Book contents
- Frontmatter
- Dedication
- Contents
- List of Tables and Figures
- List of Musical Examples
- Acknowledgements
- Note on the Text
- Introduction
- 1 An Intellectual and Aesthetic Formation: From Student Composer to Music Critic
- 2 Symphony in C and Discourses of the French Symphony
- 3 L’Apprenti sorcier and Theorising a Theatre of Programme Music
- 4 Piano Works in Dialogue with Tradition
- 5 Ariane et Barbe-Bleue and Conceptualising Opera after Wagner and Debussy
- 6 Dance between the Symphonic Poem and Stage: Responding to Russian Influence
- 7 After the First World War: Creative Renewal and Return to Music Criticism
- Afterword
- Bibliography
- Index
Index
Published online by Cambridge University Press: 18 January 2023
- Frontmatter
- Dedication
- Contents
- List of Tables and Figures
- List of Musical Examples
- Acknowledgements
- Note on the Text
- Introduction
- 1 An Intellectual and Aesthetic Formation: From Student Composer to Music Critic
- 2 Symphony in C and Discourses of the French Symphony
- 3 L’Apprenti sorcier and Theorising a Theatre of Programme Music
- 4 Piano Works in Dialogue with Tradition
- 5 Ariane et Barbe-Bleue and Conceptualising Opera after Wagner and Debussy
- 6 Dance between the Symphonic Poem and Stage: Responding to Russian Influence
- 7 After the First World War: Creative Renewal and Return to Music Criticism
- Afterword
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- Paul DukasComposer and Critic, pp. 277 - 290Publisher: Boydell & BrewerPrint publication year: 2019