museum Publications, 1989.)
Blake, William. The Marriage of Heaven and Hell. www.Blakearchive.org.
Blake, WilliamBlank, G. Kim, ed. The New Shelley: Later Twentieth Century Views. (London: Macmillan, 1991.)
Bloom, Harold. Shelley's Mythmaking. (New Haven: Yale University Press, 1959.)
[Bonca], Teddi Chichester. “Shelley's Imaginative Transsexualism in Laon and Cythna.”Keats–Shelley Journal 45 (1996): 77–101.
[Bonca], Teddi Chichester. Shelley's Mirrors of Love. (Albany: State University of New York Press, 1999.)
Bornstein, George, and Williams, Ralph G., eds. Palimpsest: Editorial Theory in the Humanities. Ann Arbor: University of Michigan Press, 1993.
Bornstein, George, and Tinkle, Theresa, eds. The Iconic Page in Manuscript, Print, and Digital Culture. (Ann Arbor: University of Michigan Press, 1998.)
Bradley, A. C.“Notes on Shelley's ‘Triumph of Life.’”MLR 9 (1914): 441–56.
Brenkman, John, Culture and Domination. (Ithaca: Cornell University Press, 1987.)
Brennan, Theresa and Jay, Martin. Vision in Context: Historical and Contemporary Perspectives on Sight. (New York and London: Routledge, 1996.)
Brew, Claude C., Shelley and Mary in 1817. The ‘Dedication’ of ‘The Revolt of Islam.’ (London: Keats–Shelley Association, 1971.)
Brown, Nathaniel. “The ‘Brightest Colours of Intellectual Beauty’: Feminism in Peacock's Novels.”The Keats–Shelley Review 2 (Autumn 1987): 91–104.
Brown, Richard E.“The Role of Dante in Epipsychidion.”Comparative Literature 30, no. 3 (Summer 1978): 223–35.
Bryson, Norman. Word and Image: French Painting of the Ancien Regime. (Cambridge University Press, 1981.)
Burke, Edmund. Ed. James, Boulton. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and the Beautiful. (1958; rpt. Oxford: Blackwell, 1987.)
Burke, Peter, Fabrications of Louis XIV. (New Haven: Yale University Press, 1992.)
Busco, Marie. Sir Richard Westmacott, Sculptor. (Cambridge University Press, 1994.)
Bushell, Sally. Text as Process: Creative Composition in Wordsworth, Tennyson, and Dickinson. (Charlottesville: University of Virginia Press, 2009.)
Butler, Marilyn. Introduction and Appendix to Mary Shelley, Frankenstein, the 1818 Text. (Oxford University Press, 1998.)
Butter, Peter. Shelley's Idols of the Cave. (1954; rpt. New York: Haskell House, 1969.)
Byron, George Gordon, Lord. Ed. McGann, Jerome J.. The Complete Poetical Worksiv. (Oxford University Press, 1980–.)
Calé, Luisa. Fuseli's Milton Gallery: ‘Turning Readers into Spectators.’ (Oxford: Clarendon Press, 2006.)
Cameron, Kenneth Neill. Shelley: The Golden Years. (Cambridge, MA: Harvard University Press, 1974.)
Cameron, Kenneth Neill. “The Queen of the Universe: Shelley's Revised Queen Mab.” In Cameron, Kenneth Neil, ed., Shelley and his Circle, iv. (Cambridge, MA: Harvard University Press, 1970). 494–558.
Cameron, Kenneth Neill. The Young Shelley: Genesis of a Radical. (1950; rpt. New York: Collier, 1962.)
Carnicelli, D. D.Lord Morley's Tryumphes of Fraunces Petrarke. (Cambridge, MA: Harvard University Press, 1971.)
Castle, Terry. The Female Thermometer: Eighteenth Century Culture and the Invention of the Uncanny. (Oxford University Press, 1995.)
Chase, Cynthia. Decomposing Figures: Rhetorical Readings in the Romantic Tradition. (Ithaca: Cornell University Press, 1986.)
Chernaik, Judith and Timothy, Burnett. “The Byron and Shelley Notebooks in the Scrope Davies Find.”Review of English Studies, n.s. 29, no. 113 (February 1978): 36–49.
Chernaik, Judith and Timothy, Burnett. The Lyrics of Shelley. (Cleveland and London: Case Western Reserve University Press, 1972.)
Clairmont, Claire. Ed. Marion Kingston, Stocking, asst. by David Mackenzie Stocking. The Journals of Claire Clairmont. (Cambridge, MA: Harvard University Press, 1968.)
Clark, Timothy. Embodying Revolution: The Figure of the Poet in Shelley. (Oxford Clarendon Press, 1989.)
Clark, Timothy and Hogle, Jerrold, eds. Evaluating Shelley. (Edinburgh University Press, 1996.) 132–51.
Clarke, Edward Daniel. Travels in Various Countries of Europe, Asia, and Africa. 4th edn. 11 vols. (London: Cadell and Davies, 1817–24.)
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Colbert, Benjamin. Shelley?s Eye: Travel Writing and Aesthetic Vision. (Aldershot: Ashgate, 2005.)
Colwell, Frederick S.“Shelley on Sculpture: The Uffizi Notes.”Keats–Shelley Journal 28 (1979): 59–77.
Cox, Jeffrey N.Poetry and Politics in the Cockney School: Keats, Shelley, Hunt, and their Circle. (Cambridge University Press, 1998.)
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