Contents

pp iii-iv

List of Illustrations

pp v-viii

Acknowledgments

pp ix-x

1 - Introduction: Replication in the Long Nineteenth Century – Re-makings and Reproductions

pp 1-20

I - Replication and Networks

pp 21-22

2 - Replication of Things: The Case for Composite Biographical Approaches

pp 23-45

3 - Transatlantic Autograph Replicas and the Uplifting of American Culture

pp 46-66

4 - “Petty Larceny” and “Manufactured Science”: Nineteenth-Century Parasitology and the Politics of Replication

pp 67-83

5 - Portraying and Performing the Copy, c. 1900

pp 84-100

II - Replication and Technology

pp 101-102

6 - Replicating Tennyson's The Princess, 1847–1853

pp 103-121

7 - Paisley / Kashmir: Mapping the Imitation-Indian Shawl

pp 122-143

8 - William Morris and the Form and Politics of Replication

pp 144-161

9 - Text and Media Replication During the U.S.–Mexican War, 1846–1848

pp 162-178

III - Replication and Authenticity

pp 179-180

10 - Literary Replication and the Making of a Scientific “Fact”: Richard Owen's Discovery of the Dinornis

pp 181-194

11 - Copying from Nature: Biological Replication and Fraudulent Imposture in Grant Allen's An African Millionaire

pp 195-212

12 - The Failure of Replication in Nineteenth-Century Literature: Why It All Just Comes Out Wrong

pp 213-228

IV - Replication and Time

pp 229-230

13 - “Seeking Nothing and Finding It”: Moving On and Staying Put in Mugby Junction

pp 231-247

14 - The Origins of Replication in Science

pp 248-268

15 - Fathers, Sons, Beetles, and “a family of hypotheses”: Replication, Variation, and Information in Gregory Bateson's Reading of William Bateson's Rule

pp 269-288

16 - Afterword: The Implications of Nineteenth-Century Replication Culture

pp 289-293

Notes on Contributors

pp 294-298

Index

pp 299-310