Remembering Popular Music's Past: Memory-Heritage-History

Remembering Popular Music's Past

Memory-Heritage-History

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Edited by Lauren Istvandity, Sarah Baker, Zelmarie Cantillon

Publisher:: Anthem Press
Online publication date:: July 2019
Print publication year:: 2019
Online ISBN:: 9781783089703

Subjects:: Music, Music Criticism

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Remembering Popular Music’s Past capitalizes on the growing interest, globally, in the preservation of popular music’s material past and on scholarly explorations of the ways in which popular music, as heritage, is produced, legitimized and conferred cultural and historical significance. The chapters in this collection consider the spaces, practices and representations that constitute popular music heritage to elucidate how popular music’s past is lived in the present. Thus the focus is on the transformation of popular music into heritage, and the role of history and memory in this process. The cultural studies framework adopted in Remembering Popular Music’s Past encompasses unique approaches to popular music historiography, sociology, film analysis, and archival and museal work. Broadly, the collection deals with the precarious nature of popular music heritage, history and memory.

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Contents

Frontmatter
pp i-iv
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Contents
pp v-vi
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List of Figures
pp vii-viii
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Acknowledgements
pp ix-x
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Chapter 1 - The Precarity of Memory, Heritage and History in Remembering Popular Music's Past
pp 1-8
- By Lauren Istvandity, postdoctoral research fellow at Queensland Conservatorium Research Centre, Griffith University, Australia, Zelmarie Cantillon, postdoctoral research fellow in the School of Humanities, Languages and Social Science at Griffith University, Australia.
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Part I - MEMORY
pp 9-10
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Chapter 2 - Consuming Popular Music Heritage
pp 11-26
- By Paul Long, professor of media and cultural history at Birmingham City University
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Chapter 3 - ‘Back in the Day’: Experiencing and Retelling the Past as a Claim to Belong in the Current Northern Soul Scene
pp 27-40
- By Sarah Raine, Birmingham City University
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Chapter 4 - Resilience and Change: Popular Folk Songs in a Cultural Landscape
pp 41-54
- By Ashton Sinamai, Zimbabwean archaeologist who is currently an adjunct research fellow with the College of Humanities, Arts and Social Sciences at Flinders University, Australia, John Schofield, Archaeology Department at the University of York
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Chapter 5 - Remembering the Independent Record Shop: The Ordinary Affects of Leedin Records
pp 55-68
- By Adele Pavlidis, Griffith Centre for Social and Cultural Research
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Chapter 6 - Mean Streets as Heritage Object: Music, Nostalgia and the Museumification of Martin Scorsese
pp 69-82
- By Amanda Howell, School of Humanities, Languages and Social Science, Griffith University
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Part II - HERITAGE
pp 83-84
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Chapter 7 - Mark II: Reworking the Heritage B(r)and
pp 85-100
- By Shane Homan, School of Media, Film and Journalism at Monash University, Australia
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Chapter 8 - The Continually Precarious State of the Musical Object
pp 101-114
- By Charles Fairchild, associate professor of popular music at the University of Sydney
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Chapter 9 - Showing Off: Taking Popular Music Research into the Museum
pp 115-130
- By Peter Doyle, Macquarie University, Sydney
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Chapter 10 - Preserving Icelandic Popular Music Heritage: Issues of Collection, Access and Representation
pp 131-144
- By Zelmarie Cantillon, postdoctoral research fellow in the School of Humanities, Languages and Social Science at Griffith University, Australia, Bob Buttigieg, PhD from Griffith University, Australia., Sarah Baker, professor of cultural sociology at Griffith University, Australia
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Chapter 11 - Questioning the Future of Popular Music Heritage in the Age of Platform Capitalism
pp 145-158
- By Raphaël Nowak, cultural sociologist and postdoctoral researcher at the Griffith Centre for Social and Cultural Research
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Part III - HISTORY
pp 159-160
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Chapter 12 - Jim Jarmusch's Mystery Train (1989): Representing the Memphis Music Legacy on Film
pp 161-174
- By Adriano Tedde, PhD candidate at Griffith University in Brisbane, Australia., David Baker, School of Humanities, Languages and Social Science at Griffith University.
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Chapter 13 - Phenomenology of the Surf Ballroom's Winter Dance Party: Affect and Community at a Popular Music Heritage Tourism Event
pp 175-188
- By Sheryl Davis, Rock and Roll Hall of Fame Library and Archives., Sherry Davis, Ohio University, Zelmarie Cantillon, Griffith University
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Chapter 14 - Disappearing History: Two Case Studies on the Precarity of Music Writing
pp 189-202
- By Ian Rogers, PhD from the University of Queensland
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Chapter 15 - Great Albums, Greedy Collectors and Gritty Sounds? A View from ‘Snobbish Connoisseurs’ on the Canonization and Archivalism of Korean Pop-Rock
pp 203-216
- By Hyunjoon Shin, Institute for East Asian Studies (IEAS) at Sungkonghoe University., Keewoong Lee, Institute for East Asian Studies, Sungkonghoe University in South Korea.
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Chapter 16 - Towards a Feminist History of Popular Music: Re-examining Writing on Musicians and Domestic Violence in the Wake of #MeToo
pp 217-232
- By Catherine Strong, RMIT University, Melbourne
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List of Contributors
pp 233-236
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Index
pp 237-244
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Remembering Popular Music's Past

Memory-Heritage-History

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Contents

Frontmatter
pp i-iv

Contents
pp v-vi

List of Figures
pp vii-viii

Acknowledgements
pp ix-x

Chapter 1 - The Precarity of Memory, Heritage and History in Remembering Popular Music's Past
pp 1-8

Part I - MEMORY
pp 9-10

Chapter 2 - Consuming Popular Music Heritage
pp 11-26

Chapter 3 - ‘Back in the Day’: Experiencing and Retelling the Past as a Claim to Belong in the Current Northern Soul Scene
pp 27-40

Chapter 4 - Resilience and Change: Popular Folk Songs in a Cultural Landscape
pp 41-54

Chapter 5 - Remembering the Independent Record Shop: The Ordinary Affects of Leedin Records
pp 55-68

Chapter 6 - Mean Streets as Heritage Object: Music, Nostalgia and the Museumification of Martin Scorsese
pp 69-82

Part II - HERITAGE
pp 83-84

Chapter 7 - Mark II: Reworking the Heritage B(r)and
pp 85-100

Chapter 8 - The Continually Precarious State of the Musical Object
pp 101-114

Chapter 9 - Showing Off: Taking Popular Music Research into the Museum
pp 115-130

Chapter 10 - Preserving Icelandic Popular Music Heritage: Issues of Collection, Access and Representation
pp 131-144

Chapter 11 - Questioning the Future of Popular Music Heritage in the Age of Platform Capitalism
pp 145-158

Part III - HISTORY
pp 159-160

Chapter 12 - Jim Jarmusch's Mystery Train (1989): Representing the Memphis Music Legacy on Film
pp 161-174

Chapter 13 - Phenomenology of the Surf Ballroom's Winter Dance Party: Affect and Community at a Popular Music Heritage Tourism Event
pp 175-188

Chapter 14 - Disappearing History: Two Case Studies on the Precarity of Music Writing
pp 189-202

Chapter 15 - Great Albums, Greedy Collectors and Gritty Sounds? A View from ‘Snobbish Connoisseurs’ on the Canonization and Archivalism of Korean Pop-Rock
pp 203-216

Chapter 16 - Towards a Feminist History of Popular Music: Re-examining Writing on Musicians and Domestic Violence in the Wake of #MeToo
pp 217-232

List of Contributors
pp 233-236

Index
pp 237-244

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Memory-Heritage-History

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